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Mar 7, - HBO' "Leaving Neverland" about Michael Jackson's alleged abuse of Wade Robson and James Safechuck requires fans to rethink their love of the singer. back then, no one was more dominant in the culture than Michael Jackson. . Michael Arceneaux is the author of the book "I Can't Date Jesus" (July.
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I wrote the book for my family members, and I wrote the book for Michael so that his voice had a way out. We all thought Michael would be able to tell his own story. He was an incredibly talented writer. Why did this happen? What could we have done? When Michael died in , we just all shut down, we never talked about it, we did not talk about what had happened to him and why. Part of the urge for the book was to have answers to those questions. My aunt and cousins have been really with me every step of the way.

I spent a lot of time interviewing them. I think that for all of us it has been peace-bringing. I had to file a state-level equivalent of a Freedom of Information Act to get his basic legal documents. Eventually, by the time I got the court records, I had been able to reconstruct the story, and the court records validated what I found. But I had to do multiple interviews with family members and found myself effectively cross-examining them to try to clarify the facts.

Interviewing my family members was the hardest part. There were lots of tears involved. For me, the hardest detail in the book is the part about his running drugs into the prison while he was a firefighter. How a person with his gifts, abilities, resources, and the love of his family could have ended up where he did? I can understand it now. Also, I can see parts of his life that were important to him that I did not see before.

It was only retrospectively that I understood the importance of his lover Bree in his life. Can you explain? Michael made some bad choices. And with regard to society, there are a couple of different ways to think about this. Those impulses and behaviors at that stage of life are more dangerous for some young people than others because of where they happen to be.

They are made by society. My book on the Declaration of Independence taught me this: to scrutinize the health of a society, one of the things you have to scrutinize is how the laws either enable or hinder human flourishing. When you ask that question, and ask about the state of affairs in urban areas and cities, it just becomes blindingly clear that the war on drugs has had a huge distorting effect on our society.

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A kid growing up in an urban area faces a far different degree of difficulty than a kid in a suburb. And yes, kids in an urban area can master that degree of difficulty, sure they can.


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ALLEN: We all know that drug laws and criminal justice, more generally, have been disproportionally enforced, with African-Americans and Latino-Americans bearing the brunt of the enforcement of the war on drugs. The point is that our prison system is so big, it really touches everybody, and the magnitude of our criminalization and penal severity is a problem for everybody, even if its origins were racialized. Although the murder was not over Boncoeur's homosexuality, Johnston felt it should be brought into the strip.

In April , Lawrence Poirier's coming out generated controversy, with readers opposed to homosexuality threatening to cancel newspaper subscriptions.


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    5. Opposed readers who believed that a homosexual character was highly inappropriate for a family-oriented strip wrote Johnston many letters. While few letters were vicious, Johnston did say that many who opposed the story arc did so in a poignant manner. Johnston said one that was particularly hurtful was from a longtime fan who said she felt it was against her conscience to continue reading the strip; the woman's letter did not have any foul remarks, but the envelope contained returned yellowed FBoFW strips the fan had kept for a long time on her refrigerator.

    How Michael slipped away

    Three years later, Lawrence introduced his boyfriend, giving rise to another, though smaller, uproar. Explaining her decision to have Lawrence come out as gay, Johnston said that she had found the character, one of Michael's closest friends, gradually "harder and harder to bring Based on the fact the Pattersons were an average family in an average neighborhood, she felt it only natural to introduce this element in Lawrence's character, and have the characters deal with the situation.

    After two years of development, Johnston contacted her editor, Lee Salem. Salem advised Johnston to send the strips well ahead of time so that he could review the plot and suggest any necessary changes. So long as there was no overt or licentious material, and Johnston was fully aware of what she was doing, Universal Press would support the action.

