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Towards the Light (Chinese: 向着光亮那方) aka "Towards the Bright Side" is a song recorded by Chinese singer Xu Weizhou. The single was officially released  Producer(s)‎: ‎Liu Tong.
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We can miss the light that is beside us through some inattention or distraction. Let us give up all the things we prefer to do under cover of the dark [7]. In Advent we are being trained to be attentive to the light. We allow the light ahead of us and in front of us truly to guide us and to direct our life.

Let us live decently as people do in the. Our focus on the light of Christ is a way of living vigilantly.


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We are on the watch for Jesus. He is very close but we might miss him.

Moving Towards the Light – Karen Berg – Global Leader in Spirituality

You must stand ready because the Son of Man is coming at an hour you do not expect [9]. We are preoccupied with other things. His approach is usually gentle and is always very respectful of our freedom. The light of Christ is not glaring. We marvel at the Lord and his doings but he does not customarily dazzle us. He enters our life discreetly. Like a burglar, he acts clandestinely. Jesus however is not a robber. Stealthily he comes to enrich us. Imperceptibly, like a thief in the night, he unveils our dearest possession. By the light of Christ, we discover the truth about who he is and what he seeks to do for us.

Like a vigilant householder we stay awake for the arrival of this most welcome intruder [10]. We watch for the light. When we see it at last we realise that it is bright enough for us to live by. The Lord who is the light of our life reveals himself to us peacefully. However once recognised, Jesus transforms everything for us. Let us arm ourselves and appear in the light [11]. Yet it is God who draws near.

The Lord of the universe reaches down to us. His mastery dawns on us. We are learning not to underestimate the divine power which communicates itself so mildly. We are commanded to welcome Jesus, the Son, in peace. He will wield authority over the nations and adjudicate between many peoples; these will hammer their swords into ploughshares, their spears into sickles [12]. This website uses cookies to improve user experience. By using our website you consent to all cookies in accordance with our Cookie Policy. It looks like you are located in Australia or New Zealand Close.

Visit the Australia site Continue on UK site. Note: Chapter three was previously published in Beatdom. I will be treating the concept of transcendence in this dissertation as the quality of surpassing ordinary limits, e.

A distinctive voice that blends English choral music with African rhythms

The closer we come to grasping Ginsbergian spirituality, complex though it may be, the better-equipped we grow to move towards light — an underlying sense of hope and beauty at the heart of our human condition — when faced with scenarios in which bleakness would threaten to obscure it, whether on a personal, societal or even global scale.

For example, the intent to liberate self-expression for non-heteronormative sexual identities or to accurately depict the stigmatized world of contemporary subculture carries more weight when it is an endeavour bound up with transcendent motivations, rendering a reader further invested as he or she feels more to be at stake. While much of his poetry presents spirituality in fascinating ways, these two longer poems most clearly invite discussion due to their breadth of content.

He frequently expresses an acute awareness of what words do, and how they are used in poetic function. Linked with this, I have also carefully considered how he innovates form, and the integral part that such formal arrangements play in his communication of ideas. My overall aim is to reveal how spiritual conscience as portrayed in the poetry of Allen Ginsberg is far from stilted, flat or dogmatic, but spurns these qualities in favour of a complex, burning source of light, whose many facets prompt us to continue contemplating questions of spirituality and its place in the world around us instead of preaching doctrine to be blindly received.

Thematically as well as formally, the poem is permeated by a spirit of rebellion. Through using an utterance that is closer to essential sensation than descriptive words, Ginsberg intentionally casts this poem as a raw and carnal entity. Such a fraught identity is mirrored in its critical reception. The light that this poem offers is no flashy torchlight aimed at entrancing impressionable beatnik youths, but beams across decades to all. Much of its continual relevance emerges in more recent critical discussions.

This contributes greatly to its spiritual status, echoing notions of the prophetic. It probably bugs Williams now. Indeed, he implies that spiritual revelation is not the reception of commonly-accepted wisdom but an active quest intimately linked with human vitality. Ginsberg was keen to present himself as a prophet for these voices, which had previously lacked a literary platform.

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Rather than simply describing urban bohemia in a series of vignettes, its impression is evoked through a form bursting with passion, creativity and unbridled sexuality. Ginsberg foregrounds the fusion of this Buddhist ideal of asceticism, and uncovering more truth through possessing less, with mainstream popular culture. It has both dynamic solo power and exists as part of the wider discourse of US literature and culture, commenting on mainstream values and forcing their re-appraisal. The text Cruising Utopia connects the disruption of linear chronology with the liberation of queer identity:.

To see queerness as horizon is to perceive it as a modality of ecstatic time in which the temporal stranglehold that I describe as straight time is interrupted or stepped out of.

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Yet on another, he is re-expressing in more direct terms a queer spirituality previously conjured in the poetry of Walt Whitman over a century earlier. Ginsberg implies an emotional connection with his mother created by their mutual occupation of spheres deemed unacceptable by mainstream society — she in madness, and he in homosexuality.

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Religious conceit is explicitly employed as Yiddish is interspersed with viscerally personal, anecdotal modern imagery. In universalizing spirituality, Ginsberg ensures that no reader is excluded, offering insight to all in a mood of open-armed inclusiveness.