The Allegorian Tracks of Wasted Life

Society had always dismissed Irene Elizabeth Duvalier as the hopeless child and the “wasted life” who had been encumbered by blindness.
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The white toilet seat mysteriously displayed a gray shade as Irene cherished the rare opportunity to examine her surroundings. The horrifying voices continued their chants and alerted Irene that the shriek had ceased when they drowned out the puzzling sound.

Irene directed her eyes to the circular toilet seat and to the seven-sided geometric shape that had provided the blind woman with her fleeting lucidity. Her weary eyes closed as they painstakingly focused on the toilet seat that illuminated the darkness. She smiled with a wide grin that extended across her cheeks because the confusing fog gradually was being lifted from her visual spectrum. The seven-sided geometric design became clearly visible on the center of the toilet seat, and Irene placed her palm on the glowing design in an attempt to understand its significance.

When she glided her fingers across the triangular segment of the seven-sided shape, she inadvertently smeared the design with the sweat that dripped from her fingers. Her eyes remained closed as she scanned the geometric shape, and her momentary contentment was conquered by the astonishment that she experienced after she opened her eyes. She suddenly became icy cold as her body merged with the circular toilet seat on which she had sketched the seven-sided geometric shape.

Her stony body fashioned an enormous dent in the bathroom wall, and she exhausted all her strength to rise from the dusty carpet of the guest bedroom. The falling plaster fragments of the demolished wall invaded the carpet bristles, and Irene struggled simply to lift her heavy feet as she walked through the gaping wall dent to return to the bathroom. She flailed her rocky arms wildly to maintain her precious upright balance, and after the tremendous weight became overwhelming again, she collapsed backwards to the bathroom floor.

Despite the rocky crust that covered the outer coating of her eyes, she mustered the strength to slam down the shades of her eyelashes. When she opened her eyes, she discovered that her stony body had disappeared after being replaced by crusty human flesh, and she had been transported to a garden of beautiful roses and wheat stalks.

In her terror, she feverishly maneuvered her hands across her body to ensure that the stony formation had completely disappeared. Her unwavering sense of smell was invigorated by the fragrance of the soil in which the roses were flourishing, but the incessant chants of the voices in the music were no longer pestering her mind.

The circular toilet seat that Irene had once cherished was replaced by the breathtaking scenery of the field. She gingerly walked through the grass and stepped over the scattered tree branches that hindered her progression. The gigantic hook that was suspended above her in the previous experience had disappeared. The glistening sunlight soaked into her brown skin as her shifting eyes concluded that the grassy field extended for miles in limitless directions.

Irene pushed through the high grass and the wheat stalks that swayed back and forth in the gentle breeze, and the blind woman was enchanted by the natural beauty that she was embracing for the first time. She opened her mouth and indulged all her senses by inhaling the sounds, smells, and sights in the field, but she quickly became disheartened when she concluded that the vast field contained absolutely no other human lives. When Irene shoved the wheat stalks with her bruised palms, the stalks retaliated by bouncing from the ground to smack her across the face.

The swaying wheat stalks knocked Irene from her feet, and she buried her face in the gritty soil before she clutched a prickly stalk and pulled herself to a standing position. Her eyes peered through the labyrinth of overlapping wheat stalks as detached bristles were scattered by the breeze. A line of humans somehow materialized in the windy field of wheat stalks, and when Irene screamed at the expressionless humans in an attempt to understand her situation, the bodies remained motionless with their backs facing her. She interlocked her fingers across the shoulder of an unresponsive human who stood in the line, and after she rotated the human to face her, the human frightened her with his grotesque complexion.

The corn stalks hindered her frantic sprint until she reached a sandy desert that mysteriously appeared at the end of the field. Several buzzards circled in the misty sky directly above Irene while her dried tongue and perspiring flesh indicated that she was enduring a humid climate. She climbed down the rocky terrain and approached an oasis, and the sunlight caused her to squint as she leaned down to glare at her reflected complexion on the water surface.

The reflection in the water displayed the chubby face of an infant that transformed into a wrinkled old man with gray, stringy hair. She retracted her head from the disturbing imagery and fluttered her hands back and forth to regain her balance on the slippery surface of sand. When she slammed down her eyelids in response to the unpleasant infection, she returned to the darkness of the bathroom from which she had been transported.

