Sonata A Major - Violin

Violin Sonata (Franck, César) Recordings. For Violin and Piano (Composer). Complete Recording .. Alternative. Title, Sonata in A major for piano and violin.
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Another climax, this time moving toward the tonic A major, follows, and the movement ends with a brief codetta. The tender relief of the first movement's conclusion is extremely short-lived, however, as a low sixteenth note rumbling in the piano soon overflows into a full-blooded Allegro. The syncopated main tune is taken over by the violin, and things settle down just long enough for a quasi lento interlude and some fragmented episodic reconstructions of the movement's three main motivic strands. A recapitulation, with suitable harmonic reorganization of the material, follows, and the coda, initially misterioso but increasingly tumultuous, provides an electrifying finish.

The third movement, Recitativo-Fantasia, is in many ways the most immediately striking in the Sonata.


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The piano makes an introductory gesture that draws on the same rising-third gesture that provided the first movement's main theme, to which the violin responds unaccompanied. The tranquil, almost other-worldly middle section introduces the two striving themes, with characteristic triplet-rhythm accompaniment, that will return in glorious attire in the Finale.

Violin Sonata (Franck) - Wikipedia

The total defeat that seems to mark the conclusion of the third movement is immediately dispelled by the happy opening of the Finale. Although the initial melody, treated in exact canonic imitation between the instruments, is original to the last movement, the first of the two melodies from the central section of the third movement also makes a return. After an appropriate mingling of these ideas -- and a colorful interlude built on a subsidiary motive from the opening movement -- a tremendous buildup climaxes in the passionate fortissimo return of the second of the two third-movement themes and is immediately repeated a whole step higher.

As the dam bursts the opening canonic theme returns once more to bring the work to a cheerful close. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Jazz Latin New Age. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.

Streams Videos All Posts. AllMusic Featured Composition Noteworthy. Genre Chamber Music Classical. Ravel, Franck, Ligeti, Messiaen. Ruggiero Ricci, Martha Argerich: The Danish Violin Wizard. Sonate pour Piano et Violon; Ernest Chausson: Violin Sonata in A; Debussy: Violin Sonata in G minor. Masterpieces by Beethoven, Franck, Clara Schumann. The Art of Alexander Meshibovsky.

The Art of Violin, Vol. Franco Gulli plays Ravel, Lalo, Franck. The Complete Stereo Collection, Remastered.


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The Complete Sony Classical Recordings. Complete Recordings on Deutsche Grammophon and Philips. Endre Wolf in Sweden.

The Complete Recordings with Hephzibah Menuhin. Sonatas for Viola and Piano. Gidon Kremer in Prague. Complete Recordings on Deutsche Grammophon. Viola Sonaten - Brahms, Franck, Ada. Violin Sonata in A major. Sonate for Violin and Piano.

Violin Sonata in A Major

Here, there is a far greater sense of reciprocity, and no feeling at all that the players are locked in a competition. It is more a meeting of the minds of two great artists who are at all times engaged on an intellectual as well as emotional level. Although the violin is recorded more closely than the piano, there is never the sense that Dumay is pushing himself too far forwards: Until he wrote his Violin Sonata, Franck had lacked pure lyricism in his melodic writing — it had only shown itself a tiny amount, even in the slow movement of the quintet.

With the Violin Sonata, though, he finally found a perfect virtuous circle of lyricism, melodic beauty and technical perfection, and created a piece that has enjoyed almost ubiquitous popularity since its first performance. To find a recording that can sit proud of the enormous catalogue of performances of this piece is to find one that can capture its classical serenity without making it waffle or sound pretentious; apprehend its improvisatory character without losing the sense that everything in it appears out of an action and a reaction, and, most importantly, appreciates that even though Franck was closely acquainted with Classical techniques, choosing to remove himself so far from them does, in the end, make him his own kind of revolutionary, whatever Ravel said.

Christian Ferras has a natural tone that suits this work particularly well. It is impassioned, but pure. The balance of serenity in the violin with the fieriness of the accompaniment, rather than the usual other way round, works beautifully in this recording. The final movement on this disc, when you arrive at the end of it, provides a feeling of total expansiveness in its simplicity, with all the radiant breadth of a Sibelius symphony. The main criticism often levied against this recording is that it can be too subtle at times, but for me the contrasts in it suggest a vocal element to the musical line, which gives it an almost human voice.

This is particularly appealing, because Franck was so uninterested in words — it was the music in its purest form that concerned him; and his phrases take on an almost spoken element as a result. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Franck's Violin Sonata - which recording is best?

Skip to main content. Franck's Violin Sonata - which recording is best? Caroline Gill Tue 8th December The all-time greats Read about the artists who changed the world of classical music. This site shows details of over recordings of the Sonata in A major, including in its various transcriptions.

From Wikipedia, the free encyclopedia. Sonata in A major for Violin and Piano, arranged for flute and piano. Performed by Albert Tipton flute and Mary Norris piano.

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