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Series: Educational Piano Library Format: Softcover Composer: Various Editor: Jennifer Linn. Piano Level: Early Intermediate. Journey Through the Classics is a Missing: Tiptoeing Chronological.
Table of contents
- ABA Journal - Google Books
- Hal Leonard Piano Repertoire
- The Birth of Looney Tunes
- The 100 best nonfiction books: No 7 – The Right Stuff by Tom Wolfe (1979)
Naturally, reading of this sort, for me, is done at present anyway with an eye toward information relevant to my dissertation, so my desire for the volume was greater than usual. All that to say, this is indeed a splendid volume!
ABA Journal - Google Books
This volume, edited by Stephen M. Also included are appendixes that are chock full of fascinating texts gleaned from Linear B sources, papyri, and inscriptions appendix four is where the ANE myths listed above are included.
- Justifying The Means!
- Wrenn: Egypt House.
- Navigation.
- 10,000 Dresses.
- The Chronological Looney Tunes: | The Frame.
When putting a volume like this together, one has to wonder what principles guide the process by which the included accounts are selected. The editors have also provided useful preliminary discussions in the front matter—brief essays on ancient approaches to myth, e. From this point, the remainder of the book is dedicated to the titular material—the myths of ancient Greece and Rome. Entries are arranged alphabetically by author, not chronologically as I expected.
Each entry provides the name of the author, the date range during which that author wrote, the language in which he wrote, and a brief overview of the author himself and of the work that follows. Naturally, some entries are much longer than others, e. I would also say that while I am certainly no classicist and do not have at present facility in non-Hellenistic Greek, I can say that these translations are wonderfully readable maintain the air of classical writing—it feels ancient and modern simultaneously. As noted earlier, this volume boasts a substantial series of indexes— pages of additional information.
The first four indexes cover sources that have been discovered in more recent memory—Linear B sources, inscriptions, papyri, and near Eastern myth. I can imagine if I were a professor teaching classical mythology to uninitiated students, this would be required reading. But they all provide the same thing: The space and permission to think and talk about the world while walking, enjoying the progress, eliminating worry about where next to camp or when to make food.
The days of walking began early. Dan and I and Matt Mullenweg, who was also part of our crew woke, ate a meal of grilled fish and rice prepared by the inn, slung out bags on our backs, grabbed a lunch sack some onigiri perhaps and headed out. Step after step, tens of thousands. Waking to do it all again the next day. The conversations, the pacing, the stories and insights? Koya Bound is my first grasping attempt to seize a walk. If the walk takes eight days, can the artifact, too, be produced in eight days?
In the end Dan and I each invested about one full month of time hours each into the book, as spread out over six months. Not quite eight days but what a timeline! Just six months from walk to launch event at the Leica Salon in Ginza. The design challenge was to work within the constraints of POD, wrangling something from the system that, on the push of a button, would astound.
Sadly we bumped up against too many walls. POD can produce beautiful books, but once you start to dig deeper into materials, you realize that the returns for anything over 20 copies quickly diminishes. And the multiplicity of paper and printing options when printing offset is simply too seductive. Everything at Banff is staggering with its mountain backdrop, but perhaps nothing more so than their outstanding art library. Walking through the stacks of that library I found The Architecture of Time , a limited edition book of the work of Japanese photographer, Hiroshi Sugimoto.
We had the general size of Koya Bound set from the get-go: Something that would sit well on a table, but not scream for attention.
Hal Leonard Piano Repertoire
That meant going large in format but subtle in materials and cover design. Just looking at a paper sample leaves much to the imagination. Never leave anything to the imagination when making a book. And so to see a book made of a paper you love is a great gift. There was tremendous restraint in the printing and typography. And it was from that restraints that we dialed in or dial back our own expectations, inspiring us to be even more subtle with endpaper and typography.
