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So good, so well-beloved, had he been In life, that when he reached the judging-place There where the scales are even, the sword keen , The Acquitting Judges granted him a grace, Aught he might choose, red, black, from king to ace, Beneath the bright arch of the heaven's span; He chose, to wander earth, the friend of man. So, since that time, he wanders shore and shire, An old, poor, wandering man, with glittering eyes Helping distressful folk to their desire By power of spirit that within him lies.

Gentle he is, and quiet, and most wise, He wears a ragged grey, he sings sweet words, And where he walks there flutter little birds.


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And when the planets glow as dusk begins He pipes a wooden flute to music old. Men hear him on the downs, in lonely inns, In valley woods, or up the Chiltern wold; His piping feeds the starved and warms the cold, It gives the beaten courage; to the lost It brings back faith, that lodestar of the ghost. And most he haunts the beech-tree-pasturing chalk, The Downs and Chilterns with the Thames between.

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Many famous chanteys are included. Although published some time ago in England, the book was imported but recently. A thrilling, romantic tale entitled Sard Harker. Of this book the New York Times said: "It is written with verve and salt. It has the relish for rough life and the gusts of Smollet.

Life has been poured into the pages of this book in beautiful prose, in which Masefield has caught up the clash of human passion and the loveliness and fierce beauty of nature. Obscure fears one by one take form with the vividness, the swiftness, the continuity of a nightmare, the unseen fear in the forest, felt by horse and by rider, the fear of dead men coming back, of being locked up when fire is approaching, of being caught—all these fears shot through with the familiar dread of not getting to a place on time So real in fact do the characters, the scenes, the republic itself become that they seem to bear witness against the author's own signed statement: 'The persons and events described in this story are imaginary',"—wrote the reviewer in the Chicago Daily News.

John Masefield and his daughter JudithWhatever the future years may give us from the pen of John Masefield, lasting fame has already been won. Eloquent evidence of this lies in the tributes which hailed the new collected edition of his Poems and Plays, in four volumes, published late in Some of these reviews are appended in this booklet.

Since his marriage in , Masefield has lived in England. His home is now at Boar's Hill, Oxford. A few years ago he built in his garden a little theatre which seats an audience of about one hundred. Here the Boar Hill Players stage their productions. The theatre is dedicated to poetic drama, the furthering of which is one of Masefield's special interests. Some of his own plays, among them The Trial of Jesus, have been performed there.

Describing the poet, Mr. Gerald Cumberland wrote of him in "John Masefield has an invincible picturesqueness—picturesqueness that stamps him at once as different from his fellows. He is tall, straight, and blue-eyed, with a complexion as clear as a child's. His eyes are amazingly shy You feel his sensitiveness and you admire the dignity that is at once its outcome and protection.

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His mother died giving birth to his sister when Masefield was only six, and he went to live with his aunt. His father died soon after, following a mental breakdown. He spent several years aboard this ship and found that he could spend much of his time reading and writing. It was aboard the Conway that Masefield's love for story-telling grew.

While on the ship, he listened to the stories told about sea lore. He continued to read, and felt that he was to become a writer and story teller himself. I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face and a grey dawn breaking.

I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. From "Sea-Fever", in Salt-Water Ballads [2]In , Masefield boarded the Gilcruix, destined for Chile — this first voyage bringing him the experience of sea sickness. He recorded his experiences while sailing through the extreme weather, his journal entries reflecting a delight in seeing flying fish, porpoises, and birds, and was awed by the beauty of nature, including a rare sighting of a nocturnal rainbow on his voyage.

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On reaching Chile, Masefield suffered from sunstroke and was hospitalised. He eventually returned home to England as a passenger aboard a steam ship. In , Masefield returned to sea on a windjammer destined for New York City. However, the urge to become a writer and the hopelessness of life as a sailor overtook him, and in New York he jumped ship.


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    6. He lived as a vagrant for several months, drifting between odd jobs, eventually finding work as an assistant to a bar keeper, before finally returning to New York City. Dirty British coaster with a salt-caked smoke stack, Butting through the Channel in the mad March days, With a cargo of Tyne coal, Road-rails, pig-lead, Firewood, ironware, and cheap tin trays. From "Cargoes", in Ballads [5]For the next two years, Masefield was employed by the huge Alexander Smith carpet factory in Yonkers, New York, where long hours were expected and conditions were far from ideal.

    He purchased up to 20 books a week, and devoured both modern and classical literature. Chaucer also became very important to him during this time, as well as poetry by Keats and Shelley. He eventually returned home to England in [6] as a passenger aboard a steam ship. When Masefield was 23, he met his future wife, Constance de la Cherois Crommelin, who was 35 and of Huguenot descent.

