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In one quarter champions from London demonstrated the art of selfdefence; in another was Mrs. Jarley with her moral waxworks. The peasantry were in great.
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Near impossible to find with an intact Gimmix sleeve. This band was thrown together for school concerts in the Bristol area, staying together to record this copy album. Half the pressing was flood damaged Their last album never got beyond this lone test pressing. The LP hardly sold, making it a massive rarity. The price has jumped up since RRPG Atlantic tried to release this single on 5 November and demo copies were dispatched. The release was aborted. Only this rare acetate on two discs survives.


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These TPs are McCartney holy relics. The train artwork for this promo picture sleeve was drawn by Syd Barrett, adding to its cachet. Vertigo dressed this debut LP in an elaborate sleeve.

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The Uglys cut five singles before ending up at MGM, where these tracks were pressed on a handful of demos before being ditched. I Will Follow WIP was issued in a number of formats with these 50 brown vinyl mis-pressings being particularly scant. It flopped. EMI destroyed most of these. Just added to the online guide.

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The rarest Beatles export album, with an Odeon label and Odeon sticker on the rear of the Apple sleeve. How many of these were removed by punters at the time, not thinking that they were devaluing their inheritance?

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Bowie expected this single — his first for Mercury — to chart, but coming eight months after his space novelty, it sold a mere copies. This Irish pressing of the single is utterly, hideously rare. Decca rejected it, so the band pressed up these test pressings in a handmade sleeve. They split in A track like Blindness opens with a lovely organ fugue before oozing into backwater Floyd. Did zilch in the UK. A pressing plant experiment on red vinyl with three or four known copies. If I was there I would come and see you.

This solitary copy survived. Back in I asked if anyone has seen one of these promotional padded sleeve editions.

200 RAREST RECORDS

A dealer came forward with a copy of the album in what looked like a padded silk frame. If authentic, it would probably be one of the rarest Stones promos. Starr and designer Robin Cruickshank entered a business partnership to design and market steel and glass furniture. The Bopping Elf won. This price is for either test pressing or the labels — not both together.

This press kit launched the first four Apple singles. This price is for rarer sets in matt plastic boxes rather than the more common card ones. These test pressings have OCTO 1 in the run-out groove. Cochran was 16 when he recorded this song about falling in love with a shop assistant. Time has not curbed its drive. The Low Road is an average ballad, but the souped-up flip could give you palpitations.

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Six copies are known to exist. This LP hardly sold and is now one of the top 70s rarities. These test pressings exist.

A handful of copies in finished picture sleeves that credit Independence Day as the B-side. When officially released in February , the B-side was changed to Be True. Only 50 finished sleeves in the smaller format are thought to have been made. EMI had to contract Beatles pressings out to other companies to meet demand.

In the wake of the film and the first landing on the moon, Philips thought that they had a hit on their hands. This item seems to suggest that there were plans to launch the record in an eye-catching picture sleeve, which was uncommon for UK singles at the time. It was subsequently issued in mono and went Top 5. There are only two known copies in circulation of six cut.


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    8. This Northampton band, led by Steve Giles on guitar and vocals, found it hard to make headway performing original material. Giles took Dark into a studio in April , but when they went back for five days in the line-up had changed to Giles, Ron Johnson bass , Clive Thorneycroft drums and Martin Weaver guitar.

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    This second version of the record is limited to eight copies and comes in a black-and- white handmade gatefold sleeve, some containing a booklet. US copies are cheap, but there are only a handful of UK pressings. They were especially reticent when Lennon submitted the naked photo he wanted to use for the cover. Most of these mono copies were destroyed when Lennon demanded that the record be remixed in stereo. Lazy Day and a follow-up did not hit, and album sessions were halted after eight songs.

    The band was dropped by Decca. Test pressings were made of a track LP, as well as a small number of albums with labels in finished sleeves. There are four known copies of the finished LP with labels. The grooves were packed with psych-tinged pop, with guest appearances from The Small Faces, Nicky Hopkins and an orchestra. This band gets another entry with a small private pressing of their album: 12 copies in colour sleeves and booklet inserts — super rare. As well as the vinyl there was a goblet, handkerchief, menu cards, boxes of matches — even a pen.

    This price is for the lot.

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    EMI only made a small pressing of each batch in stereo, and this first pressing has famed Dick James Music credits. Not so. There are three known copies of this item. Anti-social behaviour saw the band thrown off the label like a shot. Though 20, copies of God Save The Queen were pressed, most were destroyed, making it vitally collectable. These few acetates were deployed by the late Malcolm McLaren to secure the band a new deal and gigs after the EMI debacle. In their own way this Hammond B-3 organ trio of the sort that has been around in jazz for at least 50 years pushed at the boundaries of jazz with rollicking grooves and extended keyboard improvisations.

    As they reveal here, they delight shaking up mainstream values by going back to the chicken shack, 21st century style. This first batch of musical territory had already been trampled underfoot by various members of the Miles Davis and John Coltrane ascendancy, including both leaders, but Marsalis brings his own considerable musical personality to bear on the situation and plays with great invention throughout.