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As they carried her away, Nee was struck by a rock and fell. appreciate the way simple tilings, like a hot dog stand, help to hold a neighborhood together. You can't be part of this community without feeling the pain of the poverty, the heat of the anger All sides pushed officials to work too fast and aim too far and wide.
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Abrams American screenwriter and film director. Dan Sonney. Strangers on a Train. Los Angeles Calif. Subways, Transportation, City planning. Blue-green with Envy. Clothing and dress , Fads , Turquoise. Strip Show. O Come, O Come. Abbot Kinney. Shopping , Venice Los Angeles, Calif. Roadside Attraction. Robert E. Conspiracy Theory.

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Rafael A. Perez police officer. Musician American rapper. There are artists that are still touring and still doing shows that came through our show and got known through the tape circuit. Did that come in handy while producing the film? The fact that all over the world people might have bootlegs? We did, we did. Recently Prodigy from Mobb Deep passed away, a big loss to the hip-hop community, but the first time he came up with Havoc was April 1st, , when they were unsigned. They were a group called Poetical Prophets. The Biggie night we actually wound up finding the audio of when we made the film, so for those of you who saw it, that was the first time Stretch and I had heard that freestyle since it was performed live in our studio.

He was actually 17 at the time. That was a little fact-check that we found out after the interview. But props to 50 Grand, his original DJ, who produced that demo. We were just in the right place at the right time with the right open mind to have invited him up.

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The craziest thing is he came in at 16, or 17, and already had the flow locked down, the Biggie flow, it was already there. People forget how young they [Biggie and Tupac] were when they passed away, both of them.

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So, with Biggie, the story behind that is pretty crazy, right? He sent in a demo and it lost against another group, Brooklyn Zoo?


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Bronx Zoo. So, what we used to do on our radio show was, because we wanted to play the very best music and have the very best MCs, unsigned or signed, on our show, we used to invite people to mail in their songs. But I think Biggie, in the long run, won a little more. Maybe a lot more. Hey, I liked their demo, you know? I mean, artists used to come up to our show very focused. Because they knew that the world was going to hear them, and for some of them who were unsigned, that was everything to them. For you and for Stretch.

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Well, we did the show for free! I mean, it was college radio, so we invested a lot of resources to produce a weekly program that took a toll. You go to bed at 6 AM, How many DJs are here? I know you used to DJ. We used to go home, when me and Stretch were roomies, and we would put the tape on of the show when we would get home. I had a regular job, I worked at Def Jam. I had to go to work the next day, so it was taxing. It was really taxing and it hurt the most on the basketball court, because then I would go and have a game Friday night, Saturday and my body would be just, like, taxed.

I would play like shit and then people knew who I was because I was on the radio. When I retired from radio, I did not miss it. To this day, I do not miss the time slot.

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It was hard. Although, to be fair, when you did the reunion, the year reunion of the broadcasts, you still went for the same time slot. This was just straight drinking water and being in the studio just high off of music, t he euphoria of the listeners and the artists.


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The radio show that we did, it meant a lot. A lot of people are gonna be shocked. Were you intimidated by that? Because if you take away the music element, the radio show was always defined by the chemistry that you and Stretch had. Quincy Jones. That means nothing to me, you know? It goes live July 19th this summer on NPR. It seems that, with all respect, that you get into things without being trained for it. And then excel pretty amazingly at them, just by virtue of having the opportunity to do them and then going at it.

You are in some way affiliated with Rock Steady Crew — did you also break at some point? I never broke. I grew up being friends with members of the Rock Steady even before Rock Steady formed. Ken Swift and Doze, we used to play football with each other. It was named after playground legend Earl Manigault. We met in , and we hit it off immediately because we were both Puerto Rican, both had a lot of similar experiences growing up.

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Knew a lot of the same people. We both really wanted to see the best for the culture in the decade, and so we started collaborating on events. A couple of members of the crew passed away, and unfortunately some were murdered. And the Rock Steady Crew anniversary was founded to commemorate the ones who had passed, but also to try to give younger people the experience of the outdoor park jam.

We started in , and because of my position with the radio show I helped program it. It was a special time. It really nicely ties in with what you already said, that everything happened on the playground and on the courts. It was like a whole cultural hop there, basically.