Fughetta No. 1 from "Twelve Fughettas", Op. a. $ Digital Sheet Music for Fughetta No. 1 from "Twelve Fughettas", Op. a by Joseph Rheinberger.
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Mozart Divertimento K. Cootamundra Music, Mundingburra [CM14] 1. Mozart Zwei sonatinen fur alt-blockflote und klavier. Edition Peters, Leipzig [Nr. Mozart Zwei sonatinen fur altblockflote und klavier. Peters Corporation, New York [] 2. Pelikan Zurich [Pelikan edition ] 1. Hargail Music Press 1. Nova Music 1. New York, Hargail Music Press. New York, Hargail Music Press 1. See Long John Mundy Robin, arr. Cheap Trills, Vashan Island 4. Toronto, Clark and Cruikshank 1. Trios for 2 Descant Recorders and Treble or Tenor.
See Murray 95 Jacob Obrecht Trio, ed. See Murray 95 Jacob Obrecht Volkslied. James Middleton 1. See Vier satb Johann Pachelbel Baroque quartet. See Quartets satb Johann Pachelbel In twelve fugues by baroque masters for recorder quartet. See Duschenes satb Johann Pachelbel Two fugues: Arranged for nine recorders by Peter Madge. Theodore Presser Co, Brymn Mawr [] 7 viol. Rie ne peut calmer ma peine: Princeps glorissime, Michael Archangele, arr.
OUP London 2. Wien, Universal Edition 1. See Quartets Pierre Passereau Il est bel et bon chanson. See Dolmetsch sat Donald Pease Pro art flute and piccolo method. A second year course. Perth, The Keys Press 1. Simmerette and Episode The Keys Press, Perth 1. Ltd, London" 1. Mainz Schott no date 2. Six airs from the Beggar's Opera, ed. London, Musica Rara 4. Howard Oberg, [Sydney] [H. Cantata for soprano, treble recorder and basso continuo. Girolamo Musikverlag, Calw [Ed. Peacock Press, Hebden Bridge [P57] 1. See Britten 63 Perotin Viderunt. See Thomas satb; attb A.
Josef Petraschek Little suite Kleine Suite for three descant recorders or other melodic instruments. Leipzig, Universal 1. See Quartets satb Paul Peuerl Two suites for four recorders, arr. Dances from Playford for recorder trio arr. Celle, Moech 3. Lerista Editions, Kinkin [LE; ] 1. Also includes Quem Vidistis Pastores, Asola. See Hopkins satb x 2 Michael Praetorius Four part dance. Wolfenbuttel, Moseler 1. Two choirs of 5 voices and 5 instruments. Fidula-Verlag, Boppard 1.
Overture and Air I descant, treble, tenor, bass , arr. Barenreiter Kassel [Hortus Musicus] 1. Aria for alto voice, two treble recorders and keyboard instrument from the ode for the Birthday of Queen Mary, See Long aaa Henry Purcell Under this stone. See Long Henry Purcell 'Tis too late for a coach. See Long atb Henry Purcell Once in our lives.
See Long Henry Purcell To the, to thee and to a maid. See Long Henry Purcell I gave her cakes. See Long aaa Henry Purcell Wine, wine in a morning.
See Long aaa Henry Purcell Venite exultemus canon. Nymphs and Shepherds, come away. Spring song for recorder or string quartet or for three melodic instruments with signing voice. Schott's Sohne, Mainz [Ed. Mel Bay Publications, Inc. Pushechnikov Easy etudes for soprano recorder. London, Faber 99 Johann Joachim Quantz Trio sonata in C for treble recorder or flute , violin or oboe or tenor recorder , basso continuo piano or harpsichord with violoncello ad lib. See Walker Maurice Ravel Pavane pour une infante defunte for descant, treble, tenor, bass, great bass recorders and piano..
London [] 2. London, Paxton 1. London, London Pro Musica 2. London, Oxford University Press [Composer listed separately] 1. See Diaz Albert comp. Rodemann 77 Music in the home at Christmas: Satze von Meistern des Score and parts Schott Ta bonne grace; M'y larrez vous; Espoir m'a tenu; Grace, vertu, bonte. Polyphonic Publications, Colebrook 1. Vashon WA, Cheap Trills 1. Price Milburn 1. Forty pieces for recorder consort collected by Steve Rosenberg. Wellington, Price Milburn Mus 5. Herman Moeck, Celle 4.
Mainz Schot, nd [Edition ] 1. Schule des blockflotenspiels Vol. Barenreiter-Ausgabe, [Kassel] [C] n. Barenreiter Kassel, Basel [Composers listed separately] 4. See Ensemble Guiseppe Sammartini Twelve sonatas for two treble recorders and continuo. Vienna, Doblinger 3.
