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The sessions showcase the indispensible contributions of such longtime Horns as percussionist John Sparrow and saxophonist Blaise Garza — a Horn of Dilemma since he was 14 years old. The tour follows the bands return to live performance in following a seven year sabbatical from touring and an eleven year hiatus from recording via the release of the fifth album and their fifth classic Songs Of The Third And Fifth. A career high point.


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Expect the shows to sell out and sell-out quickly. There are few greater privileges than to see a band like Battles in a setting like the Opera House.

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In short: It was fucking incredible. Its Battles. The legendary bard of the Australian music and a keen influence of all manner of folk from Paul Kelly to Nice Cave, Ed Kuepper, follows his recent Nostalgia For The New east coast residency with a couple of festival slots and a further regional foray. Ticket details in the side bar. For nearly a quarter-century the Blues Explosion have been sweating, freezing, eating, drinking, fucking, fighting, winning, and losing in New York City, perpetrating some of the most timeless moments of musical mayhem in the history of Manhattan and beyond.

His music continues to expand, injected with new facts, new sub-ploys, and sometimes shifting the narrative entirely. For his first tour of Ed Kuepper will again tackle any industry pre-conceptions, this time though, performing a set of largely new and as-yet-unrecorded material for a tour being dubbed Nostalgia For The New.

The new material is being workshopped with the intention of recording a new album of all new studio material — his first since the wonderous Jean Lee and the Yellow Dog — before the end of the year. However, with each show being upwards of 2 hours long and without a support, our Ed has graciously allowed some of those back catalogue gems to be included in the set s too.

In the meantime get ready to lock in your mid-week winter kicks with Ed Kuepper as he sweeps down the east coast on his Nostalgia For The New tour this July. Standing outside the industry, two fingers raised in salute, they have nevertheless managed to forge an international career completely on their own, idiosyncratic terms.

The band infamously broke up at that Sydney Opera House show. The venue and event organisers branding their show, and Khan in particular, a security threat! Arguments ensued and well, that was that. They managed to reconvene some three years later though, and returned to Australia in for a series of sold-out shows. Bad News Boys brings the manic-duo into the present. Get lost in the romantic ballads about love and loss.

Get pummelled in the gut with their return to classic floor punching hardcore. Get crushed by the crunchiness in their celebration of crunch. Just get! Got it? He also appeared in a tent in a park for Sydney Festival — both events now holding a special place in Australian festival folklore. This time however, Bill C.


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And in another Australian exclusive, and unlike previous visits either as Bill Callahan or Smog his previous moniker Bill will be bringing his regular touring band with him. Four dudes, one harmonica, two electric guitars, one glitter-painted bass, barely half a drum kit and six lights is all it took to conquer the behemoth of a room transforming it into a gig with the cosiness of a chamber music recital. Review — Royal Festival Hall, London Thank you. That a band could achieve all that interest some 30 years after they originally disbanded shows the respect in which they are held and the quality of the material they created in their brief but highly-charged original career.

Rolling Stone August In an exclusive performance, Australian master musician Ed Kuepper is joined by members of the Sydney Chamber Orchestra as he revisits and reinvents selections from his vast and storied repertoire. Performing live with a string section for the very first time, Kuepper completely rearranges songs spanning his entire catalogue, from The Saints, Laughing Clowns and his illustrious solo career. The interplay between the strings and unexpected electronic elements blurs the line between the acoustic and the electric, and breathes new life into familiar classics.

Through a series of live performances and recording sessions in Greece, Australia, and New York City, the duo forged a new sound. Both are extraordinary musicians. From a distance, in market terms, one is a traditional artist and the other a nontraditional one. Just getting better and better the band incorporate so many sounds and textures into their music that it would take for ever to describe.

There is a serious imagination at play here with songs sometimes hooking around a fierce almost Stooges style riff and then descending into a spooked neo silence before exploding with a genuine danger or twisting around some electronic loop. The gig of the year crown might be taken already.

Tickets for Sydney and Melbourne are on sale October 20th. Adelaide Festival is on sale now. I have a strong and lengthy attachment to many folks from your part of the World, so does my whole family.


