Guide Gypsy Jenn Art Zine: A original Zine for Mixed Media and Journal Artists (Issue 1)

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Table of contents

This body of work goes beyond the meaning of just art. You have created a body of work that depicts life, history and love. A cohesive interpretation focusing on remembrance and personal meaning of time, space, shape and form. I never realized how helpful it would be to think about it through language.

All the paintings in the show are multimedia, using photo transfers of photographs, letters, papers, picture postcards, playbills and other memorabilia. And what were the challenges you faced in creating this new art work? Nina: Everything! Figuring out how to use this material and turn each painting into a work of art and a personal statement was an enormous challenge. In addition to the learning curve of doing an entirely new body of work in a new medium, I had stopped painting over two years ago.

Edwin Austin Abbey biography

I once went ten years without making art so I had some faith that the magic would return. I trusted sort of that it would reappear in time. I had another problem.

Davenparty: Zine {Part 1}

I knew that I had a show scheduled for early November, at the gallery in Hud-. My last big show in June, and was all iPad images. What was that moment when you began thinking about using this historical material for a project? He got really excited, said that it sounded like an important historical document and that I should share it out in the world.

That set my mind to thinking. How could I share it without destroying the material in this precious, fragile, 70year-old scrapbook and what did I have to say about it? Can you talk a bit about the scrapbook and what it has meant to you? Nina: When I was a child there was a cabinet in our house that contained all of our family photo albums plus this scrapbook.

I spent a lot of time alone, turning. Here are the few things he did tell me: He told me that although he was thirty-two years old, he felt that, especially as a Jewish American, this was a war that needed to be fought, and he needed to be part of that fight. He told me that he used to refill his Zippo lighter by dipping it into the gas tank of his jeep and also, that Germans strung wires across the road and Army Jeeps would drive through them and soldiers would be decapitated so my dad figured out how to put a long pole on the front of his Jeep to cut through the wires.

I recently discovered the same image on the internet and realized that the photo was not taken by my dad and it was of Belgian women who were accused of being collaborators. They had been stripped naked and tarred by their angry neighbors. Their heads were shaved and they were forced to give a Nazi salute. There are playbills from a weekend leave in London a month before D-Day, photos of soldiers doing everyday things. Devens during basic training. There were Stars and Stripes newspapers, yellow and crumbling, with headlines like Hitler Dead.

I never asked him many questions, and he never talked much about any of it. Google became my best friend.

Jennifer Vazquez (Author of The Ultimate Gift Basket Idea book)

I spent hours and hours enlarging the images and Googling questions. I decided to open up a big conversation with this enigmatic man. Oh, how I wish I had my father here to talk to about it. I have so many questions. I thought that my project might serve several purposes. It might give me a subject for a new show, it might be a way of sharing some of this WWII material ,and it might help me better understand my enigmatic and difficult, father. All this sounds incredible Nina, how did you begin?

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Please take us step by step through your process. Nina: The first thing that I did was photograph every page and each individual item on every page. The second thing I did was order canvases in a variety of sizes and shapes. Then I had to purchase paints. What colors? Continued on next page What medium? I just guessed at what I might need. Next, I needed to figure out how I was going to use the material from the scrapbook and make art. I had heard about a photo transfer process so I went on-line and watched many how-to YouTube videos, and slowly I began to experiment.

This became one of the most frustrating and tedious parts of this journey. I knew that I needed to have many copies of each image, in a variety of sizes. Some needed to be in color, some in black and white and some in sepia. I also knew that it was time to begin to paint, but I truly had no idea what I was doing or how I was going to begin.

mixed.media collage

In my mind there was a certain symmetry to this idea. How long have you been working on this project? It must be one of your most important achievements? How would that be true? Nina: I think that trusting my abilities as an artist and doing this project without any pre-conceived ideas of what I was doing or how I would do it was both crazy and a total act of faith.

Definitely a major personal achievement.

Artists' Biographies

A painting is really just one mark at a time. Have you felt exhausted at times form working furiously? I hope you took some yoga breaks! Nina: All summer I worked in fits and starts. The two concentration camp paintings were overwhelming and I had to take frequent breaks while I was working on them.


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Another thing that gave me a break was going back and forth between painting and transferring. The transfer process is actually quite relaxing and fun and it made a nice balance between the intensity of the paintings and the simplicity of the process. What is the most important message you want viewers to know and absorb?

Is it about you as an artist, or is it more about the historical event that matters most? Nina: Stay open; you just never know from where or when your inspiration might come. What techniques have you reeled in to create this masterful body of work, and what have you learned.

Nina: All the work in the show is multi-media on canvas. I have used acrylic for the photo transfers.

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I thought that I would finish the paintings with oil paints, but in the end, it became unnecessary.