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Table of contents
The movie unfolds with admirable wit and fluidity until the denouement, which overcompensates while diverting from the book's plot. With a wonderful performance by Toni Collette as Marcus' sorrowful but affectionate mom. A haunting fable of unrequited, sacrificial love from the Iranian filmmaker Majid Majidi, drawing even closer to the mood of classic Vittorio De Sica titles of the s.
A teen-ager of Turkish immigrant extraction, Lateef Hossein Abedini , is employed as an errand boy and canteen custodian at a building site in Tehran. When he loses this soft and privileged spot to a frail newcomer, he fumes and takes petty reprisals. Then he makes a startling discovery, anticipated by the audience well before: the usurper is actually a girl. In the aftermath he falls in love with the impostor and is willing to do everything to assist her. Ultimately, Lateef is even willing to pauperize and jeopardize himself. In Farsi with English subtitles. Exclusively at the Cineplex Odeon Dupont Circle.
Peter Bogdanovich recalls an abiding scandal of the early s in this biographical crime melodrama. The subject is a fatal yachting excursion to Santa Catalina Island in November , hosted by newspaper publisher William Randolph Hearst Edward Herrmann and his mistress Marion Davies Kirsten Dunst , a popular film actress and comedienne. There was an ill-fated guest: producer Thomas Ince Cary Elwes.
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The plot hinges on a very weak prop, an unfinished and conveniently discarded love letter. Bogdanovich's execution is also hit-and-miss. Nevertheless, there are some vivid and amusing episodes, including a Ping-Pong game that involves Louella Parsons Jennifer Tilley. Miss Dunst does an admirable job of simulating the playful and adorable Marion. A faithful movie version of a espionage novel by Robert Harris, a British author who contrived an intriguing plot around the codebreakers and analysts at Bletchley Park, the country estate that became the British government's headquarters for breaking German codes during World War II.
Director Michael Apted and screenwriter Tom Stoppard are adept at conjuring up the Bletchley Park backdrop and the legendary props: replicas of the Enigma machines and the computers built to sift through Enigma's millions of settings. Unfortunately, the movie is also stuck with a lackluster protagonist Dougray Scott , looking like the codebreaker the cat dragged in. A crisis looms in March of , when a change in the enemy's naval codes threatens to leave a trio of convoys from New York at the mercy of U-boats. Scott discovers that Claire Romilly, a heartbreaker played by Saffron Burrowes, has disappeared from the Bletchley Park work force.
Could she be a traitor?
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Scott joins with Kate Winslet, the missing beauty's frumpy roommate, in an attempt to account for the disappearance. Jeremy Northam as a debonair, sarcastic sleuthcould be as compelling as Cary Grant's hardbitten, lovesick Devlin in Alfred Hitchcock's "Notorious. Woody Allen's best brainstorm since "Deconstructing Harry" in A more likable comedy by far, "Ending" mocks Hollywood filmmakers with surprising consistency for almost two hours.
Allen casts himself as a has-been director named Val, who secures a potential comeback opportunity through the good offices of his ex-wife Ellie Tea Leoni , now the mistress and trusted troubleshooter of a studio boss named Hal Treat Williams. Chronically fretful and difficult, Val suffers a panic attack that leaves him psychosomatically blind on the eve of production.
With the assistance of a devoted agent, Al Hack Mark Rydell in a wonderful performance, suggesting the reincarnation of Broadway Danny Rose , the stricken director tries to fake it. This hoax demands a wider circle of collusion as the shoot continues. With Debra Messing as Val's bimbo girlfriend, a cheerful opportunist, and George Hamilton as a courtly studio yes-man.
The ensemble proves exceptionally harmonious and enjoyable, and the movie is laugh-out-loud funny with a frequency Mr. Allen hasn't achieved in quite some time. Director Mira Nair and another Indian-born transplant to the United States, screenwriter Sabrina Dhawan, join the ongoing parade of romantic comedies about weddings with this infectiously entertaining and ultimately jubilant impression of a large Punjabi family in New Delhi as it assembles and reunites to celebrate an arranged union between a bride who resides in Delhi and a groom from Houston.
Some dialogue in Punjabi and Hindi with English subtitles. A domestic farce so dependent on big fat cliches of one kind or another that it might as well be the dud pilot for a TV sitcom. Derived from a theater piece by Nia Vardalos, the movie revolves around the belated blossoming of her ugly duckling character, Toula Portokalos, a year-old spinster in a close-knit, indeed suffocating, Greek-American family in Chicago.
The movie seems about as authentic as a chain of Dancing Zorbas. The most appealing movie yet directed by the prestige producer Ismail Merchant, who finds entertaining embodiments of many characters in V. Naipaul's first novel.
