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She also thought she remembered reading the tale in Prescott's Conquest of Mexico , but Julio's account was much more alive.

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He never had read anything but prayer books and had no stale ideas, in fact not many ideas at all. The story, a brutal tale of forty secret lovers, each killed after the queen tired of them, appears in Cather's story "Coming, Aphrodite! This dance may well have been the source for the Mexican dance scene in The Song of the Lark , for it made a strong impression. Such dancing! There was in particular a curious pantomime waltz in which a man danced with two women, the prettiest dance she ever had seen.

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Cather's feeling in the novel for the natural grace of the Mexicans, their love of music are very much of a piece with her letters from this trip to the Southwest: "The Mexican dance was soft and quiet. There was no calling, the conversation was very low, the rhythm of the music was smooth and engaging, the men were graceful and courteous. But Cather had other things to do with her life than idle away the days with a beautiful Mexican boy, no matter how captivating he was. She finally severed what she called Julio's strong Egyptian fetters, went to Albuquerque, and then back to Nebraska.

He was wonderful but could not take the place of a whole civilization. However, after returning to Red Cloud she wrote that she might still go back for Julio. He would look lovely in Boston at Mrs. Fields's house, but then Mrs.

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Isabella Gardner would sweep him up and take him to Fenway Court, which he would like better than her apartment. Earlier she had thought that she must get him to New York, where he could make an easy living as an artist's model. Artists would fight for him. In August, after returning to Pittsburgh, she was still talking about Julio, but after that he disappears from her letters completely. In between outings with Julio, Cather had plenty to occupy her time. On Douglass's next three days off they went out with Tooker on daily excursions to nearby canyons: Clear Creek, Chevelon, and Jack's, all gorges carved by tributaries of the Little Colorado River.

Those were lovely days with all the advantages of a camping trip and none of the disadvantages. They started off each morning with a wagon and light camping gear, canteens, coffee, bacon, fruit, cream, and so forth; and each night they returned to town, where they had hot baths and beds to sleep in. Cather had canvas shoes with red rubber soles that she had bought in Boston, and with them, she said, she could walk up a forty-five-degree rock surface. One day they went down a cliff for feet, using handholds to descend. The experience was exhilarating. Tooker, a great bore in town, turned out to be a splendid companion on the trail.

All his miserable information fell away, Cather wrote Sergeant, like a boy dropping his clothes to go swimming. The real Tooker, who had worked in the sheep camps and the mines, was strong, active, and resourceful.


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He was full of interesting stories, she found, once one got through the sediment deposited by the magazine articles. Tooker later turns up very sympathetically portrayed as Ray Kennedy, the brakeman, in The Song of the Lark. These expeditions were a prelude to the Grand Canyon, where Cather went on May She was properly impressed with this "wonder," and agreed it was indeed wonderful, but she thought that not even this marvel, which had only a geologic history, could be interesting for more than a limited time.

But besides the great spectacle of the canyon, there was wonderful walking and riding, and one day she accompanied some English visitors down to the Halfway House in the canyon. It was an awful pull, she wrote, but she was always a good walker, and her climbs around Winslow had been good conditioning. She was pleased to find that the canyon was still completely unspoiled, not one shop.

A visitor couldn't even buy an orange, and there was not one civilized amusement. It was still seven years before the Grand Canyon would become a national park. There were two hotels, however, one magnificent and one excellent, set down in the immense pine forest, and there were modest lodgings at Bright Angel Camp. She stayed at the last, which was comfortable, simple, and only cost her three dollars a day.

It was the only reasonable place she could find. Everything was very expensive, and all the places one wanted to see were off the railroad. To get to them it was necessary to hire a horse for two-fifty a day or a team and open wagon for five dollars. The scenery was worth it, however, and she urged Sergeant to come and see for herself. As soon as she left the Grand Canyon, she retraced her steps to Flagstaff, where she met her brother. They were going to explore more cliff dwellings. Walnut Canyon, now a national monument, was only a few miles outside of Flagstaff, and there she could see a spectacular collection of some three hundred cliff dwellings about one thousand years old.

