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Wonder Woman was made an exception because of her popularity and having a back-line support position as a secretary was better than similar male heroes who didn't get to be there at all. Bob Budiansky gets a lot of flak from Transformers fans for horrible writing in the Marvel comic , while Simon Furman is praised as the saviour of the series.

They tend to ignore the fact that most of Budiansky's work was praised when it was originally released, and he even got a fan letter from Stan Lee for the "Decepticon Graffiti" story. The majority of Budiansky's work was easily as good as Furman's, but his entire opus was tainted by the burnout he suffered in his last few issues as he tried desperately to keep up with Hasbro's demands.

In fact, some of his popular work is occasionally misattributed to Furman for just this reason. Also, the extent to which the franchise is Budiansky's handiwork is often not understood — the early Marvel guys, him among them, were the people who were handed a bunch of toys and told to make them characters and a universe. Without him, Transformers as you know it never comes to be. If you're a TF fan, you have Bob to thank for way more of the things about the franchise you love than you realize — whichever series or comic happens to be your favorite, because all of them build on that original work to some extent.

The good new is that these misunderstandings have mostly cleared up, and the hate for Budiansky has largely died down. But the Clone Saga wasn't really his fault. After EIC Defalco was stripped off his power by a decision to divide EIC into separate teams with each team encouraged to rival and compete with each other for success, Harras who was in charge of the X-Men stable, and had no involvement in the early part of the Clone Saga which writers and editors spun wheels around, and Harras arrived at the tail end, inheriting a major mess which he, to his credit, resolved.

It's unlikely anyone in his position would have done different in that situation given how badly that story was managed at the time. And the decision he did take, bringing Norman Osborn Back from the Dead was ultimately seen as a good one by most comics fans. Joe Quesada is apparently solely responsible for every hated story to come out of Marvel offices, during his tenure, he planned them, wrote them, drew them, colored them, lettered them, with no help from anyone, especially the creative team assigned to the book.

Quesada's job is EIC Editor-In-Chief which means he commissions, vetoes, or otherwise takes a decision on story and idea, but he doesn't dictate every little twist and turn, and while he did start out as an artist, he only did the artwork for a few issues. For instance, Sins' Past a story by JMS which originally was planned to have Gwen be revealed as Peter's babymama was vetoed by Quesada who objected to Peter and Gwen having unprotected sex as young people, the idea of kids aging Spider-Man, and furthermore the perception of Spider-Man as "deadbeat dad".

Quesada did suggest changing the father to Norman Osborn, which most would agree was a terrible idea, but it was still JMS' choice to write that story and take that suggestion rather than withdraw it once his idea was proving unworkable. JMS differed from Quesada in that where the EIC wanted the retcon to create a Broad Strokes status-quo where every story happened with Peter and MJ in a relationship but not married, even if such a decision entirely altered whole scenes, moments, and the entire Character Development of multiple characters, JMS wanted to create a more logical change that would allow for character progression and be grounded on their history.

Likewise, as Quesada insists and later writers confirmed, while few people actually defend One More Day as a good story or a well-executed plan even Quesada defends it from a corporate perspective a good number of Spider-Man writers in the past and others in Marvel approved of the justification, namely that Spider-Man should be young, hip, and relatable, and that his marriage to Mary Jane wasn't the correct decision for the character. This includes writers like Roger Stern who says he isn't against the idea of Spider-Man being married or married superheroes, and indeed wrote Superman's wedding vows to Lois Lane in Superman Wedding Album, but that Mary Jane isn't the right girl for him and that they'd be Better as Friends , Gerry Conway who wholeheartedly believes that Peter and Mary Jane are meant for each other and created their love story to start with, but he again feels it should never happen in the regular continuity, and should be done only for special AU and one-offs , and Kurt Busiek among others.

There were writers who liked the marriage and wanted to keep it include JMS, Roberto Aguirre-Sacasa, Peter David , and Matt Fraction but out of professional ethics they followed the company line , since the decision to take it was also mandated by executives. Brian Michael Bendis , who reportedly tried to sneak a plot development into his Siege storyline that would've tacitly undone One More Day until Quesada caught on. Though whether that is Bendis being a Troll or being casually indifferent to continuity as he has been known to do, owing to the fact that he has far less experience as a serial writer than working with a blank slate.

Others point out that while Quesada ended the marriage, he also oversaw some of the best stories in that entire period. Namely JMS' Spider-Man where Quesada didn't say anything against the plans to bring the couple back from separation from the Mackie-Byrne era, which happened before his tenure and which he had criticized, noting that it was absolutely out of character for Peter and Mary Jane Watson to ever divorce given their devotion to one another, after everything they have been through together.

