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If you saw her in the street, you'd think: she looks like a girl who looks a bit like Madonna. To promote the album's release, Madonna talked about the album in an audio message available exclusively online prior to its release. I'm going to be a good girl, I swear. At the end of the performance, she thanked the audience in Italian language , and received standing ovation. Italian newspaper Corriere della Sera mentioned that Madonna would play in Italy as part of a world tour to promote Bedtime Stories in spring or fall I love touring, and I very much want to go out with this album.

But I can't—I'd be going straight from months on the road right into filming; I'd be exhausted and strained. It wouldn't be in the best interests of the movie for me to be at any less than my peak of energy". The song achieved success on record charts, peaking inside the top five in most countries, while reaching number three on the US Billboard Hot This string was broken by " Take a Bow ", the second single which peaked at number 16 in the nation.

On the Hot chart, the song peaked at number 42, becoming the first Madonna single since " Burning Up " not to reach the top Nonetheless, the song's "loss" of radio airplay and sales prevented it from peaking within the US top Like the previous single, it failed to reach the top 40 in the US, peaking at number Bedtime Stories received generally positive reviews from music critics. Randy Taraborrelli, author of Madonna: An Intimate Biography , praised the album for being "considerably more tame in tone and image than [ Erotica ' s] ethereal sounding, sexually explicit" content.

The New York Times writer Stephen Holden considered Bedtime Stories as "easily Madonna's best album", and concluded that it was a "seductive mixture of soft-focus hip-hop and bittersweet ballads". Considine , while writing his review for the album for The Baltimore Sun , declared that Bedtime Stories was more listener-friendly than Madonna's previous albums.

He added that it "seems remarkably close in spirit to the singer's first album, emphasizing dance grooves and pop melodies over genre exercises and conceptual statements", while praising Madonna's vocal performance. Labin from the Bangor Daily News , noted that "[Madonna] isn't taking any chances. This time around, her daring has more to do with music than lyrics", while also praising her vocals; "If anything, her singing is the album's greatest strength.

Madonna uses every trick from her repertoire. But it's not necessarily the least of them. The Milwaukee Journal ' s Tina Maples provided a mixed review for the album, criticizing its "hoary cliches" and "bland, mid-tempo soul-pop ballads that confuse sophistication with sonambulism", and added that with the album, Madonna was feeling the "fallout" of building her career on "shock value".

But it was her refined literary taste, from Proust to Whitman, and both the media and the public's rejection of her sexual politicking that truly informed the singer's seventh album. In the United States, Bedtime Stories debuted at number three on the Billboard chart on the issue date of November 12, , with , units sold in its first week.

This figure does not include sales from music clubs such as BMG Music Clubs where it sold , copies. The album enjoyed success in Europe, reaching the top five of most countries of the continent. Bedtime Stories also performed well in Asia-Pacific. Bedtime Stories entered the Japanese Oricon Weekly Album Chart at number nine, continuing Madonna's uninterrupted streak of top ten hit albums there. For months leading to its release, the promotion associated with the record posited it as an apology for the singer's sexually provocative imagery.

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Critics had also hoped for a return to a more innocent form of music. However Madonna instead chose to portray herself as unapologetic, talked about the scrutiny that female musicians faced, and addressed her critics and people who had tried to shame her for being provocative. It is, however, the most relevant to many of the cultural conversations that are still happening. Had she acquiesced to the public's call for apology, it could have set a dangerous standard for how the public can decree an artist's silence, and it would have allowed the categories for female singers to remain in place".

He praised songs like " Take a Bow " which he considered as "the best romantic ballad of her career". Bianca Gracie of Idolator website wrote: " Bedtime Stories proved that Madonna never lost her edge; she just decided to soften it so that her image could regroup.

Gracie believed that Bedtime Stories was an album with "timeless sound" and signified an evolution of Madonna as an artist, acting as the front-runner to her more experimental album like Ray of Light However she noted how the album never let go of the sexual provocation associated with Madonna and how the singer chose to turn against what people expected from her at that time—being apologetic.

Adapted from Bedtime Stories album liner notes. From Wikipedia, the free encyclopedia. For other albums of similar name, see Bedtime story disambiguation.

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You didn't want to go in with her and right off the bat say, 'Well, I hear this,' because she was so specific and articulate. She already had the sound in her head. But after she'd spoken, we'd put our two cents in. We always had ideas, like, 'Can we answer this line with an extra "survival" [in the background]? A 29 second sample from "Human Nature" which features the heavy bass and the looping drum sounds, as Madonna asserts the main chorus, whose lyrics became a vehicle for Madonna to vent off her frustrations. For that, we have to thank Madonna for whispering sweet stories to us in the comfort of her musical bedroom".

Madonna Dallas Austin. Austin Nellee Hooper Madonna. Babyface Madonna. Entertainment Weekly. Retrieved January 26, February 13, Retrieved October 10, Los Angeles Times. Retrieved April 20, November 25, Folha de S. Paulo in Portuguese. Creative Loafing. Retrieved July 12, Retrieved December 25, Retrieved January 29, Considine October 25, The Baltimore Sun.

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Retrieved June 7, University of Leeds. Retrieved October 11, Slant Magazine. Retrieved February 27, Retrieved October 18, Rolling Stone. The Advocate : New York. Retrieved October 12, Vanity Fair. Retrieved March 21, New York: Showstudio. Event occurs at Retrieved January 27, The Washington Post.

The Advertiser. Smith, Michael May 18, The Daily Vault. Retrieved July 14, Valentine de Badereau. Terra Networks. June 30, Retrieved January 7, Marie Claire. Retrieved February 15, Retrieved August 15, April 8, E il tour mondiale anche in Italia". Corriere della Sera : January 6, Sarasota Herald-Tribune. The Ledger. March 20, Retrieved July 27, April 22, Retrieved February 25, UK Albums Chart.

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Retrieved January 17, New York Archived from the original on August 18, Retrieved March 10, Chicago Sun-Times. Archived from the original on November 18, Retrieved March 11, Chicago Tribune. Retrieved June 6, NME : Retrieved August 20, October 29, Retrieved January 10, The New York Times. The San Francisco Examiner : 3—5C. January 15, Bangor Daily News. Retrieved March 2, The Milwaukee Journal : Boston Globe : Retrieved October 24, Retrieved July 9, Retrieved February 19, Retrieved December 12, Recording Industry Association of America.

Music Industry News Network. Archived from the original on July 3, Library and Archives Canada. Music Canada. Retrieved October 25, International Federation of the Phonographic Industry. British Phonographic Industry. Select albums in the Format field. Select Platinum in the Certification field.


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