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Turner Collection: John Constable: Nature and Nostalgia. Constable’s oil studies of skies show a remarkable understanding of the structure and movement of clouds. The inscriptions on the back – ‘11 o’clock’ and ‘Noon’ – indicate that this study took him about an hour to paint.
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- Explore Whipple Collections - Cloud Studies
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- Clouds before Planes – Cloud Studies 1905
By Herton Escobar Jan. By Charles Piller Jan. By Martin Enserink Jan. All rights Reserved.
Explore Whipple Collections - Cloud Studies
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Artist John Constable — Medium Oil paint on paper on board. Collection Tate.
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Acquisition Presented anonymously Reference N Display caption Catalogue entry. Most also give a good impression of their three-dimensional volume. The studies vary in size. This is one of only four examples he painted on a larger format. The larger the scale the more difficult Constable found it to balance crispness of detail with speed of execution.
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This is why the larger cloud studies tend to be more generalised. Rising ocean temperatures and increasing carbon dioxide levels in the atmosphere ….
Explore nature 45, landscape 25, sky 1, times of the day 1, midday 29 weather 3, cloud 1, You might like Left Right. John Constable Harnham Ridge, Salisbury or John Constable The Gleaners, Brighton It is not beauty because it is not nature'. To escape these artificially-cultivated spaces he looked to the wilder landscape of Hampstead Heath and the skies above it. In and Constable started making direct studies in the open air of cloud formations. These were mostly made from the high ground at Hampstead as this was an ideal observation point.
Some sketches show clouds only and others like this show the top of a trees. Constable developed a great ability to capture the constantly changing forms whilst working in oil paintings in the open air. He wanted his landscapes to be lit consistently with the kind of skies that he painted.
Clouds before Planes – Cloud Studies 1905
The science of meteorology was being actively pursued at this time, with Luke Howard and Thomas Foster publishing the first systematic classifications of cloud forms. The day Constable made this sketch almost perfectly matches his ideal weather conditions: it was painted on an autumn morning and is inscribed on the reverse Hampstead, Sept 11, Light wind to the S. Further Reading B.
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Beckett, ed. Each artwork has its own unique character, so which one matches yours?