Contains descriptions of makes of recorder, advice on choosing an instrument and advice on care of wooden recorders. Taken from website with permission of Mr Saunders.
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Sevenoaks, Novello 1. Saunders Bristol 99 Alessandro Scarlatti Sonata for three treble recorders and continuo Sonata fur 3 Alt-Blockfloten und Cembalo; violoncello gambe ad lib. See Kaestner Guiseppe Domenico Scarlatti Suite for recorder quartet descant, treble, tenor, bass , arr. Barenreiter, Kassel [BA] 2.
Schein Canzon in six parts arranged by Greg Lewin. Schickhardt Variations on "La Folia" Opus 6 No 6 for 2 treble recorders or flutes and basso continuo. Nova Music, London [NM ] 4. Schickhardt 24 Sonatas in all keys for alto recorder and basso continuo, Vol.
Zen-on Music Company Ltd. Sechs leichte Sonaten fur Altblockflote in f' und cembalo. Seven times seven times in seven parts. Celle, Moeck 3. S ] 4. Drei Klavier-sonaten fur die Jugend, arr. The shepherds in the fields. Celle, Moek 1. For music to this play, see Dinn Celle, Moek 2. Selected pieces, in four parts, for strings or recorders or other woodwind instruments with basso. Wilhelmshaven, Heinrich 4. For four instruments and optional continuo. London Pro Musica 2. London, Lebgnick 2.
See Katz Johann Speth In twelve fugues by baroque masters for recorder quartet. Schott Mainz 2. Vienna Doblinger 3. Staeps Arkadische Szene. Vienna Universal [UE] 1. Doblinger, Munchen [D] 2. Verlag Doblinger, Wien [FL30] 1. London Schott ssa. Stilwell Arr Easy recorder music series, numbers See Thomas 1. London Oxford UP 1. See Arthur Sullivan Arthur Sullivan: Tunes from his operas Book 1.
London Schott [] 1. Tunes from his operas Book II. See Quartets satb Susato Battle Pavan arr. Mainz Schott [Schott ] 1. Schott London [] 1. Vienna Universal [UE] 4. London, Schott [Composer listed separately] 2. Zen-on Music, [ ] 2. See Hopkins Thomas Tallis Iste confessor. Flamische Lieder und Tanze. Telemann Adagio from No. Telemann Introduction from 'Fantaisie No. Telemann Sonata in Bflat major for treble recorder and violin. Telemann Sonata no. Telemann Methodical sonata in G minor, Op.
Barenreiter-Verlag, Basel [BA ] 4. Telemann Six canonic sonatas for two alto recorders. Telemann Six fantasias for solo alto recorder. Telemann Sonate Metodiche for treble recorder and continuo. Kleine Stucke fur zwei Blockfloten c' und f' im Quintabstand. Sechs Sonaten im Kanon fur ten in f'. Bael Barenreiter Kassel 3. Realisation of the figured bass by Hans Maria Kneihs. Kassel, Barenreiter 2. La petite Musique de Chambre. London, Faber 2.
Sonata in B flat major; Sinfonia a la Francoise. San Lorenzo, Musica Sacra et Profana 4. Mainz Schott [] 2. Basel Barenreiter Kassel 5. Cello, Moeck 2. Sonata a 3 d-moll. New York, Peters 4. Znrich, Amadeus 1. Sonata for two treble recorders and continuo. Sonata in g minor for 2 treble recorders and continuo. Mainz, Schott OFB 4. Vashon WA Cheap Trills 2. Vashon WA, Cheap Trills 4. Friedrich Hofmeister, Frankfurt 1.
Barenreiter-Verlag, Kassel [Hortus Musicus ] 5. Revised edtition by Hugo Ruf. Hinnenthal-Verlag Kassel [HM47] 4. Moech Verlag, Celle [Z. J'ayme bien mon ami; Monpetit cueur. North Harton, Antico [Composers listed separately] 1. Four Pieces of the Late Fifteenth Century.
Seven double canons early 16th century for four instruments or voices with texts translated by Alan Robson. London Pro Musica [Composers listed separately] 1. Chansons by Mouton, Brumel, Claudin, Crecquillon and anon. Works by anon, Mouton, Brumel, Claudin? Thirty chansons, , for three instruments or voices. Roquelay Ta bonne grace; M'y larrez vous; Espoir m'a tenu; Grace, vertu, bonte. Hesdin S'il est a ma poste; Helas ma dame, a quoy tient il; Trop de regretz; Rammonnez moy. Sydney, Currency Press 1. Bury, Tomus 1. Figured bass realised by Walter Bergmann. See Diaz Trad Bolivia Naranjita.
