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Table of contents
- Bob's Blague
- VMSN by VernonMorning Star - Issuu
- Meaning of "bittersweetness" in the English dictionary
Wilbur's verse is esteemed for its fluency, wit, and optimism; his ingeniously rhymed translations of French drama by Moliere, Racine, and Corneille remain the most often staged in the English-speaking world; his essays possess a scope and acumen equal to the era's best criticism. This biography examines the philosophical and visionary depth of his world-renowned poetry and traces achievements spanning seventy years, from political editorials about World War II to war poems written during his service to his theatrical career, including a contentious collaboration with Leonard Bernstein and Lillian Hellman.
Wilbur's life has been mistakenly seen as blessed, lacking the drama of his troubled contemporaries. Let Us Watch Richard Wilbur corrects that view and explores how Wilbur's perceived ""normality"" both enhanced and limited his achievement. The authors augment the life story with details gleaned from access to his unpublished journals, family archives, candid interviews they conducted with Wilbur and his wife, Charlee, and his correspondence with Robert Lowell, Elizabeth Bishop, John Berryman, John Malcolm Brinnin, James Merrill, and others.
Bacchae Euripides, Robert Bagg. Body Blows Robert Bagg. The fact is, though, the popular perception of Oneohtrix Point Never is somewhat inaccurate. Whatever its context, whatever its influences and affiliations, Returnal is musically magnificent. A genuinely uncanny false memory — a glimpse of an improbable past or the very possibility of a future.
Bob's Blague
And the album of the year. Buy it from Forced Exposure. Kinda creepy and wrong. Really though, who would have thought Seefeel would turn up and release the best single of the year Faults? Around the same time, glitch — the sub-genre of experimental electronica that Oval basically invented — was seriously running out of creative steam. Perhaps sensing this, Popp only recently managed to break his creative and theoretical deadlock — and he did so by almost completely reinventing the Oval project.
Oval was always a critical project — one dedicated to a thorough but non-aggressive deconstruction of its chosen subject matter.
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But whereas the subject matter of Oval in the 90s was digital audio , the reboot zoomed in on music itself. The really shocking thing for many long-term fans was the appearance of four-square rhythms, pounded out on a real live drum set. Oval with acoustic guitars? What is this — a Gastr Del Sol record??? The two main modes of post-dubstep strangeness seem to be obnoxious quirkiness aka wonky and a strangely emo tendency towards doleful emotionalism everyone who wants to be the next Burial — you know who you are, emostep culprits!
Not that this stuff is bad per se — much of it is actually very enjoyable. It just seems a little cheap somehow; lacking in charm. On first listen, it all seems a bit off-hand; throwaway — short 36 minutes , light and bouncy. Listen a few times, though and it reveals itself to be ingenious, open-hearted and infectiously funky. And then it apologizes for the inconvenience. There are distinctly indie-rock-friendly elements here not least: guitars. With many dance music acts, these would come across as cynical attempts to court the lucrative middlebrow market.
But with Mount Kimbie, it all seems like a natural upshot of sincere musical interests. They seem like the types to shrug something like that off and go back to doing what they actually want to be doing. Whatever that turns out to be in the future, you should be listening. His output ranges from orchestral soundtrack music, to arid digital electronica, to acoustic Depeche Mode covers!
With its sparse, glitchy electronics and rich, declamatory vocals, Singular Forms is heavily, heavily in debt to the recent work of Scott Walker and — especially — David Sylvian. Singular Forms is courageous, impressive and often incredibly beautiful. Cunningham — who is the high priest of compression-as-psychedelia. Splazsh perfectly embodies the pressure cooker atmosphere of a long, hot urban summer.
While Cunningham is often identified as a post-dubstep artist, his beats have the straight-ahead drive of house music and his sample-mangling techniques recall both classic hip-hop and glitch. But what this sounds most like — usually for better, occasionally for worse — is today. Splazsh is a flagrantly contemporary record; a pointedly digital, pointedly lo-fi burst of colour and energy.
It should be obnoxious, thin and abrasive. His live performance at the Decibel festival in Seattle was one of the highlights of the year, too. On Endless Falls , Loscil continues this aspect of his explorations but displays a new willingness to let the instruments be themselves, rather than merging them into the overall field of sound.
His work is all about gradual development, after all — inky loops incrementally gaining density over repetitive but intricate rhythmic patter n s.
And unlike all previous Loscil albums, this one is available on vinyl. Which makes it the one to get, if only by default.
VMSN by VernonMorning Star - Issuu
This year, Meissner made the rather perverse move of releasing a rather more accessible and musically conventional version of the same album exclusively on vinyl. Theoretically, this could have resulted in some sub-Portishead dinner party music. Fierce intelligence, a palpable sense of dramatic tension, thematic cohesiveness, a non-specific sense of melancholy and an ongoing commitment to no-holds-barred abstraction all conspire to steer this LP way clear of any tepid socializing.
But most of the current crop of more-interesting-than-you-might-expect indie rockers are really only good for a song or two, usually downloadable from The Hype Machine. Autumn Again is a good one to seek out. This seems hard to believe because — as the subtitle Pop Songs suggests — Autumn Again contains some of the catchiest tunes ASDiG has ever written. Perhaps it makes sense, though. Ashes Grammar was like one huge ebbing, flowing unified whole. The discrete pop songs featured here might get lost in that oceanic mass — they fare better in this slimmed-down, compartmentalized context.
Other than that, this release represents sonic business as usual: multi-tracked, half-buried vocals, heavily processed guitars, imaginative use of electronics and lashes of reverb on everything. And right now, nobody does it better than A Sunny Day in Glasgow. Probably out of print but you can download it for a donation of your choosing.
Meaning of "bittersweetness" in the English dictionary
Whereas those previous releases were goofy, mind-bending and occasionally beautiful, In Stereo is dramatically structured, dynamic and not a little dark. The emphasis is still on chaotic laptop duelling but there seems to be a bit of live instrumentation in the mix too. To be honest, though, the material on the two 2! Instead, it has the feel of someone settling into a sound that will form the basis of a long and productive career.
A beautifully written love letter to his voluminous record collection. Which is a bit weird because TEF has previously showed considerable album-to-album progress. Now, with ten years between albums, Elliott has chosen to give us more of the same. Weird hearing a live crowd whooping along to the steady course of this impeccably un-dynamic music, though.
A stunningly infectious and richly textured comeback by one of the most legendary acts from the early UK post-rock scene. Details here. Compiling an end-of-year list is hard. But they do need to own one — and Landings is the one they need to own. Click here to download the whole damned thing. And enjoy! Well, that appears to be it for another year. December 2, at am 27 comments. A very early Christmas present to you all — or a slightly early Hanukkah present, if you prefer.
In any case, this is great music to wrap gifts by. So, if you hear any stuff you particularly like on these comps and you will , please do the right thing — support the artists by purchasing their work, preferably on vinyl. Consequently, a lot of albums by artists featured on these compilations got re-issued in swanky vinyl and CD editions. The Acid Folk Vol.
Bridget St.
Yes, that Barbara Gaskin. Skullfucker vs. November 29, at am 6 comments. One of the many great things about classic 90s hip-hop is that a lot of it has managed to stay in print on vinyl and CD. Presumably, paid downloads are also easy to come by. Get downloading, have a listen and then go shopping! Rap in the 90s Vol. Eric B. November 13, at am 7 comments. You might also be interested to learn that all six volumes of the UK Post-Rock compilation series are now permanently available for download via this here link.
Maybe there will be another volume available this time next year. But who knows? October 30, at am Leave a comment.