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The 30 Most Influential Slasher Movies of All Time She was talking, of course, about the most popular and prevalent of all horror subgenres: the slasher film. . The police-procedural aspect enhances the grim nature of the.
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Arguably one of the most gruesome stories ever told about lust and adultery, Hellraiser is also infamous for being the big-screen debut of "Pinhead," an ominous torture demon who turned out to be one of the most unlikely horror icons you could imagine. Bolstered by a freaky tone, numerous nasty dispatches, and a whole bunch of freaky mayhem, Hellraiser is far and away the class of the entire endless franchise It's safe to say that the horror genre needed a real shot in the arm by the time the mid-'90s rolled around.

How many horror sequels can you go see, after all? Don't answer that. Veteran scare lord Wes Craven had already reinvented the slasher film years earlier with the brilliant A Nightmare on Elm Street , and now he'd all but destroy the sub-genre with a knowing, winking, and consistently clever horror comedy smash entitled Scream.

10 Best Specific Sub-genres of All Time - Movie Lists

Not only is the film legitimately scary, but it's also unexpectedly funny, and of course it's a massive treat for anyone who has seen enough slasher flicks to know the "unwritten rules" by heart. Forgive me for cheating again, but they both deserve inclusion, plus they actually make for a fantastic double feature of the two finest Dracula movies ever made. Based on the immortal novel by Bram Stoker, the adaptation features Bela Lugosi as the titular bloodsucker, and while Dracula is a bit starchy to modern eyes -- as any film made in the early '30s would be -- it still holds up as a monumentally creepy piece of classic Universal horror.

It was probably the finest rendition of Dracula until , because that's when the brilliant British horror nuts at Hammer cast the amazing Christopher Lee in the title role. Known as Horror of Dracula here in the U. The audacious and twisted flick combines horror, Westerns, and action into some sort of willfully bizarre and bizarrely enjoyable genre concoction. You've never seen a movie quite like it.

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Guy Pearce plays a disgraced soldier who has been remanded to an isolated outpost, only to discover that there's some amount of cannibalism afoot at Fort Spencer -- and that's not even the worst of it. Suffice to say that this movie isn't exactly for all tastes. As a little kid I was obsessed with the original version of The Blob.


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As a teenager I was highly amused by the decidedly nastier remake. And now as a crabby adult I'm wondering when the next rendition will ooze into view.


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There's not a whole lot to the tale of a giant glob of goo that lands in a small town and begins devouring everyone, but there's something so damn fascinating about the monster itself that it kinda begs for yet another remake. The origins of the "slasher flick" can be traced back to Italy, but it was this Canadian import that helped the sub-genre find its footing in North America. Four years before Michael Myers began his Halloween night rampage, this holiday-themed tale of a stalker roaming a sorority house struck a solid chord with the midnight movie crowd -- and it still holds up surprisingly well today.

One cannot say the same for the remake. No list of horror classics would be complete without something from Vincent Price, and this twisted chiller about a psycho who hides his murderous habits inside of life-sized human figures is one of his most enjoyably creepy. Not only did this one give me countless nightmares as a kid but it features an enjoyably freaky finale.

The Ultimate Movie Genres List: 90+ Genre Examples for Film & TV

Plus the remake isn't half bad. A young blind woman Audrey Hepburn is terrorized by three rather distinctly nefarious criminals who believe she knows where a valuable drug stash is hidden. Sounds like a pretty simple premise, but this late-'60s thriller nailed the "home invasion" premise decades before it became so popular, thanks in large part to director From Russia With Love director Terence Young, Ms.

Hepburn's excellent performance, and villains like Richard Crenna and a young, freaky Alan Arkin. The movie world lost a true great when Bill Paxton suddenly passed away in early , and while he'll be remembered as a legend among character actors, he also directed and stars in this this dark, fascinating, and wonderfully twisted occult thriller. The surface plot is about two young boys, one murderous father, and a countless number of "demons" who look just like humans. Beyond the twists and scares, however, Frailty also boasts a remarkable screenplay that works on a variety of Twilight Zone -y levels.

Don't show it to your super-religious relatives. Hammer, the year-old genre-driven production company, gets most of the love when it comes to British horror cinema of years past, though Amicus Productions deserves a fair parcel of praise for its own creepy, gothic tales. Amicus produced no fewer than seven separate anthology horror films between and , and while Tales from the Crypt and Vault of Horror might be the most popular of these "grab bag" productions, my personal favorite is 's Asylum , which not only features four freaky terror tales, but also a twisted wrap-around story that you simply have to see.

It's pretty insane, but then the movie is about an asylum. This one wasn't exactly well-received when it first hit theaters go check out Roger Ebert's scathing review , but has proven to be quite the fan favorite in the intervening decades. Take out the nihilism and mercilessly brutal violence and you'd have a thriller that Hitchcock could have appreciated: It's little more than a cat Rutger Hauer and mouse C.

Thomas Howell thriller that takes place on countless desert highways in the middle of nowhere, but it's that nasty edge that keeps the viewer on their toes. The first and probably the best horror film from master Mario Bava works as both an homage to the Universal monster classics and an early harbinger of the graphic violence that would eventually become a large part of Italian horror cinema. Black Sunday follows a resurrected witch as she wreaks all sorts of havoc on the heirs of the people who killed her.

