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All it takes for them to cross this line was a pen, a laptop and some intense time alone: it gives them the time to absorb each other, to forge a tenuous sense of camaraderie — one which June pushes further and further. Then, after a pause, she lets her mask slip. It is an olive branch — something which brings the two women even closer together. And these relatively normal moments, these everyday exchanges, become precious. We know, just as June and Serena know, that their alliance must come to an end… and soon. It is painfully obvious that neither she nor June welcome his presence, yet neither can say the words.

What passes between them is a pallid Praise Be, said with little conviction and guarded souls. However, there is far more to it than that. Easy speaks about the relief of ending a difficult relationship — one in which the speaker has paid his dues, worked hard to please, and now realises that it is time to go.

Breaking Dawn (The Twilight Saga, Book 4)

This could suggest that the Handmaid and Wife have moved on from the undeniable friction of their past: they have lifted the curtain, realised there is more to one another than the prescriptive roles ascribed to them by Gileadean law, and turned a leaf in their relationship. It could also suggest that their alliance is fleeting, already over, before it has even truly had a chance to get started.

The most likely theory? That she has always been intellectually superior to her husband.


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That she truly believed America needed help in addressing its infertility crisis. That she perhaps created Gilead for her own benefit, after a stray bullet rendered her infertile. The sacrifices she has made, however, have been far greater than she has allowed up until now. An avid reader and prolific writer, she is no longer allowed to look at a book, let alone hold a pencil.

She has been forced to knit endless booties for the baby she will never have, to tend to plants in her greenhouse, to sit quietly in rooms as her husband goes to work.

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And, as we see at the end of this episode, she has also been forced to give up any sense of equality between her and her husband: in the past, she would have answered him back and defended herself. In this horrifying present, she willingly bends over, covers her mouth, and allows him to brutally whip her in front of another woman. After all, she was the woman who built Gilead up from the ground. In a chilling opening, we see the Handmaids dressed in never-before-seen attire: black capes, thick red veils over their faces — a stark contrast against the white snow. It quickly becomes apparent that they are attending the mass funeral of the Handmaids killed in the explosion.

In a funeral service led by an emotional Aunt Lydia Ann Dowd , we listen as the dead women are listed off.

However, they are referred to only by their patriarchal Gileadean titles: their real names are masked in anonymity, their human lives forgotten. No wonder, then, that so many people have been talking about the song on social media, and praising music supervisor Maggie Phillips for including it in the soundtrack. So, no, it is no surprise that someone decided to take it upon themselves to destroy the facility, once and for all.

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And, when Offred first tried to befriend her new shopping partner — and tentatively ask her about MayDay — she was shot down. This meant that, unlike June, she was happy to be a Handmaid because, in spite of the subjugation and monthly rape ceremonies, she now had access to a nice home and food. As such, Ofglen 2 refused to stick her neck out for anyone… until Aunt Lydia ordered her to stone Janine to death in the first season finale, that is.

It was at this moment that Ofglen 2 showed a new side to herself. For this rebellion, though, her tongue was cut from her mouth. Which means that, for this season, she has been silent: eerily present and watchful, absolutely, but rightfully fearful of the world around her. She has refused to make eye contact with June, has not once attempted to communicate using gestures or facial expressions, has been nothing but docile.

Perhaps it was being reminded of the old days and all she had lost. Perhaps it was the fact that, in both Gilead and America, she was let down by the system and pushed to the very bottom of the ladder, as other women sailed to the top. Or perhaps it was just the fact that she had no way of tasting the unusually delicious spread put before her. Whatever it was that triggered her decision, Ofglen 2 decided to sacrifice herself in order to strike a blow against Gilead — and the song that boomed out after her suicide mission was all too fitting for the occasion.

But I say oh bondage, up yours!


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    • What her sacrifice will mean for the Handmaids she left behind, though, remains to be seen… although we imagine there will be severe repercussions. We, the viewer, are forced to watch as June stuffs her underwear with tissues. We glumly shake our heads as she reflects sits in a bath of dangerously dark red water.

    Indeed, later that same night, Nick finds June curled up, muddied, bleeding and barely conscious, on the ground outside: she has fallen purposefully? Much to our surprise, though, June wakes up in a hospital — and her baby is safe. She goes under her covers and delivers a rousing speech to her child.

    I will not let you grow up in this place. Do you hear me? They do not own you. And they do not own what you will become. You hear me? The song begins with a childlike melody composed of tiny half-step snippets — timidly testing out one note at a time, then gaining confidence as that repeated figure develops upon each pass. The resulting effect is, in a word, beautiful. It allows us to add our own meaning, our own interpretation. And this was, Phillips said, a conscious decision on her behalf. Her escape plans foiled, June has been bundled back into life as a Handmaid. As such, she has power — a point she insists on making at every possible opportunity.

    In the midst of a grand baby shower, Serena informs her fellow Wives that they have not felt the baby quicken yet. The room is silenced, and Serena looks stricken. However, when the fertility ceremony begins, it once again becomes clear that, while Offred may have the power to wound her mistress, she has well and truly been drained of her autonomy.

    NOMINEES!!

    The wives stand in a circle to perform some sort of fertility ceremony. Offred kneels in the middle of the circle in front of Serena and their hands are joined by Lydia. Red and blue cord is bound around both hands, joining them in fertility. Or could this prayer belong to June, as she begs with some divine force to do right by her and set her free?

    It makes all too much sense that the track used to close the show this week is Hate by Cat Power. Using a cheerleading metaphor a hollaback girl is one who repeats back the cheers that the head cheerleader yells , Stefani — and those who belt out her lyrics, such as June and Holly — steps away from the pack and proclaims herself to be independent. She is the cheerleader leading the charge and giving orders, rather than one of the cheerleaders who repeats orders back.

    It is a far cry from modern-day Gilead, in which the handmaids are forced to echo submissive phrases designed by the patriarchy.

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    Maybe that fire is still burning deep within her, despite the fact she has just seen her won escape plans thwarted in such a horrible and violent way. And perhaps she will prove herself to be the feminist champion her mother always hoped she would become. The matching shoe is later found in the basement, lying on the floor in front of a cement wall. A cement wall which, upon closer inspection, has been marked with dozens of human-length blood stains, the stone torn apart by hundreds of bullet holes.

    The short and almost unbearably beautiful track never builds to a loud, strummed pinnacle. Then came 12 hours of sled-pulling, fueled by calorie chunks of Colin Bars every 15 to 40 minutes. A lunch of ramen in the middle of the day provided a hit of warmth and salt.

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    After stopping around 8 p. After downing the last of 7, daily calories, he crawled into his sleeping bag, checked in with Besaw, uploaded an Instagram post for his , followers, and fell asleep under the glow of the midnight sun. Storms swept in with 50 mph gusts, reducing visibility even further. Broken terrain often slowed progress to a crawl. From here it was all downhill, literally: the pole peaks at 9, feet.

    The Breaking Point

    For safety, he followed the South Pole Traverse, a marked and graded ice track used to drive supplies to the South Pole, for more than miles. But the worst part of the journey was still ahead. Five days of terrible weather set in around day The South Pole Traverse turned out to be a deeply furrowed surface mostly covered in soft windblown snow, terrible for skiing. The next morning was Christmas. At his usual pace it would take another three or four days to finish.

    I started to wonder if I could finish in two big pushes.