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Table of contents
Tuesday Matinees: Omer Quartet
Quartet for Strings no 11 in F minor, Op. Quartet for Strings no 12 in E flat major, Op. Quartet for Strings no 13 in B flat major, Op. Quartet for Strings no 14 in C sharp minor, Op. Quartet for Strings no 15 in A minor, Op.
Quartet for Strings no 16 in F major, Op. Show Basket. Rate this Album.
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Login or Create an Account to write a review. Add to Cart. In I began collaborating with the Alexander String Quartet ASQ on selected Beethoven quartet movements, and in April we decided to honor the th anniversary of his birth by extending the collaboration to the full set.
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By October I'd made videos based on ASQ recordings for all the movements, but given how I feel about this music, I expect to continue working on this project indefinitely. If there are things you're curious about that aren't discussed here, you might want to look at this background material , but if you don't find what you're looking for there either, please feel free to contact me with questions or suggestions. If you'd like to consider supporting my work via Patreon , click here Index Quartet No.
The organization Beethoven's string quartets is based on a design that was in widespread use at the time: four movements, with a first movement in sonata-allegro form, a fast fourth movement often in rondo form , and two middle movements the order of which varied : one slow, and one a minuet or scherzo. Beethoven mostly adhered to this template, but he occasionally strayed from it sometimes significantly , especially in the later quartets.
Beethoven, Ludwig van
Likewise, my animated graphical scores mostly work according to a consistent set of conventions, but I sometimes vary things—usually in response to a particular feature of the music, but sometimes just on a whim. These conventions include:. In the descriptions that follow, I'll mention significant variations on and deviations from these conventions. Beethoven String Quartets notes on animated graphical scores I made my first graphical scores in the s, my first animated graphical score in , and the first of these for a movement of a Beethoven string quartet in These conventions include: Pitch shown by vertical position.
The only variation from this is to have a note move vertically toward the pitch of the following note; this is mostly done for melodic lines that are played in a legato manner. Time shown by horizontal position.
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The organization Beethoven's string quartets is based on a design that was in widespread use at the time: four movements, with a first movement in sonata-allegro form, a fast fourth movement often in rondo form , and two middle movements the order of which varied : one slow, and one a minuet or scherzo. Beethoven mostly adhered to this template, but he occasionally strayed from it sometimes significantly , especially in the later quartets.
Likewise, my animated graphical scores mostly work according to a consistent set of conventions, but I sometimes vary things—usually in response to a particular feature of the music, but sometimes just on a whim. These conventions include:.
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In the descriptions that follow, I'll mention significant variations on and deviations from these conventions. Beethoven String Quartets notes on animated graphical scores I made my first graphical scores in the s, my first animated graphical score in , and the first of these for a movement of a Beethoven string quartet in These conventions include: Pitch shown by vertical position. The only variation from this is to have a note move vertically toward the pitch of the following note; this is mostly done for melodic lines that are played in a legato manner.
Time shown by horizontal position. The center of the display corresponds to the now position, with the past to the left and the future toward the right.
There are two main ways the start onset and end of notes are indicated: in one, these correspond to the left and right edge of the note in the display; in the other, the note is centered at the onset position and, in some cases, also moves from that point toward the next note, so that its center remains at the now position while the note is sounding. Instrument indicated by color. Note function distinguished by shape and motion.