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This is a list of composers of music for the series Star Trek, and other articles about music associated with the franchise. Contents. 1 Composers; 2 Film.
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Composer Jeff Russo Boldly Takes ‘Star Trek: Discovery’ Into New Musical Territory
Hear how the new theme invokes the old.
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Russo used a piece orchestra for the pilot and 51 players for each of the six episodes scored to date. With each episode averaging from 31 to 38 minutes of music, it takes Russo six days to finish a score. He can work quickly because he spent weeks developing a series of secondary themes — for Michael Burnham played by Sonequa Martin-Green , Starfleet, Klingons and others — that are useful as the episode story arc unfolds.

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Close Menu. Variety Intelligence Platform. The astonishingly protean orchestrator could equally be said to be the distinctive "voice" of MGM musicals, as well as of composers as various as John Williams and Jerry Goldsmith. In he spent a week writing and recording the main theme and scores for two pilots for a new sci-fi series. At the time he thought Star Trek was "just another show" and sci-fi is just "marvellous malarkey, so you write marvellous malarkey music".

He amused himself and others by giving various parts of the score punning titles, filled with in-jokes.

Composer Jeff Russo Boldly Takes ‘Star Trek: Discovery’ Into New Musical Territory

Courage was inspired to write the long-limbed melody by the song "Beyond the Blue Horizon", which he remembered from his youth, and also provided the "swoosh" of the Enterprise by breathing into a microphone. He only scored a further four episodes but his music became inextricably linked to the series. The opening fanfare, striving and probing the unknown, was used for the spin-off TV series Star Trek: the Next Generation and woven into all the Star Trek movies.

Michael Giacchino, composer of the 10th film, said: "If you were to strip away everything, bit by bit, in order of importance, the last thing you would be holding in your hands would be the sheet music for the opening fanfare. The Star Trek producer Gene Roddenberry had asked Courage not to write "space music", but he still went for a mysterious texture, though the famously controlling producer changed the sound-balance to highlight the soprano. Roddenberry then wrote words to the theme, simply to get half the music royalties.

In response, Courage, when asked for an autograph, would occasionally sign Roddenberry's name. Alexander Courage, known to his friends as Sandy, was born in in Philadelphia and raised in New Jersey. After piano, he took up cornet and horn and studied at the Eastman School of Music in Rochester, New York, with its strong band tradition. He graduated in and the following year moved to California, enlisting in the Army Air Corps to become a bandleader at bases there and in Arizona.

For the composer John Williams, Courage was "one of the architects of the MGM sound, a particular style of orchestration, which was an extension and development of what was done in the theatre in the s".

STAR TREK Beyond - Main Theme

The late s also saw original dramatic scores, including Shake, Rattle and Rock! Although their heyday was over, many musicals continued to be made and Courage orchestrated My Fair Lady , Hello, Dolly! He met Williams as the soundtrack pianist on Funny Face, and worked on the Oscar-winning adaptation of Fiddler on the Roof , through disaster movies like The Poseiden Adventure to the singing themes of Jurassic Park When Williams stepped aside from the Superman franchise, Courage used his themes in an original score for Superman IV: the quest for peace Courage had adapted Porgy and Bess for the screen in and some years later Williams asked him to write a Fantasy on Violin Orchestra, based on themes from the opera, for Joshua Bell and the Boston Pops.

He worked with Jerry Goldsmith and the orchestrator Arthur Morton on over episodes of The Waltons , with its clip-clopping theme, as well as four television movies. After Morton's death, Courage became Goldsmith's main orchestrator. Their work includes the slinkily sinuous Basic Instinct and old-fashioned action films like The Mummy Orchestrators are the unsung heroes of film and television scoring but Courage was one of the few who broke through that anonymity and was openly and generously acknowledged by composers.

Hear how the new theme invokes the old.

He also broke cover to appear on screen as the conductor in the Pavarotti vehicle Yes, Giorgio Alexander Courage, arranger, orchestrator and composer: born Philadelphia 10 December ; three times married; died Pacific Palisades, California 15 May You can find our Community Guidelines in full here. Want to discuss real-world problems, be involved in the most engaging discussions and hear from the journalists?

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Composer Jeff Russo Boldly Takes ‘Star Trek: Discovery’ Into New Musical Territory

Hear how the new theme invokes the old.

Simple Machines Community Forum - Index

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