Arcadian Press, Northport [AP ] 1. Dum transisset sabbatum i. Dum transisset sabbatum ii. Unger Classical dance tunes from Haydn to Schubert for melody instruments recorders, violins etc with piano and guitar ad lib. Brooklyn, Anfor 1. Sonata IX und X. Mainz Schott [Schott ] 2. Dolce Edition, England [Dol] 1. Amadeus Verlag, Schweiz [BP] 1. Bach, for four melodic instruments recorders or string quartet. Zurich, Pelikan [Composer listed separately] 1. Tokyo, Zen-on [Composers listed separately] 1.
Quartets by Corelli, Pachelbel, Handel, J. Bach and John Fischer. Tokyo, Zen-on [Composer listed separately] 1. Music minus one treble viol, soprano or tenor recorder, flute, oboe or violin. See Quartets Juan Vasquez De los alamos vengo villancico. Recorder course for soprano and alto recorder. London, Oxford University Press 6. Veracini Zwolf sonaten fur blockflote und bezifferten bass, Bd.
Edition Peters, Leipzig [a] 4. Leipzig, Peters 4. Bass realized by M Kolinski. New York, Hargail Music Press 4. Previously hald as Peacock Press, Hebden Bridge [P80] [n. F VI, 4, C major. New York, McGinnis 2. Musica Rara 5. Six sonatas for flute treble recorder and basso continuo. Barenreiter Kassel, Basel [Hortus musicus ] 4. Rubank Ink 1. Thirteen popular colonial tunes set for trio. The Colonial Williamsburg Foundation, Williamsburg, 1.
Webster Little fugue for four recorders. Little dances by old masters for descant or tenor. Publication sponsored by the Sydney Society of Recorder Players 1. Publication sponsored by the Victorian Recorder Guild 2. Alarme, Alarme; Soit tart, tempre, main ou soir. See Thomas attb Adrian Willaert J'ayme bien mon amy. See Thomas attb Adrian Willaert Mon petit cueur. See Thomas attb Adrian Willaert Ricecar. See Long atb Adrian Willaert Ricercar sesto.
See Long atb Adrian Willaert Ricercar quanto. See Long atb Adrian Willaert Regina celi. London, Oxford University Press 4. Arranged by Edgar H. Arranged by Robert Salkeld. Oriel Library London 1. Arranged by Walter Bergmann. An unusual collection of music arranged for the recorder containing over 50 pieces from over years of music.
Wise Publications 1. Site produced by Liquid Boundaries. Composer Code Title Index Instruments. Courtly Masquing Ayres for five instruments Vol 1. Canzoni ella Mapolotana For five voices or instruments. London ProMusica Edition, London Canzoni alla Napolitana for five voices or instruments. Reading , Moore Music Hodie completi sunt dies pentecostes from Corollarium cantionum sacrarum Adesto unus deus from Liber sacrarum cantionum Nurnberg Laudate dominum based on Psalm from Liber sacrarum cantionum No. Sonata for two treble recorders or for treble recorder and tenor recorder.
Flindwind Music, North Adelaide [] Melbourne, Allans Publishing Consort Songs Compact Disc. Konzert fur zwei blockfloten. The Renaissance Band Volume one. London, London Pro Musica O homo considera early 14th century English , arranged for brass by Robert Miller and for recorders by Susan Foulcher. Three sonatas for treble recorder and basso continuo. Barenreiter Kassel [Hortus Musicus 33] Rule Britannia and other patriotic tunes for massed recorders and piano arr. London, Schott [Composers listed separately].
Aria under the greenwood tree from Shakespeare's 'As You Like It' for soprano or tenor voice, sopranino recorder or descant or treble and keyboard two violins and 'cello ad. Symphony in F arranged for recorder orchestra or large ensemble arr. Berkeley, Musica Sacra et Profana Blockflotenstudien Heft 2, from J. Air and Gavotte from the orchestra suite no. Recorder solos from the sacred and secular vocal works.
Barenreiter Kassel, Basel [BA ] Sonate en sol mineur pour flute a bec alto et basse continue D'apres la sonate BWV London, Oxford University Press Aria from the Birthday Cantata: Weichet nur, betrubte Schatten S Sich uben im Lieben. San Lorenzo, Musica Sacra et Profana Schauet doch und Sehet, S.
