Guide The Shadow-Line: A Confession

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On this basis, they go on to demonstrate the inadequacies of other possible contenders as they present the genealogy of the text, its serial forms and book editions. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

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Analysis of Conrad's the Shadow Line, A Confession | Joseph Conrad

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The Shadow-Line

It was first published in as a serial and in book form in The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure.

The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the conflict between the 'young' protagonist who is never named and the 'old' drive much of the underlying points of the novella, namely the nature of wisdom, experience and maturity.

Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's 'factotum' Ransome used to emphasise strengths and weaknesses of the protagonist.

VICTORIAN GHOST STORIES

The novella has often been cited as a metaphor of the First World War, given its timing and references to a long struggle, the importance of camaraderie, etc. This viewpoint may also be reinforced by the knowledge that Conrad's elder son, Borys, was wounded in the First World War.

Why did this block occur?

Others however see the novel as having a strong supernatural influence, referring to various plot-lines in the novella such as the 'ghost' of the previous captain potentially cursing the ship, and the madness of first mate Mr Burns. Conrad himself, however, denied this link in his 'Author's Note' , claiming that although critics had attempted to show this link, "The world of the living contains enough marvels and mysteries as it is.


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I don't mean the very young. The very young have, properly speaking, no moments. It is the privilege of early youth to live in advance of its days in all the beautiful continuity of hope which knows no pauses and no introspection.