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Selected Stories of Lu Hsun is a collection of English translations of major stories of the Chinese author Lu Xun translated by Yang Hsien-yi and Gladys Yang.
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Lu Xun or Lu Hsun, pronounced "Lu Shun"; has been considered China's greatest modern writer for most of the 20th century. Many of the other authors of fictional works of social criticism popular during the s and s have been at least partially discredited or criticized during the various political movements in China since , but Lu Xun's reputation has remained consistently distinguished. Mao Zedong called him "commander of China's cultural revolution.

But the sophisticated complexity of his writing style, which lends itself to various interpretations, is also an important factor in his achievement of a position of preeminence. Though he was an influential essayist, Lu Xun is best known for his short stories. Chinese writers of the s and s were deeply distressed by the social and political disasters they saw all around them.

Some put all their faith in an ideological movement and wrote propaganda pieces advocating revolution. The most doctrinaire of these works of "revolutionary literature" are hardly literary: They are more concerned with presenting political solutions than with lifelike characters, realistic situations, or deeper insight into human nature. Other writers felt less certain of what solution to propose and used their fiction instead to vividly and sensitively describe the current plight of the Chinese, with the implied intention of stimulating readers to realize the necessity of acting to eliminate such human degradation and corruption.

But Lu Xun chose neither of these options. In the early s, he did not feel absolute optimism that radical social change would occur in China, and he did not project idealized revolutionary heroes or situations in his fiction. Average Rating. Submit Review Submit Review. Check Delivery Status. Dispatched in working days. Availability In Stock. Guaranteed service. International Shipping available. Other Books By Author.

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Monday to Saturday 9. E-Gift Coupon , click here. Insights Insights, Account, Orders. About SapnaOnline. Why Shop at SapnaOnline. Create New Account. A second major theme in the stories is the problem of how members of the intellectual class are to live their lives. A third major theme in the stories is commentary on traditional customs and institutions. The stories look at the specific dysfunctions of particular customs and institutions, and also at the general result in which people are discarded.

An important thread to this preface is his encounters with traditional Chinese medicine and the problems of health care, which bears directly on several stories in the collection. Lu Xun also describes one of his overarching objectives as a writer and social critic: he sees society as "an iron house without windows, absolutely indestructible, with many people fast asleep inside who will soon die of suffocation.

Or will he only make them suffer unnecessarily by intervening? A theme in the story is the nature of reality, and the difficulty of attaining a perspective from which to see reality clearly. A secondary theme is the self-destructiveness of traditional Chinese society, likening it to cannibalism. The story is said to have drawn inspiration from Nikolai Gogol 's story Diary of a Madman. Moreover, it is believed that the writing of this story closely coincides with Lu Xun's personal transition from a focus on medicine to a focus on psychology and literature.

A major theme in this story is the way in which traditional Chinese society's system of advancement for intellectuals left many discarded and useless. With no way of making a living, he grew poorer and poorer, until he was practically reduced to beggary. A related theme is the physical cruelty of traditional Chinese "justice. Two major and inter-related themes in this story are superstition , and man's search for meaning in a confusing world.

Lu Xun acknowledged the negative impact of beliefs about traditional Chinese medicine on his own life. Scholars have suggested that Lu Xun's family experience with traditional Chinese medicine was crucial in forming his psychology and personality. Despite its earthy topic, the story has a carefully wrought structure.

Old Chuan and his wife, the proprietors of a small tea shop, save their money to buy a folk medicine cure for their son, Young Chuan, who is dying of tuberculosis. The story opens with Old Chuan leaving their shop and going to the home of the person selling the cure, a "roll of steamed bread, from which crimson drops were dripping to the ground. The cure does not work and the mother of Young Chuan meets the mother of the executed revolutionary in the cemetery.

Here they both behold a mysterious wreath on the revolutionary's grave, a wreath that Lu Hsun, in his introduction to this collection which he entitled A Call to Arms , describes as one of his "innuendoes" to "those fighters who are galloping on in loneliness, so that they do not lose heart. It raises the question: what if the ability to change the course of events is largely illusory? Do we still go on? She was only a simple woman.

What solution could she think of? When do his own concerns have to adjust to those around him? Yet this incident keeps coming back to me, often more vivid than in actual life, teaching me shame, urging me to reform, and giving me fresh courage and hope. For comparison, see the book Rickshaw Boy by the Chinese novelist Lao She , published nearly two decades later.