Harpsichordist - Musicologist - Organist
Uns ist ein Kind geboren, S. Harmondsworth Penguin Books Seven Bach fugues arranged for four recorders: Aus dem Notenbuchlein fur Anna Magdalena Bach Suite fur altblockflote und basso continuo BWV Heinrichshofen's Verlag, Wilhelmshaven [N ] Suite in C minor for Two Recorders and Keyboard with viola da gamba or cello ad lib.
Sonata in F no. Two sonatas for treble recorder and continuo, Op. Peasant songs and dances for 2 or 3 recorders, Vol. Ambacher Quartett fur Blockfloten oder andere Instrumente Ambach quartet for recorders or other instruments. Allegro und minuette fur eine flotenuhr Allegro and minuet for a musical clock.
London, Boosey and Hawkes Sonata in d, Opus 3 no. Three recercadas set 2 for recorder quintet. Three recercadas set 1 for recorder quintet. From the Apted Book: The duo collection vol. Vienna, Universal Edition La Gondoletta, Venetian folksong for recorders. Exultate deo Psalm 81 from Sacrorum Symphoniarium Ardemmo Insieme from Giardino novo bellisimo di varii fiori musicali scieltissimi. Del Vago Roscignuolo from Giardino novo bellissimo di vari fiori musicali scieltissimi. Laudate dominum from Symphoniae Sacrae Nurnberg and O Pretiosum et admirandum convivium from Promptuarii music, sacras harmonias sive motetes.
Venite filii from Sacrarum symphoniarum continuatio Nurnburg Ave rex noster from Promptuarii musici, sacras harmonias sive motatas Sonata pro Tabula a 10 for five recorders and five stringed instruments with keyboard ad libitum. Sonatas for Treble Recorder. Toreador's song from Carmen, arranged by Alyson Lewin.
Preludes et Pieces en Duos sur tous les tons principaux. Six duets for treble. Mainz, Schott OFB6 Divertimenti da camera for altblockflote oder violine querflote, oboe und basso continuo, cembalo pianoforte , violoncello viola da gamba ad lib Heft 1 Divertimento 1 in F Major. Three into five for descant treble and tenor recorders and piano. Trio Fur Bolckfloten oder andere Melodieintrumente Trio for recorders or other melody instruments. Paduanen und Galliarden zu Funf Stimmen. Neue Lustige Volten, Couraten.
Pavans and galliards for six instruments. Wheaton Aston [RA68] Carmina Germanica et Gallica: Vray dieu d'amours in The Parisian Chanson Volume nine. Tibi laus, tibi gloria from Sacrorum symphoniarum Nurnberg Six Quodlibets for four voices or instruments. The white-throated warbler for sopranino recorder and harpsichord alternatively treble flute or piccolo and piano.
Hebdon Bridge, Peacock Press Ancona, It, Berben Scarborough, Ont, Berandol Six galant duos for two equal melodic instruments. Barenreiter-Verlag, Kassel [Hortus Musicus 81] Polyphonic Publications, Northport [PP ] Two sonatas for soprano instrument, bass instrument and continuo. Il est en vous in The Parisian Chanson Volume nine.
Canada, Berandol Music Limited Six duets for two descant recorders or other instruments of equal pitch. Trio Sonata in D arr. Nova Music, London Sonata for 2 alto recorders and piano, violoncello ad libitum. Sonata in F major, Op. Six Sonatas from opus 2 from the flute original for 2 treble recorders without bass. London, Nova Music Universal Edition, London Amour hellas in The Parisian Chanson Volume nine. Veni in Hortum meum from Sacrae symphoniae Nurnberg and New York, Hargail Sonata in D lminor for treble recorder flute, oboe and basso continuo.
Barenreiter-Verlag, Kassel [Hortus Musicus ] Variations on Waltzing Matilda for recorder quartet.
Twelve Fughettas, Op. a | Sheet Music Now
Sonata in G major for soprano recorder with basso continuo edited by Frans Bruggen. Six Suites de Pieces, for 2 alto, 2 soprano, alto and tenor or 2 tenor recorders. Four stucke aus Children's Corner, arranged by Christian Falkenberg. Heinrichshofen's Verlag, Wilhelmshaven 3761 Funf leichte suiten aus dem Barock fur altblockflote und basso continuo score and basso part only. On hearing the first cuckoo in spring. Beaconsfield, Davey Music Publications Conviviorum Deliciae Vol 1: Zurich, Musikverlag zum Pelika Conviviorum Deliciae Vol 2: Znrich, Musikverlag zum Pelika London, Oxford University Press [Composer listed separately].