She emerged from the massive human imprint that previously had been sculpted into the tiles of the bathroom floor. When the fingertips were stung by the cold tingle of the toilet, the surge of electric impulses informed Irene that she had discovered the toilet in the darkness. She removed the pencil from the floor during her readjustment to the darkness that flooded her visual spectrum, and the brilliant field flashed through her mind to provide her with the encouragement that she needed to continue. She positioned her palms on the bathroom counter and exerted the force that allowed her to pull up from the floor.

She wandered from the bathroom into a sea of darkness as the voices in the music continued. Irene considered that she was insane because the rambling voices provided her with commands that she believed were completely coherent. In a state of confusion, she walked from the bathroom entrance and quietly approached the lamp that rested on the table next to the guest bed. She returned to the darkness that had defined her existence for so long, and the persuasive voices instructed her to etch the seven-sided geometric design into the lampshade that covered an incandescent light bulb. Irene followed the instructions of the eerie voices, and she dragged her pencil across the coarse fabric of the lampshade.

While the ticking of a distant clock stimulated her sense of hearing, she continued to slash across the lamp base in various directions until the seven-sided design was completed. The straight lines that Irene had formed curved into the complex design of the mystical shape, and the lamp became the only physical object that Irene could identify in her limited visual scope. The geometric shape that she had drawn on the lampshade caused her body to merge with the light bulb, and she resembled a human flashlight when her skin glowed with the same incandescent light that was emitted by the visible lamp.

She literally became a source of light in the darkness, and she stridently screamed as her skin burned from the intense heat inside her body. Although her skin was glowing, her eyesight remained limited and could identify only the lamp on the table, but she was unable to focus on her vision because the extreme temperature was overwhelming. She nearly collapsed over the imprint in the floor as she charged toward the bathroom, and her tingling fingertips identified the smooth surface of the sink after her knee banged into the cabinet beneath the sink.

Her shaking hands turned the handle of the faucet to release water that could possibly alleviate the burning sensation, and a cold stream of water gushed from the faucet onto her charred fingertips. She was connected to the light bulb that was powered by an electric outlet, so when the water reached her skin, sparks of electricity flashed in several directions from her body. She plummeted backwards to the marble floor in an unconscious state, and the geometric shape on the lampshade glowed to stimulate her tortured mind to experience another vision.

In her new setting, Irene lifted her head to glare at the crescent moon in the misty night sky. She pushed through the gnarled tree branches and was greeted by mosquitoes that landed on her arm. Several flies buzzed around her head as she stepped over the tree branches in the grassy underbrush. After she pushed through a thicket, she reached a camp site as sweat rolled down her cheeks. An old man with a gray beard was seated on a log, and he watched his glowing campfire as his attentive wife sat beside him.

The old man turned his head and recognized Irene when she emerged from the branches, and he motioned for her to join him and his wife at the campfire. Irene yearned to communicate with the old man as she cautiously approached the campfire, but she could not unfasten her lips and remained silent. The old man continued to wave his hand while his wife naively smiled, but Irene somehow feared the campfire that was becoming larger as it sparkled and crackled.

The intense flames lead the old man to retrieve two sticks from the dirt, and he vigorously rubbed two sticks together above the rising flames. The rubbing sticks ignited the flames around which the old man and his wife were gathered, and while the flames escalated higher, the old man realized that he could no longer control the flames. He fiercely stroked the sticks together and shifted his glance back to Irene so that he could encourage her to join him around the campfire.

The old man struggled to contain the flame by rubbing the sticks together. His wife screamed hysterically for Irene to provide her husband with necessary aid to control the blaze. The old man yielded to the untamed flame that he simply could not subjugate, and he lunged into the flame as Irene oversaw the mysterious event. The old man bawled in agony as his flesh burned in the flames that he somehow had intensified by rubbing two sticks together.

His wife simply stared in horror as her screaming husband rolled through the flames. The sight of charred flesh disturbed Irene, who maintained her distance from the charred man, and the expanding flames swept upward through the night sky. The flames exploded and hurled debris that caused Irene to soar backwards into a tree.

Her head violently collided into the tree trunk, and after her limp body slid down the tree bark into the mucky dirt, she returned from her vision to the icy floor of the bathroom. The burning sensation that was produced when her body merged with the light bulb had ceased, and she crawled across the bathroom floor until she reached the carpet. Laurence carried two groceries bags from his car and approached the front door, but a shadowy presence loomed behind Laurence and smashed him over the head with a baseball bat.

