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[no title indexed] (Table of Contents: 1). Punch and Cutey / comic story / 8 pages (​report information). Script? Pencils: Joe Beck; Inks: Joe Beck; Colors?
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The intergalactic team is back in familiar form with Peter Quill leading the charge, but things get hairy as usual when a fight for a thrown threatens to annihilate an entire planet. The issue reads like a breeze with some gorgeous artwork added in, leaving fans eager to learn more about Luuk and his future on the throne. Gwenpool Strikes Back with its second issue, and it sees Gwen head on yet another crazed mission. Teaming up with Deadpool, the girl decides to get freaky with the leader of the Fantastic Four, but her sleazy rendezvous goes belly up in the best of ways.

And when her teammate decides to turn sides of her, it isn't just Gwen who is left feeling anxious! Namor continues to insist that Atlanteans deserve to rule the planet, forcing the Invaders to enlist more allies to their cause. The Serpent Crown continues to impact the King of Atlantis' motivations, leaving the Invaders with few options to reverse the effects he's had on the humans he's turned into water-breathers.

Devout fans of these characters will surely enjoy witnessing their exploits, yet the book fails to engage the more casual reader, even those who have been with it from the beginning. With this latest issue being the middle of a story arc, there's bound to be some stagnation, with virtually all of the characters floundering as we're given more exposition of the situation. The book jumps from one scene of characters arguing with another to the next, offering us very little to keep us engaged in the plodding narrative.

Invisible Woman has done a great job of showing why Sue Storm is a worthy leading lady in the Marvel Universe. Ironheart is at its grandest during the big, cinematic scenes where we see the heroes from diverse backgrounds converge in one spot.

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For a story about the end of the universe, King Thor 1 is a remarkably simple tale that hearkens heavily back to the beginning of Aaron's run. Outside of Thor and Loki whose conflict remains at the heart of the series , the book's only other characters are Thor's granddaughters and Shadrak, a longtime reccuring character who gets an amazing payoff in this issue. And while Thor and Loki's battle is earth-shattering and epic, it's also melancholic and barren, a reminder that we're approaching the end, not only of Thor, but of the entire universe.

Loki is one of those titles that is a delightful read each issue partly because the character is just one that is fun to read, but Daniel Kibblesmith not only knocks it out of the park with how he writes Loki, but the surprising twist at the end of the issue is one that you might guess, but it's presented in such a way that it still manages to be, well, a surprise.

Be careful what you wish for, that's the lesson here, but be glad Loki hasn't learned it yet because this issue is fantastic and not just for Loki's direct story. The side story about Nightmare's vessel, is it were, is heartwrenching and intriguing all in the same turn. It's a stellar issue from cover to cover, a must read.

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This oversized issue features both a birthday party and the return of some elements from the now-defunct Ultimate universe. The action is oriented on the return of Ultimate Norman Osborn and the mysterious new superpowered person in Brooklyn, Ultimatum. This provides an irresistible cliffhanger and promises some grand designs lying in wait. Writer Cullen Bunn finds a way to blend the time traveling aspects of Kang with the supernatural elements of Moon Knight into a delightful concoction, and artists Ibrahim Moustafa and Matt Horak deliver some amazing Moon Knight variations throughout various eras.

Catch a Falling Star and Punch it in the Face! (Captain Marvel #11 Comic Review)

After the propulsive action found in House of X 3 and 4, Powers of X 4 reads like a shotgun approach to storytelling. It delivers three distinct segments, all of which are dedicated to a greater narrative but none of which cohere into a single story. Multiple other figures left largely to the shadows, including Doug Ramsey and the Phalanx, both receive the spotlight as well. There are plenty of exciting new ideas, as well as some riddles fans will undoubtedly be discussing all week, and it makes for a valuable continuation.

This miniseries continues to be a pleasant surprise in nearly every way. In an age where comics from the Big Two tend to run together and look awfully similar, there's no denying Tradd Moore's in this title is some of the most mind-bending work you can see in a comic today. Though the art's been quite gnarly the three previous issues, Silver Surfer Black 4 takes some incredibly complex plot points and turns it up to 11, churning out some delightfully bonkers panels and splashes. In terms of down-right cosmic action, this issue has little to none of that, something that's anti-climactic for a penultimate issue.

That said, what happens here sets the stage for a massive showdown in this mini-series' final issue—something that will likely be a can't-miss read. Snoke pushes Kylo to embrace his darkness by teasing him with his potential, leading to an impressive display of power.

Luckily, the book is frightening in its depictions of Kylo's limitless rage and the chip he has on his shoulder, always trying to escape his past and prove he's more deserving of the galaxy than his uncle Luke or even his grandfather Darth Vader, connecting the character to the history of the original trilogy. As we near the end of Unbeatable Squirrel-Girl , the odds continue to stack up against Doreen and her delightful crew, and the book is all the better for it. Melissa Morbeck really has given Doreen a worthwhile adversary, and even holds her own as Doctor Doom stands next to her.

For granted how good of a character Dylan really is. Eddie Brock is nowhere to be found in this issue but his son carries the entire thing on his own without missing a step. The Beauty 29 is best described as a perfunctory penultimate chapter. There are the standard strokes in this painting that any reader of a series winding down might expect to see before a big finale. However, none of it resonates beyond the level of essential plot delivery.

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Outside of the action at its center, though, this all reads as work performed without much joy so that an ending can be delivered. With no slight to Ormston or any of the other artists to come before him, Michael Walsh is the perfect talent to draw a Black Hammer title and this issue, in particular, makes that even more evident. Despite lasting a page or two too long, this book's opening sequence is laugh out loud funny for both Black Hammer fans and everyday comic readers alike.

The issue does some interesting things to help deepen the world Lemire has built over the past couple of years but even then, the book still has a looming feeling of inconsequential storytelling. Two issues in, Coffin Bound is already establishing itself as one of the most viscerally unique comics on shelves right now.

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This issue has all of the momentum of the first issue and then some, as Dan Watters crafts a tale that reads like an emotional roller coaster ride. The final pair of sequences in Ghosted in L. An opening flashback invests more nuance and interest in a barely acknowledged pair of characters than any relationship in the series thus far.


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It also highlights how little readers know and, therefore, can be expected to care about Ronnie and Daphne. However, that is addressed throughout the course of the issue and that leads to the presentation of conflicts that resonate outside of these pages and build tension for future installments. Meanwhile writers Ryan Parrott and Sina Grace deliver a several sequences that fans will eat up with a spoon, but also take some time for a few brief but important character moments that help enrich this post-"Shattered Grid" world.

This is the perfect mixture of depth and fun, and any Power Rangers fan will be over the moon for it.