More great melodies for descant recorder. Tuneful tunes for my recorder: Nine sixteenth-century dances for four recorders with strings and percussion ad lib. School recorder Book 3: The interpretation of the music of the 17th and 18th centuries, revealed by contemporary evidence. Seattle, Washington UP A first set of Pieces From Shakespeare's Plays for two descant recorders or two tenor recorders or one treble and one tenor , with or without accompaniment. Greensleeves to a Ground - Divisions for treble recorder and basso continuo.
Twelve divisions on the tune of Greensleeves for descant recorder and harpsichord. A second set of pieces from Shakespeare's plays, for two descant, two treble or two tenor recorders. Six pieces for treble recorder and pianoforte. Feeding Time at the Zoo. Sydney, Lance Eccles Angels for descant, treble, tenor and bass recorders. The East is Red and Liuyang River: Narziss fur sopranblockflote und schlagzeug. Two Midth Century English Songs: London, Oxford University Press [Composers listed separately].
Sonata in G minor for treble recorder and piano or harpsichord with violoncello or viola da Gamba ad lib. London, Schott, [A] Divertissement bestehend aus zwei Suiten Divertissement consisting of two Suites. Schone Deutsche Volkslieder und Volkstanze in leichter Spielbarkeit. Take your partner for Christmas. London, Cramer Music Let's learn the recorder: Bicinia from Glareanus's Dodecachordon for voices and two solo instruments. Barenreiter Kassel, Basel [Hortus Musicus ] Canzon Quarta detta la Scacchi - Canzon Terza detta la Crivelli from Brit.
Canzon settima detta la tarditi from Brit. Stafford, Hawthorns Music Brighton, Dolce Edition Canzona for recorder quartet, arranged by Dom Gregory Murray. Angelus ad passtores ait from Continuatio cantionum sacrarum No 7 Seven voices. Hodie christus natus est from Continuatio cantionum sacrarum Dreichorige Kanzone zu zwolf stimmen Three-choir canzona in 12 parts Die undankbare flunder The ungrateful flounder for equal voices, descant and treble recorders, 2 violins.
Ricercari a quattro voci Four-part ricercari for recorder, viol or string quartet. Opera Intitulata Fontegara Venice ; A treatise on the art of playing the recorder and of free ornamentation English translation from German Ed Ten recorder quartets for descant, treble, tenor and bass from the Fitzwilliam Virginal Book.
Croydon, UK, Belwin Mills Schule fur die altblockflote. Sonata fur Altblockflote in f' und Klavier Sonata for treble recorder and piano. Sonata fur zwei Altblockfloten und Klavier Sonata for two treble recorders and piano. English madrigals and ayres for recorder ensemble works by Dowland, Byrd and Morley. Troisieme livre de danceries Third book of dances for four instruments. Quart livre de danceries Fourth book of dances for four instruments.
Canzone del Mortara detta la Ghizzola in G, arr. Canzone del Mortara detta la Ghizzola in D and in A arr. Chesham, Alex Ayre Seven hymns for four recorders, arranged for recorders by Kenneth Dinham and Ian Kemp. First ensemble book for two or three descant or tenor recorders with guitar accompaniment ad lib. Deutsche Volkslieder in Allerlei Mundarten German folksongs in various dialects, for one or two recorders with a guitar or lute ad lib. Deutsche Volkstanze German Folkdances for one or two recorders with a lute or guitar ad lib. Deutsche Volkstanze German Folkdances for one or two recorders with lute or guitar ad lib.
Spielbuch fur zwei Sopranblockfloten: Barocke Spielstucke Baroque Pieces: The bird fancyer's delight: Voluntary in C major for descant, treble and tenor recorders. Peer Gynt Suite No. Celle [Edition Moeck Nr ; M] Canzonette Francese for recorder quartet. Festliche Musik und Deutsche Tanze for three equal recorders or other instruments. Funf kurze Stucke Fur Blockflotenquartett order andere Instrumente. Notturno for one bass recorder player, tape recorder and two gongs. Aus der Wassermusik From the Water music: Aus der 'Feuerwerkmusik' From the Fireworks music: New York, Lea Pocket Scores Watermusic, selected and arranged in two suites.
Senate F - dur for treble recorder and guitar viola da gamba Violoncellop ad. How to play the crumhorn, cornamusa and curtall. Two four-part 13th century works. Instrumental Music of the 13th Century Vol 1 Contents: Proceed sweet charmer of the ear: Twelve advanced studies in recorder technique. Overture to Orlando Paladino arranged by Stan Davis.
Haydn's Toy Symphony for recorders and toy instruments arr by Colin Hand. Oxford University Press, London Old Dances and Airs: Consorts in three parts for recorders or other instruments. Dreistimmiges Spiel Trio Playing sixteen pieces by old masters for two treble recorders and violin. Die Tanzflote The Dancing-flute , dance tunes and folkdances for one or two descant recorders or other melodic instruments, guitar ad lib. Unsere weihnachts lieder fur eine oder zwei altblockfloten.