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    5. Whenever I have been through doing promo in Australasia , there has never quite been enough time to do some shows too, so this series of upcoming shows is LONG overdue!!! The result is a brooding backdrop that nods to anarchic free jazz, post-punk, sound system culture and the trip hop Neneh was so instrumental in incubating.

    With a song-set that included a four-song encore, the crowd was begging for more as Spoon left the stage. Tickets for all shows on sale Monday 20th October. Manitoba a. Daphni a. Daniel Snaith is long respected multi-instrumentalist, mathematical genius and musical wizard respected for his genre-bending releases that meld psychedelia, folktronica and dance. Dishing up consistently brilliant records since , Caribou has toured the world with the likes of Four Tet, Kwabs and more, captivating fans with an eclectic catalogue of organic dance tunes. After the release of the universally adored Swim in , Caribou delivered his sixth studio album Our Love in October, a career-best LP that stands to be one of the most dynamic of the year.

    For Newcastle fans it is the bands first headline appearance in over 20 years having only performed in the region once since their reformation as special guests to Elvis Costello for A Day On The Green, Maitland. Tickets for Sunnyboys Newcastle show are on-sale Friday 22nd August while the Sydney show is on-sale now! The band seem genuinely touched by the positivity being willed at them by their ecstatic acolytes, frontman Jeremy Oxley in particular seeming overjoyed, and the energy flowing both ways between band and followers is almost tangible — Steve Bell The Music March The tour will take in the usual hot spots and also includes a return to Newcastle for the first time since and a trip to Hobart for the first time in almost 20 years.

    Rollins gets us, he knows our shit. When called he responded….. John Scott. During the encore The Mark Of Cain really ram home just how good they are with a trio of their strongest songs. Battlesick is amazing, the repetitive and hypnotic droning bass propelling the song as John Scott spits out the lyrics and Green smacks the hell out of his kit.

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    Be the first in line when tickets go on sale Friday August 15th. Arguably our most in demand performer Four Tet returns to Australia for the second time in , this time as a guest of Listen Out. His new album Beautiful Rewind dropped last October in a typically understated manner: no streaming, no setup tracks, no bundles, no press release. Just an album available for everyone to hear and enjoy. Doors open 2. Ed has also been added to Melbourne Festival performing his own show on Sat 25th October at the Foxtel Festival Hub and also appearing as a guest performer at the Rowland S.

    Live too Herr Kuepper has been in all-time form, performing for upwards of 2 hours each evening and backing his own remarkable musical abilities with the wit only a seasoned raconteur knows how to deliver. But then the silly to the sublime — the not-often-played Horse Under Water offered to a pin-drop silent crowd. The Music May Accompanied by ex-Suede guitarist Bernard Butler, Watt showcased a dozen new songs to sell-out crowds. The upshot is ten songs.

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    Songs about close family and strangers, resilience and hope. All set in vivid landscapes where the outside comes inside and clings to the stories. Tickets for these rare performances are on-sale Wednesday 7th May. It came about after my first European and North American solo tour.

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    The first Bridegroom album was an attempt to capture the nature of those shows. The tour went better than I expected and I wanted to capture how things had changed musically in what was essentially the same format. Meanwhile Ed brings his Solo and By Request show to parts new and old this winter performing upwards of 2 hrs each evening. But when I heard that record, I thought, Damn! What would happen if I just worked on them bloody hard and made a record? After delighting the crows for just over two hours, Lloyd leaves us with another triple play, closing the show with Forest Fire, before returning for an encore of Undressed and Lost Weekend.

    Stinger and The Moodists Mick Turner provided menace and a unique anti-rock approach to guitar playing, As the third cog in the Dirty Three wheel Mick provides the rolling rhythms and washes of sound for drummer Jim White and violinist Warren Ellis to explore and dance around to. As a solo artist Mick uses his brush not only for the cover art that inherits his and the Dirty Three album covers but to provide a canvas for himself and his invited artists to add their own colour too.

    He is like no other.

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    He has nailed it. See Mick Turner on tour both solo and in band mode headlining as as special guest to Cat Power. Her setlist dug deep into her catalogue, rotating between guitar and piano acts.