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Published in , "Masseur" is a fond and savory rags-to-riches fable about an ambitious young teacher, Ganesh, who promotes simultaneous careers as an author and healer. In the process he becomes the pride of well-wishers in a rural community of his native Trinidad. Emboldened, Ganesh eventually discovers his limits as a big fish in a small pond. Aasif Mandvi, currently in the cast of the Broadway revival of "Oklahoma! The scenario goes flat on Mr. Merchant in the final reel, but there are abundant human interest and atmospheric rewards while the movie is bouncing merrily along.
A high school farce whose plot defies plausible validation, but if you can block out most of the coarsely inept gags and a recurrent mean streak, the movie has its moments usually when making fun of other movies. DJ Qualls is cast as a senior class loser who acquires a new personality after being expelled and spending a short stretch in jail, where he is tutored in a cool dude makeover by cellmate Eddie Griffin. Admitted under a different name to a high school on the other side of town, the former twerp becomes a campus trend-setter. This is Mr. Qualls' first "starring" role.
- Christopher Nolan: The Ultimate Guide to His Films and Directing Techniques.
- Mike Leigh (British Film-Makers).
- Pet Sounds.
A little of this odd-looking young madcap goes a long way. Nine Queens R An acclaimed Argentinean feature about a veteran swindler and an ambitious apprentice who conspire to make a killing with forged stamps, designed to entice and deceive a master collector. In Spanish with English subtitles. A market for people who won't follow music all year-round but will pay closer attention at the end of the year because they know they everything they want to know will be condensed into convenient summaries.
It's kind of the music equivalent of people who don't watch much sports, but stay glued to the TV during the Olympics, or even people who don't watch too many movies, but will watch the Academy Awards to check out the winners and make sure they haven't missed out on anything big. The only ones I've really loved are in order 1.
Carlos Giffoni - Eternal Noise 2. Emeralds — Solar Bridge 3. Prurient - And Still Waiting 4. Burning Star Core - Challenger 5. The Goslings — Occasion 6. Robedoor - Rancor Keeper 7. Wold - Stratification 8. Supposedly Jason Crumer on Hospital is supposed to be ill. That Lil Wayne record should be finishing high in critics polls, probably higher than it has on these listed. I mean it's really good and really popular, which tends to be what rises to the top when consensus is measured.
I don't think it's the best record of the year or anything, but it's one of the best albums that also sold a lot and MIGHT be the best hip-hop album in a relatively weak year for hip-hop albums. Indie-roots mediocrities that's more depressing.
- The Shadow and the Rose.
- Puzzleman_Part-05_Inside Eternity (Puzzleman: A Horror-Mystery-Thriller)!
- "Your First Step Towards Podcast Discovery";
- Recommended.
- Schizophrenia Deliverance (MIND CONTROLLERS).
- ALTER EGO 1 A1 WORKBOOK.
I think the problem everyone is having this year is that there hasnt been a definitive album which both mainstream and critics may agree on like say 'In Rainbows' or 'Person Pitch' last year. It hasn't been a very good year for pop or mainstream. There's many things on both I like but I just cant seem to listen to the full album straight.
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They're very homogenic. I know someone says this every year on these threads, but: it's impossible to keep up with every frickin' album that comes out in a given year. In addition to the gazillion albums that came out in that I didn't buy, download illegally, or receive as promos, there are a lot that I did get as promos but never had a free moment to play because I was too busy listening to other stuff for reviews or just living life generally.
All of which is to say that there's no such thing as a totally wide-open top 10 list and there never will be, until, perhaps, Multivac is invented. And even then probably not. Oh yes, 'Sound of Silver' is a better example I guess, but anyways you got the point. Everyone already knew by November what album was ranking on the first place for them and this year it's been very harsh pleasing everyone by the choices, critics seem confused.
The best records this year are too offbeat or strange for mainstream audience yet the pop releases have been very bland.
PS: I'm a girl. As for music blogs which could be considered 'taste-makers' I'd nominate gorillavsbear. Gotta second these noms for avant albums of the year.
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Paavoharju - laulu laakson kukista natural snow buildings - laurie bird emeralds — solar bridge burning star core - challenger the goslings — occasion a few suggestions. Girls - introducing. Teotihuacan - live smokeshows from inside the ciguri cave hazed diamonds with windswept hair bulbs - light ships no more. Fuck buttons, please. I kinda like pocahaunted, even though i'd choose mi ami over them any day of the week. Speaking of which, add mi ami - african rhythms 12' to that suggestions list. I think gorillavsbear is only run by Chris and I doubt he visits this board. Personally I think it he tries to cover too much ground without really exploring anything but to his favor I'll say he has a strong personal taste, not that I agree with all of it but he seems to me more like an influence-maker than your average blogger.
Also he receives Pitchfork's love and support every now and then so I assume half of pitchfork's readership is on to him. I couldn't get into the Burning Star Core there's a trio of tracks I really enjoyed Challenger, Mezzo Forte and Mysteries of the organ but the rest is not as good. Same goes with Fuck Buttons, a couple of good tracks but that's it. Lot of those seem like they'll wind up on TinyMixtapes list.