Seven tenor songs for four voices or instruments. Duets for Descant Recorders: The James Hook collection vol 1: Simple symphony opus 99 for school orchestra. Sacred and Secular Trios from the Renaissance, Vol. German Tenor Songs Vol 1 - Contents: Two Double Cantus Firmus Works. Music of 16th Century Spain - Contents: Two 3-Choir Motets - Contents: Two 3 Choir Motets. Two Polychoral Christmas Motets. Troisieme suite de pieces a deux dessus for two treble recorders. Amadeus, Winterthur [BP] Complete duos from op l, op. Rudiments of the flute, recorder and oboe Principles de la Flute ; translated by Paul Marshall Douglas.
New York Dover Publications Trio sonatas opus 3 for 2 treble alto recorders and basso continuo Nos Musica Rara London [MR] Suite in F, Op. Suites in G, Op. All In A Garden Green: Official publication of The Society of Recorder Players. Classical Album - Twenty Pieces transcribed for one and two descant recorders and piano.
Aural tests for all grades of practical examination Preliminary to Licentiate. Recorder Pieces from the 12th to 20th Century. Quem vidistis pastores from Corollarium cantionum sacrarum Ecce venit desideratus based on verses from the Song of Solomon Corollarium santionum sacrarum Nurnberg Dances of the jongleurs of medieval Italy for recorders and percussion.
Celle, Moeck Verlag Mainz, Schott nd [Composer listed separately]. Music of the Masters Vol 2 20 Easy Duets for two soprano recorders. Renaissance Songs and Dances for Recorders. New York, Associated Music Pub Mainz, Schott [Composer listed separately]. Play It If You Can: Recueil d'airs de dance characteristiques: Quartets for recorders for advanced players. Tokyo, Zen-on Music Company Ltd Zwei-bis Vierstimmige Blockflotenstucke Two, three and four-part recorder pieces. Boston, MA, Boston Music The recorder in the 17th century.
Barenreiter, Kassel [BA ] Wilhelmshaven, Heinrichshofen's Verlag Dark grey; spun gold for recorder quartet. Report upon 'When shall the sun shine? Songs of the Beatles: Suite in E for recorder quartet or four other melody instruments. Neuzeitliche Ebungsstucke fur die Altblockflote. Mainz, Schott No Sonatas for recorder and basso continuo, Vol.
Allegro and Gavotta from No. Sonatas for Recorder and Basso Continuo Vol 2: Toronto, BMI Canada Sonata III in F for two treble recorders. Quintet in D minor for four treble and bass recorders. Dolmetsch Organization, Haslemere [BB] Trio Sonata in G, Op. Renaissance music for two recorders-Book I: Copy of private MS Donated [Composers listed separately]. Renaissance music for two recorders - Book II.
This article speculates about the possible role of Johann Jacob Froberger in this process; he might have been showing his French colleagues how to effectively adapt the language of the French lutenists to the harpsichord.
Pieter Dirksen
Bach's Concerted Ensemble Music: Gregory Butler University of Illinois Press, , It has been already demonstrated before that Bach's Harpsichord Concerto in F Minor BWV , though clearly a transcription like all of the harpsichord concertos, does not go back to a single work but was assembled from movements from at least two different concertos.
The middle movement thus does derive from a concerto whose outer movements survive as the two sinfonias of Cantata BWV Though the unity of the fast movements of BWV has been repeatedly questioned as well, their form, length and content proves them beyond doubt to stem from a single model, as my analysis demonstrates.
This lost concerto must have been a Violin Concerto in G Minor, a highly sophisticated piece composed at the very end of Bach's Cothen period. Its original middle movement in all probablity survives in the form of the six-bar fragment BWV Anh. Het clavecimbel was niet het hoofdinstrument van de uiterst veelzijdige Constantijn Huygens - dat was ongetwijfeld de luit en aanverwanten -, maar als een aristocratisch solo-instrument bij uitstek oefende het toch een grote aantrekkingskracht op hem uit. The rolls of these clocks each contain ten pieces, the majority of which can be shown to derive from music by Georg Friedrich Handel.
It can be considered a central document for performance practice with Handel, throwing considerable light on issues of tempo and above all of ornamentation, and showing practices which are often at variance with modern habits. Even if the performance practice fixated here does not derive directly from Handel, it at least reflects London tastes from the orbit of the great composer at the peak of his career. Er is een aanwijzing in de bronnen voor het eerst onthuld door Thurston Dart dat Orlando Gibbons naar alle waarschijnlijkheid in het voorjaar van het Europese vasteland heeft bezocht - met name de Noordelijke Nederlanden.