These houses, which were built into the limestone walls of the canyon, had been abandoned probably because of a prolonged drought in the twelfth century.

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But they had remained largely intact, preserved by the dry desert air, as though in a time capsule, a silent, ghostly city. They are a smaller version of the cliff dwellings now protected within the boundaries of Mesa Verde National Park, which Cather visited three years later. As she and Douglass drove by wagon out of Flagstaff, they could see the blue slopes and snowy summit of San Francisco Mountain to the north. They then entered the first great forest she had ever seen, magnificent stands of huge ponderosa pines spaced well apart.

The wagon road dipped lower, falling away from the high plateau on which Flagstaff sat, and soon the forest closed behind them and the mountain disappeared. Then they left the forest, the sparse growth of pinon pine and scrub began, and the country broke into open, stony clearings. It was "like a thousand others —one of those abrupt fissures with which the earth in the Southwest is riddled; so abrupt that you might walk over the edge of any one of them on a dark night and never know what had happened to you.

The effect was that of a gentler canon within a wilder one. The dead city lay at the point where the perpendicular outer wall ceased and the V-shaped inner gorge began. There a stratum of rock, softer than those above, had been hollowed out by the action of time until it was like a deep groove running along the sides of the canon. In this hollow like a great fold in the rock the Ancient People had built their houses of yellowish stone and mortar.

The overhanging cliff above made a roof two hundred feet thick. The hard stratum below was like an everlasting floor. The houses stood along in a row, like the buildings in a city block, or like a barracks. Although Cather's surviving letters do not report the visit to Walnut Canyon, she was deeply moved by the experience. In her first fictional setting in the Southwest her memories of Walnut Canyon inform an important section of The Song of the Lark , written three years later. The canyon is the scene of a pivotal decision in the career of Thea Kronborg, its protagonist.

Thea leaves Chicago for Arizona to rest, recuperate, and think. She has been ill during the previous winter and needs the dry desert air of the Southwest. But more important, she needs to get " out of the stream of meaningless activity and undirected effort.

But on the ranch she visits near Flagstaff "the personality of which she was so tired seemed to let go of her," and as she climbs into her big German feather bed the first night, she feels a complete sense of release from the struggles and anxieties of her former life. Day after day while she is at the ranch, which adjoins Panther Canyon, she takes her lunch basket and descends to one of the cliff houses, where she lies lazily in the sun high above the bottom of the canyon. All her life "she had been hurrying and sputtering, as if she had been born behind time and had been trying to catch up.

At the end of her stay at Panther Canyon, Thea makes up her mind to go to Germany to continue her musical education. This is the turning point in her career. She finally knows what she wants out of life and goes on to become a great Wagnerian soprano. The Song of the Lark is heavily autobiographical in its early books, as it details the life of the young singer-heroine.


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    7. Cather herself was at a crossroads in her career when she went to the Southwest for the first time. She had been ill during the previous winter and needed the bracing air of Arizona and New Mexico. She too was tired and felt unfulfilled in her journalistic career. She too had been a little drudge hurrying from one task to another.

    Undecided about her future when she left the East, she was planning to return to McClure's Magazine as a staff writer, though she had resigned already as managing editor, but during her weeks in the Southwest she saw clearly that she had been frittering away her life in the editorial routine. It was time to get out completely. She gathered her courage and struck out in a new direction.

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    This time of rest, recuperation, and thought gave her a clear vision of where she wanted to go in the future. There is a difference, however, between Thea's decision, which is concentrated dramatically in the Panther Canyon episode, and Cather's, because life is often less dramatic than fiction. Cather's departure from the magazine was aided by a change in ownership and a shake-up in staff, but when she returned to New York, she felt obliged to give the magazine some of her time in the balance of and in before severing all connections.

    And she also had a good start on her rest and rehabilitation during the autumn of at Cherry Valley, New York, where she did some important writing. But the trip to the Southwest, nonetheless, was a watershed in her career. After she visited Flagstaff, she returned to Winslow briefly; then she and her brother continued on to Albuquerque at the end of May. Ten days later she wrote McClure that she was just back from a long and delightful horseback trip into the desert.