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It can be naked, it can be dressed in silk or leather. It needs a lot of space because it is so juicy. My body has different smells, it can smell differently, taste differently. Many different fluids can come out of it. And at the same time that it does all these things, it also carries so many feelings within. One edition, not for sale.

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Artist Casia Bromberg has been creating work for more than a decade by working with self portraits and staging her body in front of her camera. The book was made for the exhibition 'Revision' at Konstepidemin in Gothenburg and released in an edition of copies.

This book is also available in a signed and limited edition of It is right in the beginning of August and terribly hot. The challenges get tougher and more important to win.


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One night a short distance race end in an accident with a trashed hand and during the night suspicion lead to paranoia and an old friendship is put to the test. For out of the cracks from the civilized facade seeps another story forward, the story of a life where every desire is dictated by nature, a nature which tries everything to escape their own terms. It is the gaps that interests me, the film is looping caught in the same act. In the decision you phase out the past to begin dealing with the future, a sentence I found in a book about Hannah Arendt. The camera trigger symbolizes the moment by materializing the decision; to decide, release and create an image.

In one of my series I have compared this choice with the the choices we make in life, in our everyday life. These decisions are not without consequence, neither for ourself or our surroundings. I become encouraged and find hope reading Arendt, because she gives us the initiative, and thereby also the possibility to act. From under the carpet I decide my next move.

Ways to describe gathers three photographic series by Linda Hofvander and is put together in collaboration with the graphic designer Magda Lipka Falck. The text in the book, What is at stake? Linda Hofvander is a young Swedish artist working with photography and film.

Look Forward To Looking Back

In her works, the materials used and the specific rules of the photographic image making, are in the centre to create a choreography, and provide the foundation for her images. The bare and simple motifs are loaded by a different way of seeing — where a magic occurs in the factual. He dwells not in the gloom but allows light to guide him through the rooms. In the images, he focuses on details which, when illuminated, receive a monumental character.

His subtle observations of geometric shapes — where tall towers emerge from the shadows — creates a sense of vertigo. The realistic photography of Simon Berg let us view the world from a more physical perspective than we are used to. The claustrophobic close ups of body parts and everyday items break the boundaries of our vision and penetrate deep in to the objects themselves.

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It is closed and stuffy and the scene on which this asocial realism take place is surrounded by a compact darkness that does not let the eyes escape. Stiched cardboard box with cover stained by the artist. Emanuel Cederqvist's photo book "Det som blir kvar" is a moving documentation of what is left of an estate once its contents are divided up and sold off.

His photos captures the intermediary stage between one life and the next, whilst retaining the objective gaze of administration. The homes I visit are often clean, styled and the personal belongings are removed, nevertheless what is private is clearly visible. There are many different reasons why a house will be sold. Separations, births or death. There is something extremely sad with the homes where someone has died.


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  • There is always a certain sentiment in the air. What remains is a collection of photos from the estates where someone just died, taken between and With a delicate dramatic composition, the photographer provides us with opposing pairs: the destructive and the constructive, the worrying and the consoling, darkness and light.

    Photography, text and sculpture form a story about the potential catastrophe at sea. What happens within us, just waiting for it to happen and the effect it has after the catastrophe has happened. Being torn between hope and despair, but also the beauty of not giving up. The work is a three-part story including photographs and essays. This fictive story takes place in a store where the customers are being helped over the counter.

    The employees organize the goods for the customers, using utilities like carts and packing lists. At first sight it might look rigid, but in the encounters between the customers and employees, there are humorous and poetic elements. The store exists as a closed space with its own rules and specific knowledge, but sometimes another reality cuts through, a political and social spark that makes everything in the store appear in a new way. Tree bark such as lime and other materials were also used. According to Herodotus History , the Phoenicians brought writing and papyrus to Greece around the 10th or 9th century BC.

    The Greek word for papyrus as writing material biblion and book biblos come from the Phoenician port town Byblos , through which papyrus was exported to Greece. Tomus was used by the Latins with exactly the same meaning as volumen see also below the explanation by Isidore of Seville. Whether made from papyrus, parchment , or paper, scrolls were the dominant form of book in the Hellenistic, Roman, Chinese, Hebrew, and Macedonian cultures.

    The more modern codex book format form took over the Roman world by late antiquity , but the scroll format persisted much longer in Asia. Isidore of Seville d. It is called codex by way of metaphor from the trunks codex of trees or vines, as if it were a wooden stock, because it contains in itself a multitude of books, as it were of branches. A codex in modern usage is the first information repository that modern people would recognize as a "book": leaves of uniform size bound in some manner along one edge, and typically held between two covers made of some more robust material.

    However, the codex never gained much popularity in the pagan Hellenistic world, and only within the Christian community did it gain widespread use. A book is much easier to read, to find a page that you want, and to flip through. A scroll is more awkward to use. The Christian authors may also have wanted to distinguish their writings from the pagan and Judaic texts written on scrolls.

    In addition, some metal books were made, that required smaller pages of metal, instead of an impossibly long, unbending scroll of metal. A book can also be easily stored in more compact places, or side by side in a tight library or shelf space. Papyrus became difficult to obtain due to lack of contact with Egypt, and parchment, which had been used for centuries, became the main writing material. Parchment is a material made from processed animal skin and used—mainly in the past—for writing on.

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    Parchment is most commonly made of calfskin, sheepskin, or goatskin. It was historically used for writing documents, notes, or the pages of a book. Parchment is limed, scraped and dried under tension. It is not tanned, and is thus different from leather.

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    This makes it more suitable for writing on, but leaves it very reactive to changes in relative humidity and makes it revert to rawhide if overly wet. Monasteries carried on the Latin writing tradition in the Western Roman Empire. Cassiodorus , in the monastery of Vivarium established around , stressed the importance of copying texts.

    Benedict of Nursia , in his Rule of Saint Benedict completed around the middle of the 6th century later also promoted reading. XLVIII , which set aside certain times for reading, greatly influenced the monastic culture of the Middle Ages and is one of the reasons why the clergy were the predominant readers of books.