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Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. Email required Address never made public. Name required. A production of WallyWoodMinistries. Search for:. Blog at WordPress. Post to Cancel. Forever, forever So if a fire make it burn make it burn, make it burn And if a blood make ya run make ya run, run, run , Rasta de 'pon top aaa-aaah , can't you see? We got lightning lightning , thunder thunder , Brimstone brimstone and fire - fire fire, fire ; Lightning lightning , thunder thunder , Brr-brimstone brimstone and fire - fiyah - fire - fiyah!
Fire, fire.
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Kill, cramp and paralyze all weak at conception; Aaa-aaah, doo-doo-doo-doo Wipe them out of creation creation , yeah-eah! Wa-jah, jah, jah!
Lightning lightning , doo-doo-doo thunder , Doo-doo-doo brimstone , doo-doo-doo fire, fire ; A lightning lightning , thunder thunder , Brimstone brimstone and fire. Revolution, revolution, revolution - oooo-doo-doo-doo-doo Revolution - oooo-doo-doo-doo-doo It takes a revolution revolution to make a solution; Doo-doo-doo-doo Too much confusion aaa-aaah , so much frustration, eh!
Free Never make a politician aaa-aaah grant you a favour; Doo-doo-doo-doo They will always want aaa-aaah to control you forever, eh! We long for that world, and that longing comes from God, and he intends to fulfill these longings and desires. This book makes both a great first book on reading Revelation as well as a helpful resource for deeper study and for those who would teach others. It models a good example of doing biblical theology in tracing great biblical themes running through this book in a way that at the same time is consistent with the context and content of Revelation.
To a certain degree, reading has been one of those pursuits guided by my interest of the moment. These reads certainly reflect my own idiosyncrasies and interests. But I love hearing about what others are reading or hoping to read. Let me know what you are reading or hoping to read. Walden, NY: Plough Publishing, In the background of many is abuse and abandonment from an early age. For many, the Bowery Mission has meant the difference between the end of the road and a turnaround for years.
They receive meals, clothing, hot showers, and for at least some, clean beds. More than this, they hear what for a number has been a transforming message. Through both chapel services and personal ministry, the book narrates stories of people whose lives have been transformed by Christ. The author describes one of these, Mr.
Wynn, addicted to crack cocaine who had attended Bible studies, and had asked about baptism, but when the day came, lingered outside the chapel. Just as the last person was stepping from the water, Mr.
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His splash further soaked my already wet clothes, but my spirit soared, and I could not suppress my emotion as I asked if he was ready to start a new life and if he believed that God forgave and loved him. Since then, he has found a home, returned to his work as an accountant, and remained drug and alcohol free. Storbakken also tells the hard stories of those who turn back to old habits, and those who never change, but are nevertheless loved and cared for. The history is fascinating. In Albert and Ellen Rullifson began in a rented room at 14 Bowery, gathering with a group of men and women in prayer to launch the Mission.
Penney became a key patron, and the connection hymn-writer Fanny Crosby had with the Bowery Mission. We learn why the doors of every Bowery Mission facility are painted red. Storbakken takes us through the changing times and transformations in the Bowery and how the Mission continued to adapt while staying true to its gospel message and servant ministry. In the present, the combination of gentrification and the needy results in fascinating contrasts, as well as unusual donations from basketball shoes to sushi.
All of this is fitting, Storbakken asserts, for those who they would serve as kings. The theme of how they have consistently treated those on the margins with dignity is a takeaway all of us might consider.
One of the paradoxes of Youngstown is that it is a gritty, industrial, working-class town and a city where the arts have long flourished. It is evident in the spaces that have been set aside, like the Butler and Stambaugh Auditorium, and the performance home of the Youngstown Symphony, the former Warner Theatre, now part of a beautifully restored DeYor performing complex. For the Youngstown Symphony, it all started when two brothers, Michael and Carmine Ficocelli, recruited twelve young musicians under the age of 16 from the Youngstown Schools, where they taught music.
The Ficocellis continued to lead the orchestra until John Kruger became the third conductor that year, and shortly after changed the name to the Youngstown Philharmonic Orchestra. It was under John Kruger that I first encountered what was then the Youngstown Philharmonic during elementary school. It was during this time that the name was changed to the Youngstown Symphony Orchestra. Bibo pioneered the staging of locally produced operas. Most of all, it was under his leadership that the Youngstown Symphony and the Symphony Society acquired and renovated the Warner Theatre, restoring its glory as the renamed Edward W.
Powers Auditorium. The Youngstown Symphony is one of the few orchestras of its size to have its own performing space. He led the orchestra until We went to several concerts as college students, most memorably a lavish production of The Nutcracker. The next 25 years saw a succession of four directors. Peter Leonard came as Music Director in DeMain was born in Youngstown in to a steelworker father and travel agent mother.
He was a piano prodigy at age 6 and sang in Youngstown Playhouse productions in his youth before going to Juilliard. Friends of mine in Madison, Wisconsin rave about his twenty-five year tenure there and all he has done with their orchestra.
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Youngstown was fortunate to acquire his services when he was in his forties and establishing an international reputation. Isaiah Jackson succeeded him in another nine year tenure through Since then, the orchestra has been led by Randall Craig Fleischer. They have inaugurated a Stain Glass Concert series of free informal concerts at various houses of worship around Youngstown, including St.
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Elizabeth Youngstown Hospital. They have performed with a variety of popular musicians including country artists Rachel Potter and Patrick Thomas this past Christmas. In , the Youngstown Symphony celebrated its 90th year. The Vindicator published a special section on September 16, highlighting its history and current programs. Under Maestro Fleischer, the Youngstown Symphony appears to be a vibrant organization, continuing to inspire young musicians. Who knows who the next John DeMain will be?