The figure emerged from the murky curtain and revealed that he was Stephen Koldewey, who had arrived to ensure that Irene would be influenced by the voices on his mysterious CD. Koldewey placed the unconscious Laurence across his left shoulder and lugged him to the guest bedroom where he discovered that Irene was sprawled across the floor. Koldewey placed Laurence in a seated position on the carpet and concluded that Irene had been exposed to the voices because the square television set had dented the plaster wall. She could not determine whether her previous experiences were hallucinations, but the potential pain that Irene should have experienced no longer existed in the darkness of the guest bedroom.

Irene crawled to a table and pulled herself to a standing position before she became alarmed by the commotion of heavy breathing. You have cleaned the sinful stain of human existence. You have unlocked the power of the Septraveck. What have you done to me, Mr. Free will allowed humans to commit sins that tarnished perfection and that converted the universe from an immaculate song into an unbalanced universal equation in which humans existed as weak variables. Her blindness enhanced her other senses and invigorated her with the powerful emotions that were required to play the Septraveck.

Koldewey was convinced that Irene could restore perfection to the broken world by playing the original song that the Allegros had performed to project the once perfect universe into existence. He was optimistic that he could eradicate sins and illnesses by forcing Irene to play the Septraveck with her intense emotions to transform humans from variables in an unstable equation back into perfect musical notes in a melodious song. His work with a mysterious computer company known as the Mechanist group and his own diagnosis with terminal cancer had prompted him to stalk Irene in the Virginia Home for the Blind and to connect her to the Septraveck.

Koldewey viewed the seven-sided Septraveck as a numinous shape that was comparable to the Image of Edessa, which was a square cloth that Jesus Christ sent to King Abgar V of Edessa to heal him of leprosy. In The Book of Deuteronomy , symbolic coins known as the Urim and Thummim were used by oracles to predict the future and to separate sinners from righteous individuals, and the Septraveck symbol could erase the sins that caused illnesses and could restore perfection to the broken world. Koldewey was convinced that the Septraveck shapes on the wall possessed the same divine power as the prophetic words on the wall in The Book of Daniel.

The square, the triangle, and the circle, which comprised the seven-sided Septraveck shape, stimulated Irene to experience divine visions. While Irene sought to focus her eyes on any objects in the darkness, Koldewey considered that she had become comparable to the Biblical Jewish Prophet Esther because she protected her people from being exterminated by the Persian King Ahasuerus just as Irene could now cease human suffering.

Koldewey quoted a verse from T. In a minute, there is time, for decisions and revisions, which a minute will reverse. Who am I to change the world? Who am I to try to rescue humanity from drowning in this cesspool of sin? Then, I realized that I had unlimited free will to do whatever I wanted. I have the free will to end free will, and it all begins with you. Daniel interpreted the writing on the wall to mean that the Babylonian Empire would fall, and it did.

In a dream, God showed Daniel a ram and a goat that the Angel Gabriel interpreted as a sign of the Apocalypse. Those words on the wall had meaning from God, and those shapes on the wall have the same meaning. Those shapes probably gave you visions, too. Zechariah saw flying scrolls and four chariots. Those shapes on the wall are powerful.

God informed Adam and Eve that they would eventually perish and return to the dust that formed them, and God commissioned a Cherub to use a Flaming Sword to prevent Adam and Eve from reentering the perfect garden. Our sins corrupted Paradise. God cursed the ground and infused the world with sins. We lost the seal of perfection when we were filled with violence, and we were cast as profane from the mountain of God.

Now, we are like dross to Him; we drink iniquity like water. We can be eternal, sacred and imperishable. The key to perfection is in the Septraveck shape. The Septraveck is the Flaming Sword of Eden; it is the key to everything. What did you do to me? All that I know now is partial and incomplete, but then, I will know everything completely, just as God knows me completely.

The Septraveck will let me see this broken world through His perfect eyes. All that you have to do is play the Septraveck instrument. The Book of Revelation says that seven angels will play seven trumpets to create plagues that will wipe out one-third of humanity. And I heard a voice from Heaven, like the sound of many waters and like the sound of loud thunder, and the voice, which I heard, was like the sound of harpists playing on their harps.

And they sang a new song before the throne, and before the four living creatures and the elders, and no one could learn the song except the one hundred and forty-four thousand who had been purchased from the earth. Now that we have the Septraveck, we have the key to restore perfection to the broken world to end all human misery. Are you talking about ending the world with music? Koldewey reevaluated his approach to defining the function of the Septraveck musical instrument that could restore perfection, and as Irene glared at him with her shifting pupils, he sensed that he needed to convince her that he was using the Septraveck for just reasons.

