Staten Island Poet: A selection of everyday poetry and short stories

leondumoulin.nl: My Shaolin: A Poem of Staten Island (): Joel Lewis : Prime, the selected poems of Walter Lowenfels, and On the Level Everyday.
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  • New York School of Poets.
  • Granular Matter: An Interdisciplinary Approach!
  • Editorial Reviews.

The ferry continued slowly, uncertainly, almost as if it feared getting lost. All we could hear was the sound of the buoys. All of us, passengers and crew alike, felt immersed in a silent white void. And then, when a light on Staten Island became visible, the seagull flew away and, as the ferry creaked past the wooden pylons and came to rest, all of us felt a sense of salvation.

What is the most extraordinary detail , one that goes unnoticed by most , of Staten Island? But if you travel along the upper roadway of the Verrazano Bridge, especially at night, you can see a panorama of shores, streets, orange lights, the Capodanno Boulevard that runs along the shore, and the never-ending flow of the highway. The space, that used to consist of farms and cemeteries, has acquired an urban quality.

What w riter s from here should we read? At first I did not associate Staten Island with the kind of dynamic urban culture that gives life to static streets, buildings, and parks. But I was mistaken, and not just because of the almost thirty films made or set in Staten Island, such as The Godfather. A few writers were also connected to the place—the poet Langston Hughes, who worked on a Staten Island farm one summer, the poet and feminist, Audre Lorde, and the playwright, Paul Zindel.


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But the bottom line is that, while Staten Island has relatively few texts, it itself is a text and the hero of its own text. O'Hara compared a poem to a telephone conversation between two people. Schuyler mentions the influence on his work of the dominant art, painting, and of the anthology of dada poets and painters edited by painter Robert Motherwell The Dada Painters and Poets , in his poetics statements. Koch's later poetry, including Days and Nights and Circus II , and his introductions to anthologies are poetics statements.

Barbara Guest has written both film criticism and poetry criticism in poetry. Many critics consider John Ashbery's poetry to be primarily about the writing of poetry. Most New York School poets have written long poems. Schuyler's The Morning of the Poem is possibly the most important New York School long poem because it typifies many of the characteristics of the school's poetry, including naturalness not naturalism , discovered structure, and engagement with landscape and thought rather than place.

Schuyler wrote two novels, What's for Dinner? Koch's Ko; or, A Season on Earth is a book-length poem. The Duplications is his longest poem. Alice Notley wrote the book-length poem Descent of Alette and the long series Disobedience , which explore a female nonheroic epic.

Bernadette Mayer's book-length poem, Midwinter Day , was written on a single day. David Lehman has written two book-length sequences, The Daily Mirror and The Evening Sun , which collect the daily poem he has written since Barbara Guest's Seeking Air is a novel as postcubist collage. The imagery in O'Hara's Second Avenue is surreal and liberated from the left margin.

Europe , Ashbery's first long poem, collaged text from a World War I book for teenage girls called Beryl of the Biplane Later, he titled a book Girls on the Run after a collage book written by the outsider artist Henry Darger. Repetition of details loosely inspired by canzone forms is what structures Schuyler's The Morning of the Poem.

Catherine Daly

Other New York School long poems use diaries, telephone conversations, letters, and more recently e-mails and customer satisfaction survey cards as forms. Many of the poems' forms are discovered during the writing process. Joe Brainard's collection I Remember began with a self-imposed assignment to write a number of lines that began with the title words.

The assignment has since become a popular one in poetry workshops. The New York School long poem compares to the large canvas of the abstract expressionist painters. There is a continuing debate about the extent to which comic poetry and occasional verse are light verse. Some of O'Hara's and Koch's poetry is light verse. More of it is truly funny or has a sublimely light sound, form, and tone.

Rupi Kaur Reads Timeless from Her Poetry Collection The Sun and Her Flowers

It closes with a memory. Ted Berrigan wrote a great deal of occasional verse for funerals, weddings, and birthdays. Koch's history of collaboration and postsurrealist game playing sharpens the satiric early poem Fresh Air. His later odes to intangibles surpass his self-imposed assignment to make a postmodern contribution to the ode. Even his serious poems are ironic in tone. Ashbery embraces culture high and low.

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In these ways, this postmodern poetry differs from anecdotal poetry and light verse. New York School poems refer to cartoon characters, children's books, friends, and celebrities but reject accepted modes of writing to expand the possibilities of urban verse, anticipating pop art and the era of post-Marxist cultural studies. While generally considered nonacademic or avant-garde poets, New York School poets were formally educated at competitive schools, and many of them have been teachers of writing. Kenneth Koch is widely recognized for his books teaching children, the elderly, and general readers how to read and write poetry.

John Ashbery has been professor at Brooklyn College and then at Bard. She was also an early codirector of the St. Koch's focus on exercises to teach writing and produce poetry has had a lasting effect in the academy across schools of poetry. Ron Padgett has written books for teaching forms. Conceptual poetry, poetry written according to constraints, and poetry exercises relate to the new forms used by experimental poets.

While mainstream anthologies through the s ignored their work, anthologies have been key to the recognition of New York School poets. The poetry has become popular with readers who find its style, humor, and virtuoso free-verse technique a welcome relief from more stultifying verse. Experimental poets enjoy the difficult aspects of this poet's poetry.

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The poetry challenges critics, poets, and readers who seek engagement through a tradition or canon rather than an individual experience of the world. The New American Poetry. From the Other Side of the Century: A New American Poetry, — Interesting successor to The New American Poetry.

Myers, John Bernard, ed. The Poets of the New York School. Anthology by the director of the Tibor de Nagy gallery. Padgett, Ron, and David Shapiro, eds. An Anthology of New York Poets. Personal use only; commercial use is strictly prohibited for details see Privacy Policy and Legal Notice. Oxford Research Encyclopedia of Literature.

Publications Pages Publications Pages. Oxford Research Encyclopedias Literature. New York School of Poets. American Literature Online Publication Date: Don't have an account? Poetry and Prose The Long Poem. History The first generation of New York School painters, including Lee Krasner, Jackson Pollock, and Willem and Elaine de Kooning, began using the canvas as a field, employing aleatory techniques those inviting chance, including paint dripping , and incorporating jazz-inspired improvisation in the late s.

Definition John Myers's companion, Herbert Machiz, director of the Artists Theatre, matched painters creating stage sets with poets writing plays. Characteristics New York School poetics rejects many traditional forms and rejects mythology as content or model. Art Criticism Many of the poets, accustomed to interpreting art and familiar with the futurist manifesto and the various surrealist manifestos, have written poetics statements.


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