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Cary Guffey (born May 10, ) is a former American child actor. He is best remembered for his debut in the role of Barry Guiler in the film Close Encounters of.
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The riff is also dubbed by fans as 'The Whistle Boy riff' and sometimes even 'The Globalist intro', as a variation on this song was also used in The Globalist from the album Drones.

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The opening date of the tour in Reykjavik inspired vocalist Robert Plant to write the lyrics. Six days later, the band performed the song for the first time in Bath, England.

It featured in the album The Works and features emphasis on 80s synth and drum machines. It also features a thick fuzzy guitar solo. It is regarded as one of Primus's classic songs. Bellamy played the riff at Kansrocksas festival in , followed by a short take at DMV also by Primus. Original Jimi Hendrix-inspired riff, occasionally played before or after " Cave " during Origin of Symmetry tour eg.

Saint-Malo Route du Rock watch. It got played more often during the Black Holes and Revelations tour before Time Is Running Out with more improvisation than before eg. Seattle KeyArena watch. In the beginning of the Black Holes and Revelations tour, it was occasionally played before " Starlight " as well, but in a lower key eg. Reading watch. It made a surprise return again in before Time is Running Out and another return in at the Oakland gig after Hysteria.

The name probably comes due to the similarity of it's bassline to that of Jimmy Kane. The main riff is also very similar to one in Jimi Hendrix's song Fire. An instrumental drum and guitar jam making heavy use of the Kaoss Pad. Two versions of this jam were played.

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The first version first clip was played at a few gigs in The newer, slightly modified in terms of sounds jam second clip was played at a number of festival gigs in Both times it was played as an intro to Supermassive Black Hole. Killing in the Name is a song written by band Rage Against the Machine. It appears on their eponymous self-titled debut album. The song and it's riff are regarded as one of their most classic ones. The main riff has roughly been played live before Stockholm Syndrome by Bellamy for the first time during a couple dates of the Black Holes and Revelations European tour in and It then made another appearance in as an outro to Stockholm Syndrome during The Resistance tour in It is from their self-titled debut album.

The studio version of this song features Tool 's vocalist Maynard James Keenan on vocals during the bridge section and Jane's Addiction drummer Stephen Perkins on additional percussion. The main chorus riff was played by Muse occasionally as an outro to Hysteria since , sometimes standalone, sometimes with the Back in Black riff. Bellamy occasionally played part of this piece as a piano interlude before Sunburn in such as at Nashville War Memorial Auditorium.

Comes from Bellamy's love of Twin Peaks.

Influences & references

During the U. The original song can be heard here. This riff is similar to the Endless Nameless riff which also replaced this riff , but it features a different, faster-paced drum beat and a different guitar pattern. Lots of guitar and bass distortion is used and lots of improv by both Matt and Chris is present. Kaoss pad and synth noises by Morgan also play a fairly big role in completing the sound.

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Like the Endless Nameless riff, this riff was usually played as a closer before encores, usually played after Stockholm Syndrome. Maggie's Farm is a cover song by Rage Against the Machine from their cover album, Renegades, originally written and performed by Bob Dylan in The main riff of this song was first played on the Absolution tour, usually before Citizen Erased. It was dropped from set lists during The 2nd Law Tour where it was fully replaced by the Who Knows Who riff , but made a comeback during the Drones Tour in and was also played in occasionally again after Map of the Problematique.

The song is also an opener to the Once Upon a Time in the West soundtrack, released in The song starts out with a simple harmonica line, followed by a rising arpeggiated horn and cimbalum line together with strings, which are then joined by a lead guitar line and drums for the climax. The song is played almost exactly as the original by Muse as an intro to Knights of Cydonia at every gig ever since it's first performance at Dublin's Marlay Park. Wolstenholme plays the harmonica, with Bellamy playing the guitar part. Microphone Friend is a song originally written by hip hop duo Rakim and Eric B and appears on their album Follow the Leader.

Rage Against the Machine covered the song for their cover album, Renegades. Rage's song features a heavy riff in the bridge section. The riff was played occasionally by Muse as an instrumental outro, usually after New Born since the Luxembourg gig.