"The Color Cyclist" (Excerpt from "The Allegorian Tracks of Wasted Life")

However, although Joshua, Gideon, King David, and Hezekiah played music to honor God, many idolaters, under the Hebrew leader Moses, sang and danced to worship a Golden Calf, and the prophets Isaiah, Jeremiah, and Amos warned the Israelites that God would punish them for their idolatrous music. In the book, St. Paul and Silas were exorcising spirits and were preaching in Antioch and Philippi until magistrates incarcerated them, and Paul and Silas sang hymns that generated an earthquake, which loosened the chains that restrained Paul and Silas.

Even King Jehoshaphat led a choir of Levite musicians with trumpets, harps, and lutes into battle against the Ammonites and the Moabites, and Isaiah and Jeremiah said that after the Israelites stopped their idolatry, they would take their tambourines and sing to God to beg for His mercy. Paul and Silas sang hymns that were so powerful that they caused an earthquake.

Moses said that the Lord was his strength and his song. David said that God would surround His people with songs of deliverance. The Septraveck will play a song that will bring an end to all human suffering and restore perfection to the broken world. What did you make me draw all over this house? How could you make me see? Koldewey referred to the conversion of the murderer Saul to the Apostle St. God actually blinded Saul for three days to turn him from a wicked murderer into His humble servant St.

The Romans imprisoned Paul, whipped him, stoned him, and eventually beheaded him. It used to be His good, pleasant, and perfect will to show His works through people who were blind and lame, but His will has changed. He wants you to cure your blindness to create real perfection and to save us from drowning in this cesspool of sin. The joy of the Lord is our strength, and playing the Septraveck is His will.

I knew that you would listen to the music I gave you. The voices in the music have stopped because you followed their instructions. I recorded the voices on that CD when they came to me. The Allegros are the ultimate Cherub. They wanted me to rebuild the instruments, and I needed your help. The Allegros made you draw that geometric shape with seven sides. The Allegros played the Septraveck in the beginning, and the universe was a song in which humans were its notes. The world was perfect, but man infected it with sins and ruined the perfect song that the Septraveck had made.

We can restore perfection, Irene. The Septraveck is just a musical instrument that once gave perfection to the world. Now, just calm down, and tell me what happened with the voices. I saw these things for a minute, but the shape lost its power really quickly. I guess the shapes got smeared.

I drew the shape on the wall, and I thought that I was being pulled into it. My hands were so cold. After that, I heard a loud crash because something was pulled into the wall. Then, the visions started. My clothes are wet for a reason. The visions had to be real. The Septraveck is a musical instrument that creates perfection. The Allegros have used you to build the Septraveck instrument so that we can restore perfection. The Allegros told you to draw the shape on the wall because the wall is a square, the first shape that creates the Septraveck.

The Septraveck unlocked the true potential of the square when you drew it on the wall. The square represents the relationship of humans with divinity. You must have seen a vision of God as a fisherman Who offered salvation to the hopeless sea of humanity.

The Septraveck that you drew pulled the television into the square wall because the television is another square object. The Septraveck unlocked the power of the square and attracted all the square objects to it. I had another vision after the shape got smeared. I was in a field where I saw a line of people. Their faces were falling apart, so I ran. I ran to a desert, and I saw my reflection for the first time. I think it was my reflection. It looked like a baby that melted away into an old man.

The circle represents patterns in the universe and the repetition of life and death among humans. The humans in the line were decaying to show that all humans will eventually die, but dead humans will be replaced in the repeating cycle of life and death. The men in line were waiting to accept judgment after their deaths. You said that you saw a baby that turned into an old man when you looked at your reflection.

The reflection shows that the human race will continue because old men who die will be replaced by newborn babies. Plants and animals all will follow the repeating cycle of nature, and everything that disappears will reappear as something else. She breached the silence by declaring,. I drew the shape on a lamp. I saw the lamp for a second, but it disappeared, too. Then, I felt like my body was burning, so I poured some water on my hands and had another vision.

All of a sudden, I saw an old man in the woods. He wanted me to help him with his campfire. He tried to get me to help him, but the fire was burning out of control. Then, the fire exploded, and when I woke up, the voices had stopped. I was back inside this house, and I was blind again.

I guess everything that I felt was an hallucination. Nothing was real, but it hurt so much. It felt so real. Koldewey shifted his attention to the lamp that was located on the table, and when he discovered that the lamp was somewhat shaped like a triangle, he was prepared to discuss the significance of the triangle that Irene had unleashed.