    Educated in classics and English Literature, and a mathematics teacher, Constance was a good match despite the difference in age. The couple had two children Judith, born in , and Lewis, in By the time he was 24, Masefield's poems were being published in periodicals and his first collected works, Salt-Water Ballads was published, the poem "Sea-Fever" appearing in this book. Masefield then wrote the novels, Captain Margaret and Multitude and Solitude In , after a long drought of poem writing, he composed "The Everlasting Mercy", the first of his narrative poems, and within the next year had produced two more, "The Widow in the Bye Street" and "Dauber".

    As a result, he became widely known to the public and was praised by the critics; in , he was awarded the annual Edmond de Polignac prize. At about this time, Masefield moved his country retreat from Buckinghamshire to Lollingdon Farm in Cholsey, Berkshire, a setting that inspired a number of poems and sonnets under the title Lollingdon Downs, and which his family used until After returning home, Masefield was invited to the United States on a three-month lecture tour.

    Although their primary purpose was to lecture on English Literature, he also intended to collect information on the mood and views of Americans regarding the war in Europe. When he returned to England, he submitted a report to the British Foreign Office, and suggested that he should be allowed to write a book about the failure of the allied efforts in the Dardanelles, which possibly could be used in the United States to counter what he thought was German propaganda there.

    The resulting work Gallipoli was a success, encouraging the British people, lifting them somewhat from the disappointment they had felt as a result of the Allied losses in the Dardanelles. Due to the success of his wartime writings, Masefield met with the head of British Military Intelligence in France and was asked to write an account of the Battle of the Somme.

    Although Masefield had grand ideas for his book, he was denied access to the official records, and therefore, what was to be the preface was published as The Old Front Line, a description of the geography of the Somme area. In Masefield returned to America on his second lecture tour, spending much of his time speaking and lecturing to American soldiers waiting to be sent to Europe. These speaking engagements were very successful, and on one occasion, a battalion of black soldiers danced and sang for him after his talk. During this tour, he matured as a public speaker and realised his ability to touch the emotions of his audience with his style of speaking, learning to speak publicly with his own heart, rather than from dry scripted speeches.

    Towards the end of his trip, both Yale and Harvard Universities conferred honorary Doctorates of Letters on him. Masefield photographed by E. His family was able to settle on Boar's Hill, a somewhat rural setting not far from Oxford, where Masefield took up beekeeping, goat-herding and poultry-keeping.

    He continued to meet with success, the edition of Collected Poems selling approximately 80, copies.

    John Masefield

    He produced three poems early in this decade. The first was Reynard The Fox , a poem that has been critically compared with works of Geoffrey Chaucer, not necessarily to Masefield's credit. While Reynard is the best known of these, all met with acclaim. This variety in genre testifies most impressively to the breadth of his imagination, though it probably reduced his sales which remained very respectable, however , since most readers of novels like knowing what to expect from their favourite authors.

    In this same period he wrote a large number of dramatic pieces. Most of these were based on Christian themes, and Masefield, to his amazement, encountered a ban on the performance of plays on biblical subjects that went back to the Reformation and had been revived a generation earlier to prevent production of Oscar Wilde's Salome. However, a compromise was reached, and in his "The Coming of Christ" was the first play to be performed in an English Cathedral since the Middle Ages. In , he organised Oxford Recitations, an annual contest whose purpose was "to discover good speakers of verse and to encourage 'the beautiful speaking of poetry'.

    Masefield was similarly a founding member in Scotland, in , of the Scottish Association for the Speaking of Verse. He later came to question whether the Oxford events should continue as a contest, considering that they might better be run as a festival. However, in , after he broke with the competitive element, Oxford Recitations came to an end. The Scottish Association for the Speaking of Verse, on the other hand, continued to develop through the influence of associated figures such as Marion Angus and Hugh MacDiarmid and exists today as the Poetry Association of Scotland.

    In , on the death of Robert Bridges, a new Poet Laureate was needed. Many felt that Rudyard Kipling was a likely choice; however, upon the recommendation of Prime Minister Ramsay MacDonald, King George V appointed Masefield, who remained in office until his death in The only person to hold the office for a longer period was Alfred, Lord Tennyson. On his appointment The Times newspaper said of him: " Poems composed in his official capacity were sent to The Times.

    Masefield's modesty was shown by inclusion of a stamped envelope with each submission so that his composition could be returned if it were found unacceptable for publication.