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Night and Day is a Technicolor Warner Bros. biographical and musical film starring Cary Grant as American composer and songwriter Cole Porter. The movie was directed by Michael Curtiz and produced by Arthur Schwartz, with Jack leondumoulin.nled by‎: ‎Arthur Schwartz‎; ‎Jack L. Warner‎.
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Sensorwake’s olfactory alarm clock is now the 'Night and Day Diffuser' | Engadget

Fajardo blackmails Judge Cases. At the police station, Ramos is confident that his mother will give him any alibi he needs and he submits to a DNA test that puts him in the clear. Judge Comas is forced to release him from custody. Ramos continues to make Sara's life a living hell, and the press depict her as a vengeful and unfaithful woman who has unfairly accused a heroic firefighter.

The net closes in around Judge Cases. Sara confronts Ramos's mother with evidence of his crimes, insisting that she is protecting a monster by providing her son with an alibi. But when Sara heads home, she finds herself in mortal danger. Strong language, graphic images and sexual scenes This episode is subtitled 52 mins.


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Strong language, violence and graphic images This episode is subtitled 48 mins. Strong language, graphic images and sexual scenes This episode is subtitled 51 mins. Very strong language and sexual scenes This episode is subtitled 50 mins. Under mounting pressure to show progress in The Granny Killer investigation, Judge Cases releases the CCTV footage of the man police believe to be the culprit, but it backfires spectacularly Very strong language, graphic images, violence and sexual scenes viewers may find distressing This episode is subtitled 52 mins.

Strong language, graphic images, violence and sexual scenes This episode is subtitled 50 mins. Merce, the wife of Judge Cases, is unaware that her husband, who is in Majorca with his mistress Magda at a conference, has set in motion plans to have her killed by local police informant Fajardo Strong language and violent scenes This episode is subtitled 50 mins.

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Strong language, graphic images, nudity and distressing violent scenes This episode is subtitled 64 mins. Strong language, graphic images and distressing sexual scenes This episode is subtitled 52 mins. Strong language, language some viewers may find offensive, graphic images and distressing sexual scenes This episode is subtitled 64 mins. Very strong language and sexual scenes This episode is subtitled 56 mins. Strong language, violence and sexual scenes This episode is subtitled 52 mins.


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    6. Only when his pursuit of Hollywood beefcake grew dangerously indiscreet in the 's did Linda balk. Most of this public and private tale is told in detail in ''De-Lovely,'' which opens on July 2. As Mr. Kline's Porter reminisces about his life with Linda, played by that beautiful Southerner Ashley Judd, he confesses that while their physical relationship was take-it-or-leave-it, their intimacy was unmatched. Winkler, the producer of films as diverse as ''Rocky'' and '' 'Round Midnight,'' who in recent years has branched into directing with movies like ''Guilty by Suspicion'' and ''Life as a House.

    In that quest, Mr. Winkler had the full support of Porter's estate, which was eager to keep his songs alive for a new generation and imposed no restrictions.

    The film is framed by Mr. Kline's narration, and unfolds in a varyingly effective mix of naturalistic vignettes and quasi-fantasy production numbers. Kline and Ms. Judd sing to each other in quiet conversation, while singers as diverse as Mick Hucknall, Natalie Cole and Elvis Costello unfurl a catalog of Porter's greatest hits, plus some comparative rarities all of which they performed for comparative peanuts.

    Night and Day

    For the film's screenwriter, Jay Cocks, who grew up listening to both Porter and rock 'n' roll, ''In the Still of the Night'' amounted to a Rosetta stone from the beginning of the project. The song was written for the MGM musical ''Rosalie. Mayer, to tears -- and it conjures up the essence of Porter, his life, his wife and loves. Cocks recalled in a recent telephone interview. They were nakedly honest and overwhelmingly intense.

    He wasn't being ironic. It's just beautiful. To preserve Mr. Kline's ability to act such emotional songs, instead of just sing them, Mr. Winkler let him record them live on the set, instead of lip-synching to a prerecorded track, which is standard practice in movie musicals. The result is an unusual intimacy, in which a filmgoer feels more like an eavesdropper, and the usual postmodern Hollywood worry about whether audiences will accept characters bursting into song evaporates.

    Kline recalled. What if I'm hanging upside down? Kline, who is also actually playing the piano in the film about 90 percent of the time he appears to be doing so, added: ''It wasn't about singing, it was about being the composer. The context is more important, and the acting. It stretches the convention and it bends it and breaks it. Kline said, he was freed from any burden of impersonation or imitation.