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"Amina Gautier's third prize-winning collection of stories should be the breakout book that establishes her as one of the best writers of short fiction in the country.
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Théophile Gautier

You were in a time of total war. The experience of living through war is of particular relevance for present-day audiences accustomed to seeing hour news coverage of conflicts in Afghanistan and Iraq. Miller says that she was "absolutely" aware of the parallels when writing The Song of Achilles. In the National Theatre's production of Antigone , starring Christopher Eccleston and Jodie Whittaker, the similarities are even more explicit: the play opens with generals and bureaucrats gathered round a TV watching a war ending.

The actors are arranged in a way that reproduces the now famous photograph of the US president, Barack Obama, surrounded by his aides and his secretary of state, Hillary Clinton, watching the killing of Osama bin Laden.

According to Barbara Goff, professor of classics at Reading University, the moral complexity at the heart of these ancient dramas is one reason why the stories have endured for so long. The poem pits Greeks against Trojans, but there's never any idea that the Greeks are the good guys and the Trojans the villains — often the opposite, in fact. The subtlety of the writing can have a tangible impact on audiences.

In the US, an organisation called the Philoctetes Project performs ancient military dramas in order to help modern-day soldiers deal with post-traumatic stress disorder. There has also been a rise in the number of school pupils studying Latin and Greek at school, partly prompted by the charity Classics for All , which aims to introduce one or more classical subjects in at least 1, state schools over the next 10 years.

Now it's become something very cool to do: it's a secret, exotic world that kids can unlock that their parents don't know about. It's not just 'What is a gerund or a past participle? And it is precisely the prospect of retelling these stories through the prism of modern preoccupation that acts as catnip to novelists.

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Taking it a step further, he suggested that the nature of the theatrical effect should be in favour of creating fantasy rather than portraying reality because realistic theatre was undesirable. From a 21st-century standpoint Gautier's writings about dance are the most significant of his writings. The American writer Edwin Denby , widely considered the most significant writer about dance in the 20th century, called him "by common consent the greatest of ballet critics". Gautier, Denby says, "seems to report wholly from the point of view of a civilized entertainment seeker. This emphasis has remained a tacit touchstone of dance writing ever since.

Through his authorship of the scenario of the ballet Giselle , one of the foundation works of the dance repertoire, his influence remains as great among choreographers and dancers as among critics and balletomanes [devotees of ballet].

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In , Pacific Northwest Ballet presented a reconstruction of the work as close to its narrative and choreographic sources as possible, based on archival materials dating back to , the year after its premiere. In many of Gautier's works, the subject is less important than the pleasure of telling the story. He favored a provocative yet refined style. This list links each year of publication with its corresponding "[year] in poetry" article, for poetry, or "[year] in literature" article for other works :.

Gautier did not consider himself to be a dramatist but more of a poet and storyteller. His plays were limited because of the time in which he lived; during the Revolution of , many theaters were closed down and therefore plays were scarce. Most of the plays that dominated the mid-century were written by playwrights who insisted on conformity and conventional formulas and catered to cautious middle-class audiences.

As a result, most of Gautier's plays were never published or reluctantly accepted. Dorian reads them out of the book shortly after Basil Hallward's murder. From Wikipedia, the free encyclopedia. Poetry portal. The Art Criticism of Theophile Gautier. Librairie Droz. New York, St. Martin's Press, Travels in Russia English ed. Little, Brown, and Company. Retrieved 1 October Or perhaps I should say that when the process of writing short stories becomes easy, I will cease to write them.

I write short stories because the process challenges me, keeps me on my toes, and never gives me a lazy moment. Each and every time it is a daunting endeavor to take all of what you want to say and refine it, and boil it down to its essence. As far as the three collections go, they were all compiled at the same time, so there was no difference in the way they came to be.

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When I did so, I discovered that, with the exception of the short-shorts, my stories fell into four thematic piles. Your work often examines loss, and features characters in pursuit of safety, stability, and happiness despite their troubled circumstances. Do you see loss and survival as unifying themes in your work? All of the stories have been written. So why are we still writing stories and why are we still clamoring to read them? I am doing so to understand my humanity, your humanity. To be human is to be vulnerable and the ways in which we yearn for the understanding of others while often trying to protect ourselves from being hurt is utterly fascinating to me.

How do you choose the right POV for your stories?

Have you ever changed your mind on a POV mid-draft? All the time. I change my mind about POV on a constant basis. Why do you think writers are interested in the conjuring of and deconstruction of the family unit? Why are themes of family interesting to you as a writer? This, to me, seems the basis for as many stories as Scheherazade had nights. The protagonists obsess over the days their missing son is gone; they insist something or someone else is to blame.

Who would do such a thing? Why is blame, or moral ambiguity, another thematic interest of yours?


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If you can shirk the blame for something, then you can escape accepting responsibility or further action. Admitting fault means accepting responsibility and, hopefully, taking action to reconcile or heal the breach. That seems to be an incredibly hard thing for people to do.