Blijkbaar vormde juist het jaar een keerpunt in de ontwikkeling van Gibbons als componist. An expanded English version of this article appeared in ; see above. Essays in Honor of Harald Vogel , ed. Westfield Center, , Though far from neglected by modern research, the interpretation of the so-called stylus phantasticus still appears elusive. Though it obviously played an important role in North German music of the second half of the seventeenth century, a precise assessment of its function and significance remained problematical.
The term, in all likelihood coined by Johann Jakob Froberger, was decidedly retrospective in character and intent. In the circle of Hamburg organists it was however anachronistically adopted for the theoretical foundation of part of their music. Here it flourished as a compositional method for multi-section instrumental pieces mostly for keyboard , in which the traditional concept of a rhetorical forma plays a key role. Samuel Scheidt - Werk und Wirkung , ed.
Konstanze Musketa and Wolfgang Ruf Halle: He thus reveals himself as a stubborn continuator of a humanistic outlook on music which at the time was already retrospective, It is striking that with one important exception all surviving fantasias can be found in the Tabulatura Nova, while for the variations and toccatas the manuscript transmission is important as well. In this development, which shows the concept at its final stage, as well as in the nature of the subjects and formal models he reveals himself clearly and unambiguously as the most faithful pupil of Sweelinck.
The present article, which forms a pre-publication from my Scheidemann monograph, presents a summary of my fresh investigation into the matter. The corresponding difference in feeling between the two hands is of central importance in playing the music of Sweelinck and his school. Series of four descending sixteenth notes right hand can be played with the usual paired fingering as well as with 4 3 2 1 or 5 4 3 2. The information from this fingering chart is supported and supplemented by several fragments of fingerings in the Scheidemann sources, some of them clearly of a professional outlook.
Bach-Jahrbuch 89 , Ms Bach P , is not an original piece, and moreover appears to have been assembled from disparate sources: Ms Bach P 67 has always been taken as forming a composing score along with the rest of the hastily written movements of this large two-part cantata.
However, closer scrutiny reveals the sinfonia entry to form a revision score, and the style of the piece is indeed much older, strongly suggestive of Weimar c. All evidence suggests that the original instrumentation of this movement was near-identical to that of the sinfonia from BWV 76, namely oboe, viola da gamba and continuo. The formal and stylistic analysis of all three movements of BWV leads to the conclusion that the initial versions of the second and third movements stem from the Weimar period as well and that the sonata was conceived as a unified, closely integrated whole.
Thus, an ensemble sonata by Bach from an early period which is not particularly rich in this genre can be hypothetically revived. Dortmunder Bach-Symposion , ed. Martin Geck Dortmunder Bachforschungen, Bd. This three-movement suite belongs to a group of pieces from c. Christopher Hogwood Cambridge, , A study of the final part pp. The second segment is made up of eight French harpsichord pieces probably from the late s and offering an unique glimpse of the French harpsichord tradition in an otherwise rather obscure period. The final segment, made-up of several loose ends Cornet, Philips, Sweelinck confirms that the writing of the manuscript was in all probability finished by GOArt Research Report 3, ed.
His two full-blown chorale fantasias, Gelobet seist du, Jesu Christ and Nun freut euch, lieben Christen gmein are discussed and their historical antecedents established. From this follows that they probably form his first masterpieces, written in the s. Nun freut euch may have been composed on the occasion of the beginning of his tenure in St. The hypothesis that he was a pupil of Scheidemann in the s for which no documentary evidence has hitherto been found is much strengthened by the results of this stylistic discussion.
Johann Sebastian Bach seems to have been fascinated by the lute-harpsichord throughout his life, and many of the documents concerning this vanished instrument type are directly or indirectly related to him. His so-called lute music BWV is on the whole as problematic with regard to the real lute as it seems inextricably bound up with the lute harpsichord. Jean Ferrard Brussels, , In the last fifteen years of his life, which he spent in the Southern Netherlands from onwards as organist of Antwerp Cathedral , he seems to have written considerably less, and less ambitious keyboard music than before while becoming increasingly engrossed in the composition of speculative canons.
The sudden emergence of Sweelinck as a major keyboard composer who in fact was much indebted to Bull's earlier music in the s may have played a role in Bull's keyboard reticence. Bachs erster Leipziger Kantatenjahrgang. It is virtually a latent violin concerto, probably written for some virtuoso visiting Leipzig.