Likewise, Matt Fraction used his fore-knowledge to write "To Have and to Hold" which Quesada approved as a tribute to their iconic love story and their marriage and which Fraction said was a cheap shot and "dirty pool" to show the direction Spider-Man could take with a married Peter. Quesada also defended Spider-Girl , the daughter of the couple in the Alternate Universe line from multiple cancellations and states that is the natural progression of their relationship.

Many writers note the Irony that the period right before the marriage ended, proved the great potential for storytelling and opportunities a married Spider-Man brought to the title, much of which encouraged by Quesada as a kind of last hurrah. Dan Slott pointed out that the decision to end the marriage happened on the corporate level to protect Spider-Man's status as the company mascot and it wasn't necessarily about seeing Peter Parker as a character in a story. It was something that earlier editors had been asked and pressured to do, and tried to do, and it would have likely happened without Quesada.

Of course whether anyone else would have done it without the same backlash and weak execution, and in a way that provided catharsis for the people who liked it, and didn't amount to telling audiences that the thing they liked was a mistake and unimportant, is a separate question altogether. Ken Penders has been given a lot of his from Sonic the Hedgehog fans, and comes in two flavors: bad stories misattributed to him, and dangling plot threads misexplained as him being a douche.

In reality, most fans tend to forget that Ken lost his position as head writer to Karl Bollers for a good chunk of the timeframe most of the misattributed stories come from in reality written by Bollers himself , and that Executive Meddling was pretty much a staple of the comic ever since issue 50, leading to confusion over whether Ken left the comic voluntarily due to conflicts with this meddling, or if he was fired because of it.

Even the favorite accusations of old fans that he turned the Echidnas into a Spotlight-Stealing Squad that dragged down the main comic's quality seems to be off, as he had little choice in the matter, and the Knuckles comic that came from it, despite being Screwed by the Network , is still considered one of the best parts of the comic. Granted, there are bad stories that Ken has done, but not nearly the amount that is attributed to him.

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On his twitter account, he will gladly tell anyone who thinks he's the reason why the comic was rebooted his side of things. In the late issues, a number of characters that Penders created have been removed or gone missing while Archie and Penders work out some legal issues over the rights to said characters, causing numerous edits in varying degrees of severity.

For all the flak Penders has gotten, Archie's legal team was behind their removal. Technically there wasn't anything wrong in using them, but said legal team didn't want to risk fanning the flames. Many people seem to have forgotten that Fantastic Racism in the comics was a prevalent feature as the comic left its goofy roots.

Dwayne McDuffie was attacked by a number of white fans for supposedly "shoving diversity down their throats" with regards to his JLA roster. The truth is, Firestorm and John Stewart were added to the team by editorial, while Vixen and Black Lightning had already been in the book when he took over. The only minority character he actually added to the team was Doctor Light. He discussed the ridiculousness of these complaints here. Jack Schiff got blamed for injecting sci-fi elements into Batman 's stories.


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In truth, it was editorial director Irwin Donenfeld's fault for having sci-fi be put into the DC output. Schiff recognised that aliens, spaceships, and the like had no place in Batman's detective storylines, and in fact, sci-fi is outside his aptitude as an editor. He argued against the management, but eventually gave in to pressure. Geoff Johns gets a lot of flak for the storyline Graduation Day though it was in actuality written by Judd Winick , the Grand Finale of Young Justice , which saw that Fun Personified series end in a bloodbath for no apparent reason and is widely seen as a point at which The DCU became too dark to care.

In reality, both of these stories were mandated by the same man, editor Eddie Berganza, and both times the writers fought against him; Johns lost out, but Robinson actually scored a major victory, believe it or not, as Berganza's version would have destroyed all The DCU 's fictional cities except Metropolis and Gotham. While Geoff Johns had received controversy for turning Bart Allen into Kid Flash, the blame is more accurately shared with Eddie Berganza for that first transition.

Johns felt that having Bart mature would develop his character further although obviously not many fans agreed , while Berganza had wanted Bart to be more of a "brand" character in the title. However, Bart's rapid-aging to become the new Flash was mandated by Berganza and Dan DiDio , a development that Mark Waid expressed disappointment and irritation over, stating that Berganza seemed to be an editor that "hated anything fun" in the DCU. Even with the backstory explained, you'll still see some fans cry foul on Johns for going along with the Kid Flash edict and not quitting the title in protest.

The graphic novel people usually site as proof of this is Son of the Demon , which was an Elseworlds story and has never been considered canon.

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Even in that story the issue is a bit murky as Batman had been given drugs by the league earlier in it. Although Morrison himself says he intended Damian to be a reference to Son of the Demon and "messed up the details, like Batman wasn't drugged when he was having sex". So it's a reference error, but not a continuity error, because the story he was referencing wasn't in continuity until he referenced it, at which point it was only canon to the extent that he referenced it. Damian's death was blamed on the New 52 reboot and touted by fans as "Yet another example of how the New 52 is ruining DC's characters.

