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In folklore, a mermaid is an aquatic creature with the head and upper body of a female human and the tail of a fish. Mermaids appear in the folklore of many.
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After all, out on the high seas, it never hurts to dream. I mean, it worked for Tom Hanks when he got rescued by a mermaid in Splash , and look at him now. He's got, like, Oscars and stuff. Breverton, T.

Quercus Publishing. Fried, J. Harper and Row. Largo, M. William Morrow.

Smedley, E. Google Books. Painter Elisabeth Jerichau-Baumann's depiction of a mermaid with the fall's latest fashion accessory: seaweed in place of clothing.

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John William Waterhouse's depiction of a mermaid from View Comments. Sponsored Stories Powered By Outbrain. More science. Author: Daniel Oberhaus Daniel Oberhaus. Climate Change. Author: Matt Simon Matt Simon. Tech in Two. Author: Rhett Allain Rhett Allain. The most obvious structures include offshore wind farms, constructions for marine aquaculture and the exploitation of wave energy.

The development of these facilities will increase the need for marine infrastructures to support their installation and operation and will unavoidably exert environmental pressures on the oceans and marine ecosystems. It is therefore crucial that the economic costs, the use of marine space and the environmental impacts of these activities remain within acceptable limits. But what does our fascination with this dangerous yet desirable other suggest about us?

Welcome to Jerry & The Mermaid

Answers to this question are found in the many tales that different peoples tell about water spirits. They reflect our fascination with and fear of female bodies and of water and our dread of predators or poisonous creatures that live in or near water. But such tales are also social and cultural commentaries about what it means to be human: they encapsulate our beliefs and mores, express our weaknesses and strengths, and expose our deepest fears and desires.

Furthermore, stories of sirens, mermaids, and other water spirits consistently admonish humans for testing their place in the social and natural world by mingling with nonhuman or monstrous water beings. Since ancient times, humans have noted that stories from discrete cultures around the world can be remarkably similar, and have tried to account for why the same motifs and themes occur globally. This is true of stories about water beings. To explain this phenomenon, various theories explore the origin of traditional narratives, but they are difficult to verify. What bears keeping in mind is that the value of stories is not the degree to which they are authentically native, but the ways that they reflect the concerns or values of the group who tells and retells them.

Given that everything we need to survive, in one way or another, depends on water, it is unsurprising that peoples across place and time have ascribed religious significance to water and developed water symbolism.

From Mermaids to Manatees: the Myth and the Reality | Smithsonian Ocean

Whether fresh, brackish, or salty, water holds a mystery that fascinates humans, has aesthetic qualities that delight our senses, and—like water spirits—is both attractive and destructive. Stories move about in the world in ways that are comparable to ocean currents, following a course as they move.

This is not to say that the flow of these story currents is a natural occurrence. The material and ideological forces of capitalism and colonialism, often in conjunction with sexist ideologies, may have caused localized and indigenous story streams across the world to dwindle and their currents to be diverted.

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Thus, mermaid and water spirit stories as a global phenomenon do not circulate in isolation from one another. Like the crosscurrents of rivers and oceans, they flow into and cut across one another; they cause whirlpools, run in overt resistance to a dominant current, or persist hidden under it. All these forces come to bear on how a story is passed on. Thus the individuals who collected and recorded tales—and their culturally informed understandings of genre and the purpose of genre—have also impacted the circulation and appreciation of tales locally, nationally, and transnationally.


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Thinking of currents and crosscurrents of stories encourages us not to compare and contrast them as separate and innately different, but rather to think of them in dynamic relation to one another. Visual representations of mermaids in medieval bestiaries, or visual compendia of beasts, also offered an outlet for answers to this question. The small images introducing each section of this collection gesture to the varied ways in which we have imagined merfolk and other water beings over the centuries.