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Digital Sheet Music for Fidelio, Op. 72, No. 8: "Alter, jetzt hat es Eile!" by Ludwig van Beethoven scored for Voice/Piano; id
Table of contents

Instrument: Voice.


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Select a performer for this work. Composers Periods More Bazin , F. Bazzini , A. Beethoven , L. Beliczay , J. Bella , J. Bellini , V. Similar Works. Javascript is required to use this site. Please enable Javascript in your browser's settings, and reload this page. Please click this link for instructions on how to enable Javascript. If you continue to see this message, your security software is interfering with your browser.

Please contact your security software's customer service or if your computer has a service warranty your computer's manufacturer, and ask how to configure it to allow Javascript. Instrument: Voice Act 1 Overture 1a. Dialogue, Rocco: Jaquino, Jaquino! Dialogue, Rocco: Guten Tag, Marzelline. Quartet: Mir ist so wunderbar 3a. Rocco's Aria: Hat man nicht auch Gold beineben 4b. Probably it is there the prisoner is confined of whom thou hast so often spoken, father? For people in our position, it is best to know as few secrets as possible.

Do not take Fidelio to him, father dear: it is a sight he could not bear. If I were to tell thee how I had to struggle with my heart in my early days, I should make thee weep; and I was quite a different fellow from thee, with thy soft skin and delicate hands. Yes, yes, love will sustain thee.

O, er kommt selbst hierher. Lass sehen. Seyn Sie auf Ihrer Huth, und suchen Sie sich sicher zu stellen. Rocco and the Guards recede. He sets out to-morrow to surprise you. Be on your guard, and endeavor to keep yourself right. A bold deed can—and shall—dissipate all my anxieties! Verstehen Sie? As soon as you see a cavalier with noble escort, give instantly a signal. Neglect them, and your head shall be the forfeit. Rocco, come nearer. Kein Wort, keine Sylbe! Eine Uebereinstimmung mit einem solchen hergelaufenen Jungen, der, Gott weiss woher kommt; den der Vater aus blossem Mitleid am Thore dort aufgenommen hat, der—der—.

Glaubst du, dass ich das leiden werde? Not a word—silence!

Ludwig van Beethoven sheet music, tabs and lead sheets

I do not wish to hear another word of your silly love-sighs and nonsense. Why did you not say as much when first I took it into my head to fall regularly in love with you? Then I had none of your rebuffs and snubbings;—then I was your dear Jacquino: But the moment this Fidelio—. I liked thee at first, or I fancied so—I may as well be frank and open with thee. But, since Fidelio has been among us, my mind has changed: for him I feel much more liking and sympathy.

And do you imagine that I will suffer it? No, no, believe me. If ever I catch you together, you shall see what I will do. Ja, ja, sie soll mich lieben, sie soll mich wenigstens heirathen, und ich—. Brechen wir davon ab.

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Ihr verspracht und verschobt es immer. Der Gouverneur kommt um diese Zeit nicht hieher. Aber er sprach so lange mit Euch? Einen Gefallen? Du hast Recht, Marzelline! Wohl denn. Yes, signor; and if she will not love me, she shall at least marry me; and I—. Hold your tongue, sirrah! But weighty matters now engage my mind. I understand, dear father.


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  • Enough of this. Rocco, often I have begged of you to allow the poor prisoners, in this dismal cell immured, to come and breathe the pure air of this garden. Though often promised, you have never yet done it.

    Beethoven: Fidelio op.72 / Act 1 - "Jetzt, Alter, jetzt hat es Eile!"

    To-day the weather is so beautiful! The Governor never comes at this time of day. But he was talking with you so long: perhaps he was asking a favor? A favor? Well guessed, Marcellina. I think I may venture. Jacquino and Fidelio, you may undo the door. Die Gefangenen entfernen sich in den Garten.

    Fidelio, opera, Op. 72

    The Prisoners retire into the Garden. He sits on a stone: round his body is a long chain, the end of which is fastened to the wall. Wir brauchen nicht viel Zeit um an die Oeffnung zu kommen. Gieb mir eine Haue, und du stelle dich hierher. No, no; he only sleeps. The moment is propitious. Give me your hand. Here, under this rubbish, is the cistern of which I have spoken. It will not take us long to reach the opening. Give me the pickaxe, and stand thou there. Thou tremblest!