In reality, the perception of the JLI as a blotch on the League's history dates back to the actual series itself, where writers Keith Giffen and J. DeMatteis made constant Self-Deprecating jokes about how the team was poorly regarded by other superheroes. What these accusations usually ignore is that Rider had actually died several years earlier in The Thanos Imperative , well before Sam was created. Jeph Loeb is guilty of a lot of things, but in this case the worst he can be blamed for is not resurrecting Richard.

As a perfect example, someone sent hate mail to Brian Michael Bendis ' blog accusing him of hating Richard Rider. Bendis simply reiterated the point that Richard was already dead way before he had been hired to write Guardians of the Galaxy , and that the ones who killed him were Dan Abnett and Andy Lanning. The same criticisms were leveled at Jaime Reyes, the newest Blue Beetle , several years prior.

Some fans complained about Ted Kord the previous Blue Beetle supposedly being killed off for the sake of diversity, when in reality, Keith Giffen considered by most to be Ted's Real Daddy says it's the exact opposite situation. It had already been decided that Ted would die in the lead-up to Infinite Crisis , and Jaime Reyes was only conceived as a replacement after plans for Ted's death were finalized. The creators of Avatar: The Last Airbender , Bryan Konietzko and Michael Dante DiMartino were not responsible for the controversial plot details of fan-hated The Promise , The Search and Smoke and Shadow graphic novel trilogies such as the break up of Zuko and Mai in The Promise , Azula running away after suffering another mental breakdown and the Fan-Disliked Explanation of how Ursa departed from the Fire Nation in The Search and Mai becoming a complete jerk and being depicted as someone that fans are supposed to sympathise but actually isn't , especially how she treats Zuko in Smoke and Shadow , to the point that she has fallen into scrappydom after being one of the Base Breaking Characters in the series and how Out of Character she was in the comics than in the series , in fact they were only involved with the story ideas due to their involvement in sequel series The Legend of Korra , as most of the graphic novel content was actually written by Gene Yang.

The Avengers , the infamous issue where Ms.

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Marvel becomes impregnated and gives birth to her own impregnator before going off to have a "happy ending" with him has four writer credits: writers David Michelinie and Bob Layton, artist George Perez and then-Editor-in-Chief Jim Shooter. Both Mark Gruenwald and David Michelinie have said the issue was a last minute re-write due to similarities to another comic coming out around the same time specifically Carol was supposed to be impregnated by the Kree's Supreme Intelligence originally; the other comic was a similar plot in What If and according to Gruenwald Shooter's involvement was essentially the decree that they needed to find a different father.

Still despite a book re-written by committee at the last minute Shooter, perhaps because of his infamous reputation, is generally the sole person blamed for that issue. However it's difficult to ignore the fact that the actual premise Gwen Stacy having not one, but TWO off-panel pregnancies before she died was entirely Straczynski's idea. Though the editors did put the kibosh on Straczynski's original idea, which was for the kids to be Peter's children, and not Norman Osborn's! Whenever writers touch upon Jason Todd 's death in A Death in the Family in other stories, his death is usually blamed on Jason himself being implusive—which is not even close to what happened.

While Jason was impulsive and did have a temper, he was lured into a trap by Sheila Haywood, who he found out was his biological mother. Issue 12 of Saga wasn't for sale on the iOS version of digital comics storefront Comixology due to two panels depicting gay oral sex on Prince Robot IV's screen. People originally pinned this on Apple forbidding it, but it turned out that Comixology forbid it based on their interpretation of the Apple rules. Apple then said that they never banned it, and the comic was reinstated.

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A number of Dark Age DC fans blame the cancellation of Supergirl 's fourth self-named book on Dan Didio and alleged old-school fans and writers who supposedly hated the Earth Angel Supergirl and wanted her out of the way of Kara Zor-El. In reality the book was always in hot water due to perpetually dismal sales, and the decision to cancel it was taken long before Kara was reintroduced because of her less convoluted backstory and not because of old-school fans.

Grant Morrison 's New X-Men is highly divisive among X-Men fans for many reasons, but many fans blame the run for robbing Magneto of his moral ambiguity and turning him back into a supervillain. While Morrison's interpretation of the character who was later retconned as an imposter is one of his unsympathetic portrayals by far, Chris Claremont actually returned Magneto to supervillain status back in the early 90s—over a decade before Morrison came along.

Films — Animation. A very common misconception about the film adaptation of Coraline was that Tim Burton directed it, especially when the trailers said "From the creator of The Nightmare Before Christmas ". Including stop-motion. That misconception seemed to be what the marketing was aiming for probably figuring that implying Burton's involvement would get more people to see it.

Tim Burton's name was attached to the movie and people assumed — partly because of the weird animation style, Scenery Gorn , and dark themes — that the whole thing was his. Shane Acker came up with the concept, co-wrote, and directed, while Burton just produced it.


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