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A Space Odyssey () Connections on IMDb: Referenced in, Featured Both feature australopithecine-type hominids being hunted by a predatory cat.
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For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. SK Jay Cocks MGM is turning to real-estate parcels all around us, and that night I am facing Stanley Kubrick across the hood of a rented car in Culver City, and he is smiling at me, a little anxiously and still very proudly, and he is saying, "Yes, but did you like it?

We have just seen it for the first time, he and I and perhaps a dozen others, in the cavernous studio screening room. Stanley's wife, Christiane, is with us. His attorney; the president of Cinerama; the film's editor, Ray Lovejoy, and a few others are also at the screening, but I am the only pair of fresh, disinterested eyes there.


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I am also, by at least two decades, the youngest member of the audience, an unelected representative of a generation that will eventually rescue this great film from critical infamy and claim it for its own. I am twenty-three years old, very lucky to be here, knowing it, sensing I have just seen something seismic whose full measure I can't take, reaching for something to say that will encompass all this, as well as my startled excitement at the wit and majesty of the movie.

I am also trying to say something deeper and more memorable than "Wow" I start to talk to Stanley and Christiane about the early days of silents, when movies were shown on rooftops, and audiences, watching a train on the screen come straight at them, ducked and screamed at the newness of the experience and, without knowing it, at intimations of the future. The experience of was, for me, just like that. See All Customer Reviews. Shop Books. Read an excerpt of this book! Add to Wishlist. USD Sign in to Purchase Instantly.

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Overview "If has stirred your emotions, your subconscious, your mythological yearnings, then it has succeeded. The critics initially disliked it, but the public loved it. And eventually, the film took its rightful place as one of the most innovative, brilliant, and pivotal works of modern cinema.

Hunted ( Deathwar Redux - A Space Odyssey) by Andrew Bell Music | Free Listening on SoundCloud

The Making of A Space Odyssey consists of testimony from Kubrick's collaborators and commentary from critics and historians. This is the most complete book on the film to date--from Stanley Kubrick's first meeting with screenwriter Arthur C. In a interview to American Cinematographer , Kubrick expressed his atheism when asked if there was an unseen cosmic intelligence or god behind the events in : [20]. The whole idea of god is absurd.

If anything, shows that what some people call "god" is simply an acceptable term for their ignorance. What they don't understand, they call "god" Everything we know about the universe reveals that there is no god. I chose to do Dr. This film is a rejection of the notion that there is a god; isn't that obvious? He also commented on people who saw religious or spiritual connotations in : [20]. It's simply not there, religion and spirituality.

Sufficiently advanced beings could be capable of things we might not even be able to understand — though these things would all make perfect sense to an advanced civilization, I suspect that these people to whom you refer are simply calling what they don't understand in my film "god". I don't have the slightest doubt that to tell a story like this, you couldn't do it with words. There are certain areas of feeling and reality—or unreality or innermost yearning, whatever you want to call it—which are notably inaccessible to words.

Music can get into these areas. Painting can get into them. Non-verbal forms of expression can. But words are a terrible straitjacket. It's interesting how many prisoners of that straitjacket resent its being loosened or taken off.

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There's a side to the human personality that somehow senses that wherever the cosmic truth may lie, it doesn't lie in A, B, C, D. It lies somewhere in the mysterious, unknowable aspects of thought and life and experience. Man has always responded to it. Religion, mythology , allegories —it's always been one of the most responsive chords in man. With rationalism , modern man has tried to eliminate it, and successfully dealt some pretty jarring blows to religion. In a sense, what's happening now in films and in popular music is a reaction to the stifling limitations of rationalism.

One wants to break out of the clearly arguable, demonstrable things which really are not very meaningful, or very useful or inspiring, nor does one even sense any enormous truth in them. Stephen King recalled Kubrick calling him late at night while he was filming The Shining and Kubrick asked him, "Do you believe in God? One time, he said that Kubrick simply hung up on him.

On other occasions, he claimed Kubrick said, "I knew it", and then hung up on him. On yet another occasion, King claimed that Kubrick said, before hanging up, "No, I don't think there is a God. Finally, Katharina Kubrick Hobbs was asked by alt. Here is her response: [21].


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Hmm, tricky. I think he believed in something , if you understand my meaning. He was a bit of a fatalist actually, but he was also very superstitious. Truly a mixture of nature and nurture. I don't know exactly what he believed, he probably would have said that no-one can really ever know for sure, and that it would be rather arrogant to assume that one could know.

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I asked him once after The Shining, if he believed in ghosts. He said that it would be nice if there "were" ghosts, as that would imply that there is something after death. In fact, I think he said, "Gee I hope so. He did not have a religious funeral service. He's not buried in consecrated ground. We always celebrated Christmas and had huge Christmas trees. In Stanley Kubrick: A Life in Pictures , Jack Nicholson recalls that Kubrick said The Shining is an overall optimistic story because "anything that says there's anything after death is ultimately an optimistic story.

King says there was a pause and Kubrick answered, "I do not believe in hell. From Wikipedia, the free encyclopedia. Online at: Nice Boy from the Bronx? Extract: What did Kubrick have to say about what "means"? Anthony, Andrew March 14, London: guardian.

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Retrieved Baxter, John Stanley Kubrick: A Biography. Ciment, Michel The Kubrick Site. Ciment, Michel a. Hare, William Herr, Michael Howard, James Stanley Kubrick Companion. Philips, Gene D. Lehigh University Press. Stanley Kubrick: Interviews. University Press of Mississippi. Rhodes, Gary D. Rice, Julian Kubrick's hope: discovering optimism from to Eyes wide shut. The Scarecrow Press, Inc. Rose, Lloyd June 28, Washington Post.

Smith, Warren Celebrities in Hell.