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Table of contents
- Popular tags
- Categories
- Easy quilt blocks 12 inch
- Tips, Tricks, and Tools for Piecing Curves
- Free quilt alongs
Quilting, typically a running stitch, can be achieved by hand or by sewing machine. Hand quilting has often been a communally productive act with quilters sitting around a large quilting frame. One can also hand quilt with a hoop or other method. With the development of the sewing machine , some quilters began to use the sewing machine, and in more recent decades machine quilting has become quite commonplace, including with longarm quilting machines.
Trapunto is a sewing technique where two layers of fabric surrounding a layer of batting are quilted together, and then additional material is added to a portion of the design to increase the profile of relief as compared to the rest of the work. The effect of the elevation of one portion is often heightened by closely quilting the surrounding region, to compress the batting layer in that part of the quilt, thus receding the background even further.
Cording techniques may also be used, where a channel is created by quilting, and a cord or yarn is pulled through the batting layer, causing a sharp change in the texture of the quilt. For example, several pockets may be quilted in the pattern of a flower, and then extra batting pushed through a slit in the backing fabric which will later be sewn shut.
The stem of the rose might be corded, creating a dimensional effect. The background could be quilted densely in a stipple pattern, causing the space around the rose bush to become less prominent. These techniques are typically executed with wholecloth quilts, and with batting and thread that matches the top fabric.
Popular tags
Some artists have used contrasting colored thread, to create an outline effect. Colored batting behind the surface layer can create a shadowed effect. Brightly colored yarn cording behind white cloth can give a pastel effect on the surface. Additional decorative elements may be added to the surface of a quilt to create a three-dimensional or whimsical effect. The most common objects sewn on are beads or buttons. Decorative trim, piping , sequins , found objects, or other items can also be secured to the surface.
The topic of embellishment is explored further on another page.
English paper piecing is a hand-sewing technique used to maximize accuracy when piecing complex angles together. A paper shape is cut with the exact dimensions of the desired piece. Fabric is then basted to the paper shape.
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Adjacent units are then placed face to face, and the seam is whipstitch ed together. When a given piece is completely surrounded by all the adjacent shapes, the basting thread is cut, and the basting and the paper shape are removed. Foundation piecing is a sewing technique that allows maximum stability of the work as the piecing is created, minimizing the distorting effect of working with slender pieces or bias-cut pieces. In the most basic form of foundation piecing, a piece of paper is cut to the size of the desired block.
For utility quilts, a sheet of newspaper was used. In modern foundation piecing, there are many commercially available foundation papers.
A strip of fabric or a fabric scrap is sewn by machine to the foundation. The fabric is flipped back and pressed. The next piece of fabric is sewn through the initial piece and its foundation paper.
Subsequent pieces are added sequentially. The block may be trimmed flush with the border of the foundation. After the blocks are sewn together, the paper is removed, unless the foundation is an acid-free material that will not damage the quilt over time. Amish quilts are reflections of the Amish way of life. As a part of their religious commitment, Amish people have chosen to reject "worldly" elements in their dress and lifestyle, and their quilts historically reflected this, although today Amish make and use quilts in a variety of styles.
In Lancaster, Pennsylvania , early Amish quilts were typically made of solid-colored, lightweight wool fabric, off the same bolts of fabric used for family clothing items, while in many Midwestern communities, cotton predominated. Classic Amish quilts often feature quilting patterns that contrast with the plain background. Antique Amish quilts are among the most highly prized by collectors and quilting enthusiasts. The color combinations used in a quilt can help experts determine the community in which the quilt was produced. Since the s, Amish quiltmakers have made quilts for the consumer market, with quilt cottage industries and retail shops appearing in Amish settlements across North America.
These designs often feature floral patterns, but many other motifs are used as well. Baskets of flowers, wreaths, buildings, books, and birds are common motifs. Designs are often highly detailed, and display the quiltmaker's skill. New dyeing techniques became available in this period, allowing the creation of new, bold colors, which the quilters used enthusiastically. New techniques for printing on the fabrics also allowed portions of fabric to be shaded, which heightens the three-dimensional effect of the designs.