Three sides of the Septraveck instrument were constructed by the triangle while the remaining four sides were formed by the square that was connected to the circle. You drew the Septraveck on the lamp to unlock the power of the triangle. The triangle is a three-sided figure that demonstrates the power of three. The triangle represents the Holy Trinity. The triangle also symbolizes the unity of a family. A man and his wife conceive a child to begin a family, and the man, his wife, and their child all contribute to create one loving family.

The old man that you saw was likely your father, and the woman who was with him was likely your mother. The burning fire represented the passionate strength of human love, and your father wanted you to contribute to the family. He wanted you to help him build a loving family, and the fire burned out of control because you were not there to contain the passion.

You were not there to help your family. Where are your parents now, Irene? My parents are dead. Now, what do you want from me? Maybe, he just feels sorry for you. Do you really think that anything could possibly work out between you and Jonker? Everyone has to feel sorry for the blind girl. It connected you to all the other geometric shapes in the universe. The Septraveck can erase your sin for a moment so that you can see him.

Just draw the shape on his face. Irene was apprehensive about the potential outcome of her drawing the Septraveck, and she was soaked in rolling perspiration that distracted her hand from the assigned task.


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The slithering pencil formed the four ninety degree angles that comprised the square portion of the Septraveck, and when she completed the complex design, she unclasped her fingers and allowed the pencil to smack the floor. Her arms glided across her eyes as she wiped the sweat from her brow, and Koldewey intensely anticipated the startling effects of the Septraveck. Irene simply savored the privilege to observe the unconscious Laurence for the first time. Suddenly, the square wall chunk on which Irene had previously drawn the Septraveck was wrenched from the side of the room by an unknown force.

The square television set that previously had been imbedded into the center of the wall crashed to the carpet floor and rested as a heap of discarded wreckage and fragments. It appeared that Laurence was completely crushed by the impact of the square wall that was attracted to his body. The toilet seat on which Irene had drawn the Septraveck rumbled fiercely in the bathroom before it was detached from the toilet, and the circular seat resembled a Frisbee that rotated as it soared toward the square wall.

The square wall was comparable to a magnet that absorbed the force of the toilet seat when the seat pierced through the plaster wall. The spinning seat rested in the center of the wall as Koldewey pinned Irene to the floor so that he could enjoy the spectacle. The coiled cord that plugged the lamp into the electric socket was pulled from the wall. The lamp was lifted from the table and was forced into the toilet seat that was impaled through the center of the plaster wall.

The square wall and the triangular lamp were connected to each other by the circular toilet seat. The mesmerized Koldewey gasped for oxygen because he was inspired by the sight of the geometric shape. Koldewey released Irene from his menacing grip and reached his feet so that he could inspect the mystical instrument that had been constructed.

Koldewey conscientiously advanced toward the square wall that had been attached to other physical objects. The square wall, the circular toilet seat, and the triangular lamp had been connected to construct a mystical musical instrument that could be carried despite its heavy weight. The blinded Irene crawled through the crushed plaster, marble fragments, and other debris that invaded the carpet bristles.

A trail of blood followed Irene because her hands were lacerated by the sharp fragments, and her eyes remained directed at the floor as she crawled toward Koldewey and the mound of demolished objects. Koldewey cautiously placed his left palm on the triangular lamp and was propelled backwards into another wall by a wave of energy that was emitted from the heap of discarded objects. The connected objects were producing sparkling red radiation that forced Koldewey to maintain his distance from the heavy mound.

She reached a chair that she identified by examining the wooden leg with her fingertips, and she pulled herself to her feet by exerting pressure on the chair seat that supported her weight. Her eyes surveyed the darkness as she twisted around to encounter the mound. The glowing radiation that the mound released entered her eyes and caused them to slam down, and when she opened her eyes, the tingling sensation of the radiation ceased as it condensed into water that accumulated on her eyelashes.

Irene collapsed to her knees and screamed in agony when she realized that Laurence had been crushed by the accumulation of objects on which she had sketched the Septraveck. Irene kneeled at the wreckage of smashed objects and grieved with tears that streamed down her face, but Koldewey ignored her misery because he was more concerned with the development of the Septraveck. You drew the shape on those three objects so that they could come together to make this Septraveck instrument.

These shapes that comprise the Septraveck represent the last remnants of perfection. The circle represents the repetition of life, and the circle demonstrates the importance of populating the world with children. The triangle represents the family bonds that we all must celebrate. All these shapes of the Septraveck represent everything that humans must do to save themselves from sin.

