Guide YOU AINT ASK

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got it / Job, on it / Did I ever / Ask you to take me to go / Shopping in Paris or go No / All I ever asked. You ain't been calling me baby, oh.
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In the U. In short: We value people who meet our expectations, unless they subvert and exceed them in spectacular fashion. The first bucket felt wholly inauthentic, boring and unsatisfying.

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I wish I could find truth, peace and satisfaction in that first bucket. I wish I was wired that way. This column is about my uneasy pursuit, and grand rejection, of the latter. I was 21, and I was asked by a gal named Molly, a representative for the record label started by the bassist by the Goo Goo Dolls. How are you not famous yet? At the time, I suppose I did want to be famous. I was poor, and largely fame felt like a pathway to financial security.

That was something I was very interested in, particularly since I was struggling to scrape together enough coin for Taco Bell. I also saw fame as a sort of validation that I could succeed on my own terms — that I could take my two appreciable skill sets and turn them into something that people liked, something that touched the world, and something that made a difference. Because, clearly, if enough people like something, then it must be good, but then I thought about Nickelback and Dave Eggers and The Big Bang Theory, and I thought … nope.

On a surface level, the answer is, flatly: I never worked all that hard, nor wanted to work all that hard, at trying to be famous. Attempting to reach a level of notoriety in a given field requires a skill set wholly divorced from becoming exceptional at writing words or making music. L ife changed pretty dramatically for me between — I went from being broke and in a great deal of debt to being financially stable and successful. I also went from doing nothing I enjoyed to doing only things I enjoy.

I grabbed an office job where I get paid to write things.


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I still have that job. I started writing freelance columns on the side.

I still do that. Had I known I would end up alone, then I never would have let you make your self at home. Cuz if you need it, it'll come back for you. Everyday this world will challenge you I see you stressing but the lesson I've learned, You've got to keep your cool Till everybody saying You always vibin' Yes it is the way Yes it is the way I spend my time and You ought to try it Yes it is the way Yes it is the way To free your, free your mind. Either way I am one with the earth Livin' up everyday for every minute that it's worth showing love cuz I've got so much it hurts So take your bad mood and kick it to the curb Till everybody's sayin' You always vibin' Yes it is the way Yes it is the way I spend my time and You ought to try it Yes it is the way Yes it is the way To free your, free your mind.

17 Prince Songs You Ain’t Never Heard — But Should (Part 1 of 2)

Wish we didn't have to remember Wish that it was all in real time Never have I ever been one to surrender Wish that it was all in my mind. One day we'll have had enough to try to get through Once I can forgive you For the reasons that I left you But as of right now, no luck Cuz every time we try and talk we blow up Cuz if I knew then what I know now I would turn around try and put the flames out Now we're out of time cuz they're through the roof and me and you, ain't fireproof, no Laid it on the line just to watch it all burn Showed you how I felt, now I guess it's your turn Been told a million times now we know the truth That me and you, ain't fireproof, no.

If I knew then what I know now I would turn around try and put the flames out Now we're out of time cuz they're through the roof and me and you, ain't fireproof, no Laid it on the line just to watch it all burn Showed you how I felt, now I guess it's your turn Been told a million times now we know the truth That me and you, ain't fireproof, no.

When changing the world is all up to you. To help yourself, or someone else, Should I lie or should I speak the truth? Not even I know how, but the people wanna know, and they wanna know now Gotta do something or it's gonna go down, and we got everything to lose. And I, I feel like I'm stuck in the middle and you can't understand why I don't wanna choose a side. And I, could use some help just a little. The longer I sit here trying to decide, The sooner I lose my mind.

Which way do I go? Cuz all I see is another fork in the road.

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No arrow to show the straight and narrow. I wanna stay but my heart says go. Not even I know when, another opportunity will come around again. I'd do anything to get away from where I've been. Until then I call this home. The longer I sit here trying to decide, The sooner I lose my-. You know what I want so give me that chronic give me that hydro And bag it up so I can take it wherever I go.

And everybody smell it on my lungs so everybody wanna get them some. Oh yes I do. Yes I do ain't that the truth. I got the police on my back like Woooo, wooooo And so I'm running them through the trap like Woooo, wooooo Yes I run and I run, try to jump the fence but they pull me down tell me stop resisting arrest. It ain't her fault though, she know's she's beautiful. I hit it once but I can't hit that anymore cuz- There she goes, getting around, who does she got now? Hey- she gets around round round. That girl gets around. She's always up cuz she's tryna get down You better watch out Hey- she gets around round round That girl gets around.

I didn't last long never do So I got in and out of there fast. The next night she starts drinking and shes hitting me up. It's like I got a free pass.

Hound Dog (song) - Wikipedia

It ain't her fault though- The guys know she's vulnerable. I hit it once and look I'm going back for more. There she goes, getting around, who does she got now? I guess I can't say no, no, no, no to her Even though I know I'm not the first.


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    8. I must see something in her that everyone does. Purely as novelty fun, the tune ends on Waller's signature gloss on the lyrics, with the pianist inventing his own monologue to expand on the written words: "You keep runnin' your mouth -- you have your orifice, and I handle my transactions. I can't tolerate that jive you're handin' out here!

    That it all jumps with a characteristic stride groove reminds you the track was recorded in , but that's about it. Though it's usually played slowly and for maximum ironic pathos -- usually by female singers selling a kind of wounded femininity -- Waller just jumps it from the very start, and the free flow of the rhythm is like musical helium lifting the performance and the listeners' spirits. That's the effect of this great American music: to raise you up and make you feel great.

    The artistry -- considerable pianistic prowess, huge songwriting chops, and vocal limberness of rare power -- is all there to support your pleasure in listening. That the formula still works after 70 years is a miracle, I suppose. The miracle of Fats Waller. Todd Phillips has planted a tantalizing trail of clues throughout Joker to upend viewers' most basic assumptions, presenting a film whose contradictory structure can cause as much mayhem as its titular character.

    In They Will Drown in Their Mothers' Tears , Johannes Anyuru puts readers in a state of mind similar to that of his confused characters while offering an engaging challenge. Raul Malo-mentored rock outfit, Sweet Lizzy Project, share a track from their upcoming album that finds them longing ever-so-slightly for home. The early Ida Lupino films hold a particular nuance for female characters and the textures of their everyday lives, which has rarely been exhibited in classical Hollywood filmmaking.

    Mohamed Abdulkarim Ali's raw and visceral memoir, Angry Queer Somali Boy , brilliantly reveals the impact of racism and colonialism on immigrant lives. A Marco Benevento concert feels like going through a cosmic wormhole to a groovy land of enchantment that blends a retro foundation with a futuristic funk.