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You don't even have to pay attention continuously to every note. Just let your brain gradually and naturally absorb the feeling and the sound quality of that interval.

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Once again, do NOT think of the interval with intermediate steps, or in a roundabout way. Either you know it directly or not yet and it's OK both ways. If you do this enough, in a relatively short time you will have the sound of the tritone permanently established in your ear. You will not confuse it with anything else. Whenever you will hear a tritone in a melody, the interval will jump out at you. And whenever you will need to think of it, it will be enough that you think of one note in your mind, and have the intention of hearing a tritone up, and your brain will instantly and precisely generate that interval for you in your head.

Here's a video that demonstrate this type of exercise, done with a software called Multilateral Ear Trainer:. Full disclosure, I worked on developing that software and I'm affiliated with the project. In fact for many years I also answered users' questions about it, and because of that I'm fairly familiar with the typical ear training challenges of musicians at different levels.

These suggestions are based on this experience. If you OP but also others find the video useful, I can make similar ones for other intervals, let me know. Play a random note. Then imagine a tritone up, if you can. Then play the interval, like in the video above. By playing the interval you will know how accurate you were in your head. If you cannot think of the interval at all, just play the intervals for a while. After a bit your brain will start to catch up. Again, do not use roundabout ways to think of the interval. Either you can think of it directly, or play it so you can hear it.

After a while, it'll come. It's really only a matter of hearing it and using it consciously a sufficient number of times. All you need to do, ultimately, is to hear and think of the interval in a focused way a sufficient number of times. Your brain will do the rest. Each interval must be trained individually as explained above, or in some other way that yields similar results.

Ascending and descending intervals must be trained separately. For example, tritone up and tritone down are two different beasts, each needs its own training.

Tritone Pop Keyboard Course – Book 1

About using roundabout ways to think of intervals is fine, do it whenever you need. But to seriously master any interval, only a direct approach like the one described here will do. If you play the piano, you can enrich the exercise by adding other notes to the starting note.


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In this way you also learn to hear and generate the intervals in your head not only in "laboratory conditions", but also with a musical context. In case of the software used above, there is an option to add background chords to the exercise, for the same reason, i.

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But in the beginning you should start with the pure interval and nothing else. If you have the chance, it's good to practice these intervals with different instrument sounds e. Bottom line, even just a few minutes of well-directed training can give you a level of interval mastery that even years of playing without paying direct attention to this issue could ever do for you.

Lastly: ear training is a long-term thing.

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You cannot cram. You can do just a little, and do it often, and you'll get great results. This habit will become interiorisized as an automatism. Make a collection of the first interval of well known tunes this methode is most used in schools and also promoted here in the answers you already got and in the jazz book of mark levine. Note that the intervals you struggle with are chromatic approaches to perfect intervals 5th and 8th. Instead of analyzing the interval as 2 succeeding tones try to identify them auditive in a chord of 2 tones or in a triad.

Characterisize and name the intervals by your own and unique, individual and personal impression. My way to success - aside that I played tenor horn before I started piano playing - was: practicing to imagine the scale before singing the interval by going back to the root do: do re do mi do fa do so do la do ti do do. Invent some own short tunes like the beginning of songs with the repeating the motive e.

Listen now. Home Questions Tags Users Unanswered. How do I aurally differentiate the tritone, min 6th and major 7th intervals? Ask Question. Asked 11 months ago. Active 10 months ago. Viewed times. All three sound dissonant and very similar. Richard Richard Richard Tim Tim k 12 12 gold badges silver badges bronze badges. See demonstration below For example, think of this.

The question is then: OK, so how do I master those unfamiliar intervals? Let's answer that. You need to practice each interval directly, a lot As simple as that. You can turn an unfamiliar interval into a familiar one with focused practice I'll try to demonstrate what I mean by "focused practice". Let's say you want to truly familiarize with and master the tritone interval. Demonstration of tritone familiarization In the below video, you'll be hearing random notes on the piano, followed a tritone interval starting from those notes. Keep listening to the starting notes and the subsequent intervals.

After a while, or if it's too hard to follow, take a break and try again later or the next day. MMazzon MMazzon 1 1 silver badge 5 5 bronze badges. This is really helpful. I have downloaded your app and will spend some time with it.

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