The famous Dresden violinist and friend of Bach, Johann Georg Pisendel, is tentatively associated with the background of these two strikingly original cantatas. A reconsideration of some central issues of Sweelinck's keyboard music, such as the transmission and its quality and salient features of his style. The unique tradition of writing ambitious hexachord fantasias ranging from William Byrd in the s to Gregorio Strozzi in is reviewed, Sweelinck's exceptional position within it is assessed and his Hexachord Fantasia analysed.
Finally, historiography and analysis are brought in connection with performance practice. Bach in Leipzig — Bach und Leipzig. Bach-Konferenz Leipzig , ed. Georg Olms Verlag, , Bach's chorale fughetta's BWV and , which have been preserved solely in posthumous sources, have been hitherto much neglected. Because of their miniature format and writing for manuals only, they are usually relegated to an early period. However, closer scrutiny reveals that there is no reason to doubt Bach's authorship of this fughetta too.
The eight pieces moreover form a liturgical cycle from Advent to New Year. Studies a newly-discovered keyboard manuscript D-Dl, 1-T , which turns out to have been written by Michael Bulyowsky who was already known as an organist and theorist and dated Strassbourg It is above all of prime importance for the transmission of the harpsichord suites of Johann Jacob Froberger, containing thirteen or fourteen of these in mostly exemplary texts. Annual Byrd Newsletter 7 , Discusses possible links between Byrd and Sweelinck in their quality as keyboard composers, pointing out the particular importance of the former to the latter.
Orgelkunst 24 , Sweelinck obviously stood in contact with at least two "Southern" organists, both of them English recusants: Peter Philips and John Bull. Their keyboard music largely predates that of Sweelinck, which probably did not start to be composed until after , and played a vital role in the formation of his keyboard style. His keyboard music was much sought after in the Southern Netherlands, as the preserved manuscripts demonstrate; indeed, his name must be considered the dominating one in the field.
The large group of toccatas by Sweelinck, which are dependant on Venetian models, forms an important exception. The toccata was eschewed by most of his German pupils but can be nevertheless be found with his two most important ones, Samuel Scheidt and Heinrich Scheidemann. Apart from a few small toccatas both organists devoted a single extended essay to the genre. Both composers arrived in their own idiosyncratic manner at a highly original development of the toccata idea, which historically however turned out to be a dead end.
Only with the next generation of North German organists Weckmann, Buxtehude, Reincken the toccata was restored as a central compositional genre — now however taking their lead from the new affect-laden toccata type of the Frescobaldi tradition. In spite of its poor source situation and unusual features, the nineteenth-century attribution of the Prelude and Fugue in F minor BWV to Johann Sebastian Bach was never seriously questioned until quite recently in , in an article by David Humphreys. The now generally accepted rejection from his oeuvre of course makes the authorship question acute.
The stylistic position of the piece and the nature of the transmission make an attribution to Bach's eldest son Wilhelm Friedemann plausible. Indeed, though unique in certain respects, several features of "the" F minor point to the style of this composer, while the peculiar quality and pathos of the whole seem to echo the improvisations of this legendary organist. GOArt Research Report 2 , ed. A discussion of the surviving repertoire of 17th-century Psalm settings from the Northern Netherlands including a catalogue: The latter in particular provide us with vital information about this important tradition which existed principally in improvisatory form.
Treats the background of this problematic concept, showing that it was much more limited both in scope and in spread during the Baroque period than its frequent present-day application to much baroque keyboard music suggests. A hitherto unknown and undated painting by Emanuel de Witte c. On basis of this state as well as comparison with other work by De Witte the painting can be dated at c.
A study of a comparatively neglected but major keyboard work by Bach BWV , demonstrating that his authorship is beyond question and that it forms a masterfully planned and realised variation cycle integrating several vital influences of Bach's youth. It is datable to the end of his Arnstadt period c.
Bach-Jahrbuch 84 , Discusses a famous toccata alternately ascribed in the sources to a rather disparate trio of composers: Shows that none of them can be the true author and that the nature of the transmission as well as the style of the composition strongly points to Johann Adam Reincken? The piece has been included in my edition of Reincken's chorale fantasias and toccatas However, he turned to it in the s, after his own organ style had fully matured, and composed a remarkable collection of highly sophisticated examples.
It was thus with a measure of historical awareness that he revived this obsolete genre. Editions Rodopi, , An attempt to establish the size and nature of Scheidt's keyboard music not found in the Tabulatura nova , including detailed discussion of matters of authenticity, transmission, style and chronology.
Het Orgel 86 , ; Der Kirchenmusiker 41 , Het Orgel 87 ,