    Johnston's personal reflections on Lawrence, an excerpt from the comic collection It's the Thought That Counts One result of the storyline was that Johnston was made a jury-selected "nominated finalist" for the Pulitzer Prize for Editorial Cartooning in The Pulitzer board said the strip "sensitively depicted a youth's disclosure of his homosexuality and its effect on his family and friends. The story goes that Connie adopts a dog to deal with her pre-empty-nest syndrome, and as Michael and Lawrence are talking about her desire for grandchildren, Lawrence mentions that he probably will not be giving her any, and then confesses that he's in a relationship, but with another young man.

    Michael reacts in disbelief to the news and struggles to understand. Realizing that Lawrence is not "hot for him", Michael understands Lawrence sees him as a friend and not a lover. Michael then insists that Lawrence needs to tell his parents.


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    Lawrence himself is unsure of this, claiming that he really ought to see his family's view on homosexuals and that it could be hurtful to them if he comes out, which is not his intent, but Michael retorts, "it'll be a lie if you don't". Hearing the news, Connie reacts with desperate denial, then orders her husband Greg to speak to him.

    Greg throws Lawrence out of the house, challenging him to see if "his kind" will take care of him the way Connie and Greg have all these years. In the middle of the night, Elly wakens Michael and tells him to find Lawrence as he was the primary instigator. Connie and Greg fought for hours over Greg's banishment of Lawrence, and now Connie simply wants Lawrence back. Michael locates his friend at a donut shop, where they talk until dawn, and Lawrence ultimately returns home, welcomed by Connie and an apologetic Greg, who tells Lawrence that he accepts him as long as his son endeavors to be a good man, and address life afterward with "Que Sera Sera".

    From this, Connie decides to name the new dog "Sera". Johnston had originally stated she was going to address the issue once then leave it alone, however she eventually wrote future story arcs about Lawrence's homosexuality.

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    In , when Michael chose Lawrence to be best man at his wedding to Deanna, Johnston ran two sets of comic strips. In the primary storyline, Deanna's mother Mira Sobinski objects to having a gay man in the wedding party, while in the alternate storyline, which used the same art but modified the dialogue, she instead objects to the flowers that Lawrence, by this time a professional landscape architect , has given Michael and Deanna to decorate the church. The alternate storyline was for newspapers who had not originally published the debut of Lawrence's homosexuality.

    Because it was such a good story. For me Lawrence had always been particularly [long pause] I don't know: gentle, unique, sensitive. It just seemed right — he just always appeared that way to me.

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    Plus, I've had a number of friends who were gay, and what made me decide to do this story was that one of them [Michael Boncoeur] was murdered. Michael was a wonderful comedy writer for the CBC, and I had known him since we were in about Grade 8, and when Michael was murdered the authorities in Toronto reacted to it in a very cavalier manner — like "Well, that's one more of them off the streets. His death really prompted that story, because I wanted people to know that this young man, that you've grown up with for so many years, is still the same person.

    Just because his sexual orientation is suddenly different, he's still the young man who helped you in the garden, helped carry your groceries and sat with you when you cried at school. McLeod-Shabogesic collaborated with Johnston to create an authentic world for the characters to inhabit. His son, Falcon Skye McLeod-Shabogesic, created the Mtigwaki First Nation's logo, which is inspired in part by a dreamcatcher , and his wife Laurie assisted Johnston with the Ojibwa language and was written directly into the strip as a teaching assistant in Elizabeth's classroom. Mtigwaki is shown like many Indigenous villages, with private houses, a meeting hall, a medical station and a casino.

    For the series of strips in Mtigwaki, Johnston was awarded the Debwewin Citation for excellence in Aboriginal issues journalism by the Union of Ontario Indians in Johnston had planned to retire in the fall of , [28] but in January , she announced that she instead would be tweaking her strip's format beginning September Storylines would now focus primarily on the second-generation family of one of the original children; scenes and artwork from older strips would be reused in new contexts; and the characters would stop aging.

    In September , Johnston said she and her husband, Rod, were separated and probably would divorce, telling the Kansas City Star ,. I have a new life. My husband and I have separated. I am now free to do just about anything I want to do. We still communicate. We still have children in common. And I just see so many things in the future.

    But when asked if this would be a storyline for the strip, Johnston replied, "No, not a chance.