The background fabric is typically white or off-white, allowing maximal contrast to the delicate designs. India ink allowed handwritten accents and also allowed the blocks to be signed. Some of these quilts were created by professional quilters, and patrons could commission quilts made of new blocks, or select blocks that were already available for sale. There has been a resurgence of quilting in the Baltimore style, with many of the modern quilts experimenting with bending some of the old rules. Crazy quilts are so named because their pieces are not regular, and they are scattered across the top of the quilt like "crazed" cracked or crackled pottery glazing.
Easy quilt blocks 12 inch
They were originally very refined, luxury items. Geometric pieces of rich fabrics were sewn together, and highly decorative embroidery was added. Such quilts were often effectively samplers of embroidery stitches and techniques, displaying the development of needle skills of those in the well-to-do late 19th-century home.
They were show pieces, not used for warmth, but for display. The luxury fabrics used precluded frequent washing. They often took years to complete. Fabrics used included silks, wools, velvet, linen, and cotton. The mixture of fabric textures, such as a smooth silk next to a textured brocade or velvet, was embraced.
Designs were applied to the surface, and other elements such as ribbons, lace, and decorative cording were used exuberantly. Names and dates were often part of the design, added to commemorate important events or associations of the maker. Politics were included in some, with printed campaign handkerchiefs and other preprinted textiles such as advertising silks included to declare the maker's sentiments.
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By the time that early African-American quilting became a tradition in and of itself, it was already a combination of textile traditions from four civilizations of Central and West Africa : the Mande-speaking peoples , the Yoruba and Fon peoples, the Ejagham peoples , and the Kongo peoples. As textiles were traded heavily throughout the Caribbean, Central America, and the Southern United States , the traditions of each distinct region became intermixed.
Originally, most of the textiles were made by men. Yet when enslaved Africans were brought to the United States, their work was divided according to Western patriarchal standards and women took over the tradition. However, this strong tradition of weaving left a visible mark on African-American quilting. The use of strips, reminiscent of the strips of reed and fabric used in men's traditional weaving, are used in fabric quilting.
A break in a pattern symbolized a rebirth in the ancestral power of the creator or wearer. It also helped keep evil spirits away; evil is believed to travel in straight lines and a break in a pattern or line confuses the spirits and slows them down. This tradition is highly recognizable in African-American improvisations on European-American patterns.
The traditions of improvisation and multiple patterning also protect the quilter from anyone copying their quilts. These traditions allow for a strong sense of ownership and creativity. In the s, concurrent with the boom in art quilting in America, new attention was brought to African-American traditions and innovations. This attention came from two opposing points of view, one validating the practices of rural Southern African-American quilters and another asserting that there was no one style but rather the same individualization found among white quilters.
Tips, Tricks, and Tools for Piecing Curves
He argued for the creativity of the irregular quilt, saying that these quilters saw the quilt block as "an invitation to variation" and felt that measuring "takes the heart outa things. However, it was not until , when the Museum of Fine Arts, Houston , organized The Quilts of Gee's Bend , an exhibition that appeared in major museums around the country, including the Whitney Museum of American Art in New York, that art critics unknowingly adopted Leon's assertions. Pictorial quilts often contain one-of-a-kind patterns and imagery.
Instead of bringing together fabric in an abstract or patterned design, they use pieces of fabric to create objects on the quilt, resulting in a picture-based quilt. They were often made collaboratively as a fundraising effort. However, some pictorial quilts were individually created and tell a narrative through the images on the quilt. Some pictorial quilts consist of many squares, sometimes made by multiple people, while others have imagery that utilizes the entirety of quilt. Pictorial quilts were created in the United States, as well as in England and Ireland, beginning as early as Pictorial Quilt, Linen, multicolored thread.
Brooklyn Museum.
Free quilt alongs
Pictorial Quilt, ca. Cotton, cotton thread. Traditionally, the quilter would fold a square piece of fabric into quarters or eighths and then cut out a border design, followed by a center design. The center and border designs were typically inspired by local flora and often had rich personal associations for the creator, with deep cultural resonances. Multiple colors were added over time as the tradition developed. Star Quilts are a Native-American form of quilting that arose among native women in the late 19th century as communities adjusted to the difficulties of reservation life and cultural disruption.