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Since Pinkpop the Ashamed outro has also appeared sometimes after the Microphone Fiend riff. Misirlou is a traditional folk song from the Eastern Mediterranean region, originating from the Ottoman Empire. The original author isn't known but it's supposed to be Arabic, Greek and Jewish musicians by the s with the earliest recording of the song coming from The song was re-arranged in by American surf rock guitarist Dick Dale and was originally performed with his band, The Del-Tones. The song is also known for being in Quentin Tarantino's movie Pulp Ficiton, used in the opening titles.


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Dick's version was also an inspiration for The Beach Boys 's version of Misirlou, recorded in The song is, like most surf rock songs, known for it's use of tremolo guitar picking. It was played during The Resistance open-air tour. It is the only drum and bass jam to feature electronic drums and was played before Undisclosed Desires. Because of that, it has got a disco-ey, metallic beat and a smooth bassline. It is also the only drum and bass jam with no pro-shot available, together with Houston Jam.

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Named Montpellier Jam or Monty Jam, after the first city it was played in. It is the first mellow drum and bass jam, which preceded a piano-based song during The 2nd Law tour in and , most frequently Explorers , but it's also been played before United States of Eurasia , Sunburn and Feeling Good. The song's also the first drum and bass jam to feature Bellamy, who's joining in with piano improv at the end of the jam, leading into the song played after it. The song also prominently features samples put through a Kaoss pad by Morgan. It bears similarity to Basique by Little People.

There are two versions of the jam, a longer version first clip , which was played on the headlining tour, and a shorter version second clip , which was usually played on festivals in The Drones -era drum and bass jam. The name "Munich" comes from, as all the previous drum and bass jams, the city it was first played in, while the name "Varia" comes from "Rockavaria Festival", the festival it was first played in.

Since it's first performance, the jam has gotten faster with each performance. Because of that, as of the fourth Bercy Arena gig in February of , Chris and Dom started playing the second half as fast as possible. The first clip above features the regular version and the second clip features the fast ending version. The jam was played regularily on almost every show before Madness between and it's final performance, almost exactly three years later, in It is so far the only jam Chris plays with a pick.

It's the first single from their album Around the Fur. It is a fairly slow yet heavy song. The riff was first played on a few dates in and and again in and The latest performance in Sacramento featured a slightly elongated version of it, together with drums, bass and guitar, whereas previous performances only featured Matt on guitar with Chris and Dom only playing two accented notes from the start of the chorus. The Sacramento performance was also played as an outro to New Born and the previous performances were played as intro to Stockholm Syndrome and Map of the Problematique.

It is a faster song featuring a riff conformed of sliding up and down on the guitar neck. The riff was played by Muse quite often in and in After that, it returned in for only one gig in Boston. First drum and bass jam by Chris and Dom.

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Also dubbed by fans as "Osaka Jam" because of a soundcheck video played before the Osaka gig. This jam has a similar sound to the Futurism bassline. The first known play of an early version of this jam was on the 16th of May It was played during technical difficulties in the past. At the Royal Albert Hall gig it was played whilst Matthew Bellamy returned from the pipe organ after " Megalomania ", who joined Wolstenholme and Howard for the last part of the jam.

Since the Arena Monterrey gig in , it has appeared on set lists as "Bass Jam" or "Drum and Bass" [2] and appeared on set lists at most gigs in It is known for it's pick scraping guitar riffs. This riff was occasionally played during the bass intro of Hysteria instead of the original sliding pick scrape between and Peter Gunn is a popular theme song written by Henry Mancini, released in for the television show of the same title.

Despite Mancini primarily writing jazz pieces, this song is inspired by rock and roll. A bit of the melody was played by Bellamy during the second pre-chorus of Stockholm Syndrome at the South by South West gig. It is the first the first album without his original group, The Jimi Hendrix Experience. Muse started playing the riff as early as , and have stopped playing it in at the final gig of The Resistance era at Reading Festival. Usually played before Sunburn during the Showbiz tour around e.

Bizarre Festival watch.