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Thanks in large part to some lovely black-and-white cinematography, it's probably the best killer witch flick of all time. Don't feel bad for not supporting this one in theaters. Lionsgate pretty much dumped and buried this off-kilter little masterpiece and has more or less ignored its existence ever since. That's too bad, because Lucky McKee's modernized, gender-switched take on the Frankenstein template is nothing short of brilliant. From Angela Bettis's fractured, fascinating lead performance to the shocking violence and the weirdly, gruesomely bittersweet finale, this is the sort of horror films that young horror buffs will "discover" 15 years from now.

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I hope. Most of Guillermo del Toro's films could be described as "horror stories" in one way or another -- the man is a genius at creating monsters who are lonely, misunderstood, and sometimes terrifying -- but for the man's most effective chills, you must seek out this brilliant film about an isolated boys school that's forced to contend with the horrors of war. It's not as well-known as del Toro's "bigger" films like Pan's Labyrinth , Hellboy , Pacific Rim , and Crimson Peak but it may be his most personal, insightful, and for my money consistently creepy.

Lots of horror films have used the abandoned asylum as a setting for their creepy shenanigans, but none have nailed the malevolent nature of these locations like Brad Anderson The Machinist did in Session 9. It's a simple story about a crew of asbestos removal technicians who find temporary work in a very horrific, haunted, crumbling edifice -- and gradually come to realize that they're not alone.

Only it's not just a standard ghost story. Long before she delivered Oscar-level movies like The Hurt Locker and Zero Dark Thirty , Kathryn Bigelow directed what turned out to be one of the best vampire movies ever made. She had a great screenplay by Eric Red The Hitcher ; a trio of actors who worked on Aliens together; and a good deal of sense, style, and attitude. The result is a darkly amusing, completely engaging, and undeniably creepy tale of a vampire clan that finally comes up against a victim who fights back.

For my money it still holds up as one of the very best horror films of the s. This controversial British shocker helped end the career of the brilliant Michael Powell co-director of Black Narcissus and The Red Shoes and was more or less pilloried upon its release. But champions like Martin Scorsese turned the film into an undisputed cult classic, as well as a progenitor of voyeuristic horror films like Man Bites Dog , Henry: Portrait of a Serial Killer , and some of the more compelling "found footage" horror flicks of the past few years.

In many ways Peeping Tom feels like an early version of the "unhinged misfit strikes back" premise, yet it also works as a weirdly prescient indictment of mass media culture. The movie tells the simple story of a seaside town that finds itself under siege by birds of all sorts. There's no rhyme or reason behind the attack; just a random, shocking, organized assault from a species generally known for minding its own business.

Bonus: The special effects still hold up! We've all heard the phrase "hell hath no fury like a woman scorned," but few horror films encapsulate that sexist adage like Takashi Miike's effortlessly disturbing tale about a fake producer, a young woman, and the horrible secrets they keep from one another. This is a textbook example of a "slow burn" horror film, but the tension remains so palpable -- and the payoff so intense -- that Audition still stands as one of this wildly prolific director's very best films. You could spend one awesomely disconcerting weekend picking through David Cronenberg's early horror films such as Shivers , Rabid , The Brood , and Scanners but this disturbingly prescient sci-fi mind-bender from the early '80s is one of the man's true classics.

James Woods, typecast, plays a sleazebag who stumbles across a horrific TV channel that not only desensitizes its viewers to shocking violence; it actually makes you part of the broadcast. How do you follow up one of the most powerful, influential, and socially relevant horror films of all time?

The 30 Most Influential Slasher Movies of All Time

By creating something equally as impressive. Zombie master George A. Romero could have taken the easy way out and staged another siege just like the one in Night of the Living Dead , but it's safe to say that he expanded his horizons in a huge way; it's still a siege movie, but this time the tiny cabin is a giant shopping mall. Oh, and the kills are a whole lot gorier this time around. Horror films about the occult were all the rage in the mid- to lates. And while Richard Donner's The Omen wasn't the first one to hit theaters, it was one of the most entertaining.

David Seltzer's crafty screenplay doles out dark mysteries and sudden shocks at a generous clip, but it's the cast, the score, and that ass-kick of an ending that elevates the story of creepy young Damien beyond most of its devil-related ilk. The timing was perfect for this grimly brilliant Swedish import: vampires were getting more than a little anemic sorry and long in the tooth sorry again , but this fascinating adaptation of John Lindqvist's celebrated novel popped up and reminded us that vampire movies could still draw blood very, very sorry.

The 100 Greatest Horror Movies of All-Time

It's a simple story of a bullied young boy and an old vampire trapped in a teenager's body -- but it manages to branch off in a variety of unexpected directions. And hey, the American remake Let Me In is pretty solid in its own right. When you combine the masterfully light touch of Steven Spielberg and horror auteur Tobe Hooper's confidence, the result can be something very cool indeed. This early-'80s haunted-house classic still manages to scare the pants off of people today.

Chalk it up to a great cast, a subtly intelligent screenplay, and the inclusion of actual heart, humor, and humanity. Not to mention at least a half-dozen well-crafted set pieces that still pack a lot of enjoyable jolts.