When you drew the Septraveck on the wall, it tried to pull you into it because the Septraveck needs a living host to build this instrument. Laurence had to be sacrificed so that the Septraveck instrument could be built. He made the sacrifice for us all. I need you to play the Septraveck instrument for me. The instrument has already cured you by erasing the human sin that caused your blindness.

These objects have come together to make the instrument that the Allegros wanted me to build. They haunted me to find someone who could create a connection with the Septraveck instrument. They needed someone to play the instrument so that we could restore perfection and erase the sin that causes our pain. You must play the instrument, Irene, to save us from ourselves. Irene cleared the dripping tears from her chin and turned to the maniacal Koldewey who loomed over her with his shadowy presence. What do you want? The Allegros wanted me to build this instrument.

They wanted me to find someone who could play it. It was a simple song that created the perfect universe. Remember when you drew the Septraveck on the wall. The wall probably came into view as a black and white image. The Septraveck is controlled by your emotions.

When you felt an emotion, the wall became an image with its blue color. The toilet seat was completely white until you felt an emotion. The emotion caused the toilet to become the gray color. You probably heard a noise after your emotions caused the black and white objects to gain color. You were playing the Septraveck instrument with your emotions. You played the Septraveck with your emotions and caused the colors of the objects to become clear.

An emotion of happiness creates a high note from the Septraveck, and an emotion of sadness makes the Septraveck play a low note. Now, the song that the Allegros played to create original perfection was two high notes followed by three low notes and four more high notes. Irene continued to sob over the heap of physical objects that had amassed together to create the Septraveck instrument. Now, I need two high notes, three low notes, and four high notes to create the song that can erase sin.

You see, your handicap of blindness enhanced your other senses. Your emotions have become stronger and more passionate than the emotions of ordinary people. When the Septraveck erased the sin that caused your blindness, your brain became connected to the Septraveck instrument.

You are the only person with strong enough emotions to play the Septraveck and to restore perfection to this broken world. You must save us from this cesspool of sin. The decadence and debauchery that God has allowed for too long will end tonight when you play the Septraveck with your powerful emotions.

Just think a happy thought to play the Septraveck. It can erase your pain. It can save you from yourself. When Irene refused to play the Septraveck instrument, Koldewey concluded that forceful coercion was necessary to ensure that the perfect song would be produced. He uncovered a spherical basketball that rested on a high shelf, and he locked the basketball beneath his shoulder before he slowly approached the distraught Irene.

The Septraveck also connects you to all other geometric shapes.

The Allegorian Tracks of Wasted Life Kindle Edition

Your body was burning because the Septraveck connected your brain to the lamp, so you only thought that your body had transformed into a light bulb. Now, the circle represents the repeating pattern of the life cycle, but the perfect sphere represents freedom from the physical world. The world is a perfect sphere, but it is full of wickedness and debauchery. The more you embrace the money, the fleeting material possessions, and physical pleasures of the imperfect world, the closer you get to death. In other words, freedom from the physical world means death.

She screamed and wrenched her heart in an attempt to alleviate her misery, and when the delighted Koldewey carried the spherical basketball closer toward her, he aggravated her condition. If the Higher Power will not save humanity from its sin, then, humanity has to take the initiative. Now, you see how dangerous it is to be connected to the Septraveck shape. You can see why I needed you. By using the Septraveck to erase your blindness, I connected to you to every other shape in this universe.

I watched you for so long, Irene. I knew that you would be the only one who could play the instrument. You were the helpless blind girl who complained to everyone about your misery.

The Allegorian Tracks of Wasted Life

You were so sinful when you complained about your blindness. How many people will die tonight of cancer? How many homeless people will die tonight on the streets? How many people suffer worse than you do? The Septraveck erased all the human sin that caused your blindness. You were special, my little sinner, and you were the only person whose feeble brain could create a connection with the Septraveck. You were the only one who could rescue the human race from drowning in the cesspool of sin. There is no justice. The good and the innocent suffer, and the wicked prosper.

Those who do not even believe in God are the wealthiest. Those who mock Him have all the power in this world. The Higher Power is a bored spectator of the human race. He just left us alone in this broken world of pain and suffering. After Irene squealed in agony, Koldewey bruised her forehead with a kick and pinned her to the floor by positioning his foot on her spine.

Arrogance

The basketball plummeted to the carpet of jagged debris when Koldewey received his desired response, and he helped Irene to her feet so that she could fulfill his request. The excruciating pain to which Koldewey had exposed her returned to her chest because the Septraveck connected her to all other geometric shapes. How will you ever be able to do anything in this life? How can you ever be expected to live without me? If you touch a spherical object in this world, you will experience instant death.

