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Introduction et polonaise brillante, Op.3 (Chopin, Frédéric) . Notes, Available copies at Hathi Trust lack the cello part. Publication date from Hofmeister's Arranger: Auguste Franchomme ().
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- Brahms, Hummel & Chopin – Works for cello and piano – Quirine Viersen
- Carnegie Hall
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In August the same year, I gave two piano concerts in Vienna and received many favorable reviews, in addition to some that criticized the "small tone" that I drew from the piano. My successes as a performer and composer allowed me to travel and become even more well-known, and on 2 November , I set out for Austria and Italy.
Later that month, in Warsaw, the November Uprising broke out, and my traveling companion, the future industrialist and art patron Tytus Woyciechowski, returned to Poland to enlist.
During this time period, I grew into an inspired national bard. Also, I learned that the Uprising in Poland had been suppressed by the Russian forces. I feared for the safety of my family and other civilians and blamed the French for not helping the Poles.
Brahms, Hummel & Chopin – Works for cello and piano – Quirine Viersen
In Paris, I gave a few concerts and gained worldwide fame. I was earning a handsome income teaching piano to students from all over Europe.
There is a B flat major second subject and this leads, after a closing passage,to the central development, which opens with a reference to the principal themeand continues with delicate exploration of other keys and an abridgedrecapitulation. The D minor Scherzo allows the cello the opening melody,before a more equitable division of labour. To this the D major trio sectionacts as a foil, with the cello now enjoying melodic prominence, before thereturn of the scherzo.
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There is a shift of key to B flat major for the slowmovement Largo, opening with a singing cello melody, taken up gently bythe piano. The last movement opens dramatically enough, the piano theme taken upby the cello, which later introduces the contrasting second subject, presentedsimply enough at first, before being offered in a varied form, with cellodouble-stopping and allowing, from the piano, a resumption of the tarantellarhythm that dominates the movement, gathering energy as the end approaches. Thepiano writing is characteristic throughout, but the voice of the cello remainsclearly differentiated.
The first work for cello and piano in order of composition, the Polonaisebrillante in C major, Opus 3, was written in and and published thefollowing year in Vienna.
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Chopin had received encouragement from Prince AntoineRadziwill and it was during a visit to his estate in the autumn of that hewrote the Polonaise to which he later added an Introduction. Contact Velitchka Yotcheva. Streaming and Download help. If you like Velitchka Yotcheva, you may also like:. Temporal by Julia Kent.
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