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The series seeks to engage a diversity of theoretical, historical, and interdisciplinary approaches to the moving image, and invites in particular work from researchers working in areas of Modern Languages and Cultural Studies as well as in Cinema and Media Studies. Strong writing and close readings are hallmarks of our books. The series seeks to publish the best new work in all areas of the literature, language, thought, history, politics, culture and film of the French-speaking world and to cover the full chronological range from the medieval period to the present day.

Each title in Selected Essays presents influential, but often scattered, papers by a major scholar in the Humanities. While these essays will, we hope, offer a model of scholarly writing, and chart the development of an important thinker in the field, the aim is not retrospective but to gather a coherent body of work as a tool for future research.

School of History, Philosophy and Culture

Each volume contains a new introduction, framing the debate and reflecting on the methods used. Follow this link to the SE home page. The series seeks to publish the best new research in all areas of the literature, thought, history, culture, film, and languages of Spain, Spanish America, and the Portuguese-speaking world. Its website showcases new work by members, and publicises jobs, conferences and grants in the field.

Studies in Comparative Literature are produced in close collaboration with the British Comparative Literature Association, and range widely across comparative and theoretical topics in literary and translation studies, accommodating research at the interface between different artistic media and between the humanities and the sciences.

The British Comparative Literature Association aims to promote the scholarly study of literature, across languages and borders, national or other. We explore literature in relation to other disciplines and translations between languages and media. BCLA's primary interests are in literature, the contexts of literature, and the interaction between literatures. Studies in Yiddish is the only scholarly series in English that is dedicated to Yiddish, a transnational language whose interesting, if sometimes tragic, history spans more than a thousand years.

Its high and low literary and non-literary texts and practices have been of central importance not only to Jewish existence and history but also to the wider cultural and creative life in Central and Eastern Europe, Israel and the New World. The series regularly publishes the proceedings of the International Mendel Friedman Conference, which is convened every two years at the University of Oxford.

In addition, the series includes monographs and edited volumes on all aspects of Yiddish language and culture, and proposals for new publications are welcomed. Transcript publishes books about all kinds of imagining across languages, media and cultures: translations and versions, inter-cultural and multi-lingual writing, illustrations and musical settings, adaptation for theatre, film, TV and new media, creative and critical responses. We are interested in innovative critical approaches: we welcome not only the most rigorous scholarship and sharpest theory, but modes of writing that stretch or cross the boundaries of those discourses.

Studies in Linguistics presented monographs and collaborative volumes on a wide range of topics in linguistics, particularly European languages and their historical development. The Special Lecture Series was a forum to publish the annual Zaharoff Lectures at the University of Oxford, and has now been discontinued, but some copies may still remain available for sale. This unique and authoritative reference work contains around 2, clear and concise entries on all aspects of modern and contemporary art.

Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries.

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There are biographical entries for artists worldwide from the beginning of the 20th century through to today's globalized art world, from conservatives and academics to the most controversial of the avant-garde, from household names to a host of lesser known figures. There are indications of public collections and publicly sited works, and in-depth entries for key topics for example, Cubism, abstract art, and Conceptual art : this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional.

Formerly the Dictionary of 20th Century Art , the text has been completely revised and updated for this major new edition. Over entries have been added and it now contains entries on photography in modern art as well as the new media such as installation and Performance which are such a crucial element of the contemporary scene.

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With emphasis on recent art and artists, for example Ai Weiwei, Tracey Emin, and Damien Hirst, it has an exceptionally strong coverage of art from the s onwards, which makes it ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject.

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In addition, this edition features recommended web links for many entries. Access to the complete content on Oxford Reference requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.


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    Aspects of modern Oxford

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