Now, come on back to the guest room and play the Septraveck since you will never be able to do anything else. I can exploit so many connections that you have with the Septraveck. He was doing just fine until you showed up. Play the Septraveck, and let the end come. The Higher Power gave humans unlimited free will, and the Septraveck is the ultimate indication of our free will. The shape of the Septraveck is the key to the restoration of perfection.

God gave us the Septraveck shape to test the limits of our free will. The power of the Septraveck has been waiting for us since the beginning of time. It was waiting for someone brave and crazy enough to challenge God and to accept the ultimate test of the limits of free will for humanity. With my unlimited free will, I will restore perfection. You will play the original song that the Allegros sang to project the universe into existence.

With my free will, I will destroy the Higher Power to replace Him. I will seize His throne. Now, you can see that there is no hope or justice in this world, but there will be in the next. I promise you that I will be a just God after you restore perfection with the Septraveck.

I know that you have committed sins, but I will judge you fairly, Irene. If you restore perfection, I will not condemn you for your past sins. I will forgive you, and I will save you from your sins with the Septraveck. You have my word. You will walk in my light when I illuminate this forsaken world. I will free the human race from this sinful prison in which He has trapped us. My light will open your eyes. You have the ability to restore perfection, and you will do it.

Irene struggled through the paralysis that pervaded through her entire body, and she mustered enough strength to lift her heavy head until her eyes identified the spherical light bulb of the ceiling fan. The light bulb intensified the agony that consumed her entire body, and as she glared at the spherical light bulb, the shrill shriek of the Septraveck played inside her fragile mind. As the sound of the Septraveck continued to penetrate her psyche, she attempted to clasp her hands across her ears, but her paralysis prevented her from lifting her perspiring palms from the floor.

She was unable to shift her focus away from the spherical light bulb, and the sight of the light bulb distorted her vision until her physical surroundings transformed into blackness. I told you that it was dangerous to be connected to the Septraveck because it connects you to all the other dangerous geometric shapes in the universe. Your mental connection to the Septraveck has restored your blindness, little girl. Koldewey interlocked his fingers across her waist and pulled her stiff body from the floor until she reached a standing position on her feet.

When Irene could control the movement in her muscles, she slapped Koldewey away from her with the back of her hand. Although Irene had distanced herself from the spherical light bulb, she still remained shackled in mental darkness. She struggled to maintain her vertical balance, and after her left leg was interlocked behind her right leg, she stumbled around to survey the spinning canvas of darkness in her distorted visual spectrum.

Her fists previously had been closed into tight fists, so when she stumbled to the floor, she was unable to outstretch her palms to protect herself. Her face violently smashed into the floor, and bloody scrapes were produced on her hands and knees as Koldewey laughed and loomed over her in her mental darkness.

The frustrated blind girl placed pressure on her bruised, bloody palms to pull herself to her feet. Her hands and knees received further damage after they returned to the hard floor, and despite her blindness, Irene was involved in many more attempts to strike Koldewey that concluded with her on the floor. She stood in front of Koldewey and squinted in an ineffectual effort to peer through the dark mental curtain that veiled her currently blind eyes.

Her fists were propelled wildly through the air in an attempt to strike Koldewey in the darkness, and he positioned his palm on her bloody forehead to restrain her as her fists swayed in a repetitive pattern. He whistled a serene song to mock her futile effort as she swung her fists and as the booming cacophony of the Septraveck continued to play and to bounce from one side of her mental canvas to the other.

As his fingernails scratched her throat and choked her, he pulled back his left elbow until his left hand rested on his right shoulder blade. He retracted his left hand with forceful momentum, and he clouted her face with the back of his left hand before he maliciously slapped her with his right hand. He punched her to crush her nose, and droplets of blood trickled from her nose and slid down her lips. You complained about your blindness for so long, but now, you know what real pain is.

This is the pain that millions of dying people feel every day. I could kill you so easily. Irene soared backwards and rested on the dusty floor of the hallway, and after she tasted blood in the back of her throat, she slammed down her eyes in agony. Irene had achieved the proper distance from the spherical light bulb to alleviate her misery and to prevent her death. Her mental connection to the Septraveck shape remained intact and active, and the blurriness of her environment became clear because her vision had been restored after she distanced herself from the spherical light bulb.

Her pupils no longer drifted across the clouds of her sclera, and she now was able to focus on single images that decorated her visual spectrum. Koldewey peered down at her, and although her eyes were forced to perceive his wicked grin again, her eyes quickly drifted away from Koldewey to focus on the wall and the ceiling. Koldewey instructed her to return to the guest bedroom to play the Septraveck instrument that she had constructed, and he retrieved the spherical basketball to persuade with force. Irene rapidly readjusted to her restored vision as the beaming light caused her pupils to contract, and she slowly crawled across the floor to escape from Koldewey on her bloody hands and knees.

She squinted through the light that radiated down from the ceiling into her eyes, and after a bloody trail followed her during her frantic crawl across the hallway, she managed to reach her knees. Koldewey outstretched his hand to frighten her with the spherical basketball, and she surrendered and rose from her knees to return to the guest bedroom. She realized that she never could escape from Koldewey because she eventually would encounter a spherical geometric shape in the outside world.

She slowly wandered through the entrance of the guest bedroom, and her newly acquired limp nearly caused her to tumble to the floor. Despite her misery, she still maintained her necessary distance from Koldewey as he threatened her with the spherical basketball that that would guarantee her instant death. Irene sensed that Koldewey, her fanatical teacher at the Home for the Blind, still was concealing emotional scars that he longed to convey to another individual in whom he could confide.

Why are you really doing this? What do you really hope to accomplish with all this? Koldewey respected the courage that Irene had displayed in her gentle interrogation, and he was emotionally touched by her poignant words. He stared directly at her to provide her with the respectable eye contact that she deserved. You have a right to know. Cancer is just one of the many horrible diseases that the human race unleashed onto itself when we corrupted the perfect world with our sins.

Doctors gave me only a few weeks to live, and my time is running out. Now, the Higher Power wants to claim my life with cancer. What did I do to Him to deserve this? I could have given the world so much. I could have been His greatest creation, but God is greedy and power-hungry.

I will not let Him take me. He just wants to control and to take all of us. We have free will, but He still enslaves us. Our sins corrupted the perfect world with disease, but He uses the disease to claim us. I will not be enslaved. When humans originally corrupted the perfect world with sin, every liquid, solid, and gas in our environment became imperfect. The objects in our world became tarnished by sin, but the shapes of these objects never changed. The shapes of these objects represent what the objects once were and what they could have been because the objects could have remained perfect.

Despite our sins, the shapes of the tarnished objects never changed. I looked for perfection for so long, and I found it in the shapes that compose our surroundings because these shapes are the last remnants of perfection. Perfection is elusive, but perfection is where you find it. You can find perfection in a square, a circle, and a triangle if you look hard enough.

In your case, you can find perfection in a wall, a toilet seat, and a lamp. The shapes are all that matters. They represent what our imperfect world could have been. The rest of humanity may see a dirty toilet seat, but I see that the toilet seat could have been perfect. We all could have been perfect, but God let us corrupt the world with our sins. The Allegros used the Septraveck instrument in the beginning to play the perfect world into existence. The shape of the Septraveck instrument determined the melody, the pitch, the sound, and everything else that was important about the original song that played the world into existence.


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We were once musical notes in the perfect song of the Allegros. Now, we are slaves to God in an uncertain world where His diseases can claim us without warning. Please, Irene, help me fight Him. I valued my life before He decided to take it away. Your selfish breaths could have been used to save others who appreciate their lives.

You now can redeem yourself; make up for your past selfishness and sins by helping me. He already has predetermined our lives for us. I want to save the world from Him and this cesspool of sin. Please, play the Septraveck instrument, and restore perfection to the broken world. The physical world is falling apart. Help me put the pieces of the broken world back together. Why are you too blind to see that? She yearned to cleanse her mind of the resentment that she experienced after the deceitful Koldewey sacrificed Laurence to construct the Septraveck instrument. You can cure all illnesses by erasing all the sin in the world.

Promise me that we can save everyone. How many people died last night of starvation? How many people will die today of cancer? The world is so unfair. Innocent children suffer and die while sinful old men achieve more success as they mock God. The world lives in the darkness of sin. This sin causes the horrific illnesses that the Higher Power uses to take our loved ones and beautiful children from us.

Many do not deserve to be saved from death. They are too corrupt to be saved. Identify in sufficient detail the copyrighted work that you believe has been infringed upon for example, "The copyrighted work at issue is the image that appears on http: Identify each web page that allegedly contains infringing material. This requires you to provide the URL for each allegedly infringing result, document or item. I have a good faith belief that use of the copyrighted materials described above as allegedly infringing is not authorized by the copyright owner, its agent, or the law.

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