Showed it to my printer in Japan. How many disparate elements come into play when making a book? Too many. A thousand coincidences, stumbling on the right book at the right time, the right signage, the right patina on a wooden shingle on the side of a seaside building, small inspirations, details fleshed out organically by happenstance.
The Birth of Looney Tunes
Details like: Just a week before going to press I showed the cover to buddy Rob Giampietro on a train ride back from a temple visit at Koyasan. This is why you must always give a book enough time to be made. Though we produced Koya Bound in a scant six months, Dan and I were aggressive in limiting the number of elements to design, the complexity of each page.
Even in its simplified form, the number of insights in materials, framing, sequence, typography, edits, map making required to finish feels in hindsight like a star map to some tiny, but dense, slice of the sky. Is it possible to hold a walk in your hands? I have tried to be as inclusive as possible. Done 2. Only the newest Tolkien set and the LE meet the 5-book minimum - the older ones didn't include The Silmarillion Acknowledged.
Included at present. Snuck in when I wasn't lookimng ;- 5. I would argue that the Josephine Teys are not a series - only two match Debatable I think they match up quite well. Included so as to be as inclusive as possible. Orwell should be listed as two separate series I think the present entry demonstrates the differences and similarities of the sets adequately. Please let me know if you have any further suggestions. When the rest of the series appeared in a smaller format in they reduced the size of these two to conform. As they appeared , all the volumes were sold separately in individual slipcases.
Why they changed the size midway is anybody's guess. My Jungle Book is a third impression, , and is still in the larger format. Other FS aficionados may be able to give more information. Added to list above. Waugh: in addition to the Comedies set listed here already, there is another matching 3-volume set - Sword of Honour trilogy.
What do others think? There is akso the enigmatic Folio 34 to consider.
The 100 best nonfiction books: No 7 – The Right Stuff by Tom Wolfe (1979)
The books have plain blue-green covers rather than the pictorial covers of , but they're otherwise identical in size, typography, and Natacha Ledwidge illustrations. I know this is very subjective, but others can give their opinion if they wish. Again, profuse thanks for all your hard work here, Warwick, this has become a huge and helpful resource generally, if specifically unhelpful in treating the bug Foliophilium delirium. In such cases, perhaps the series could be named after the earliest of that series to have been published by Folio, perhaps with additional reference to the common binding design, e.
Other Devotees here may have better solutions. Further comments and suggestions from everyone please. The later version matches - wrap-around pictorial boards, golden spine titles with "shade" around the the letters, same spine colophon featuring letters "FS" inside an oval of the same color as the "shade" around the title letters, even the same design of the slipcase boards: Pictures stolen from ebay listings.
I'm sure we can come up with better series names if desired. For example, I think "Quarter vellum LE series" would be adequate enough. Coming up with a new name for the "LE Classics" might be a bit more difficult. Just kidding, but someone may come up with a good suggestion. I think 'Quarter vellum LE series' is good, it's certainly more succinct. Instead they went for plain ugly. Granted, Sword of Hounour isn't as bad as the Comedies, whose spines resemble an explosion in a paint factory.
The Sword of Honour Trilogy is prominently displayed on my shelves; the Comedies set is tucked away where it won't cause offence to innocent eyeballs.
It's all a question of individual taste, of course. And anyway, this is getting away from the point of the thread. Given the evidence you have presented I would agree the two belong together.
- His Name Is God?
- Cherry Glazerr - Tiptoe Through The Tulips Insidious.
- Giggle Comics #6.
You might, however, argue that the recent Lord Peter Views the Body is in series with with the other Sayers set, making it 5 books. I don't personally take this view, but given that you include several outliers in the listed sets Irish Myths, Tey titles, Classic Fine editions of various size, etc. Perhaps we could get a photo of Dark Histories with the matching Black Death binding. Fairy Tale Classics is an interesting one and you might change the title given all are not Fairy Tales. I think Folio 60 talks about this loose series, but does it ever list titles?
- Tag: Greco-Roman Literature!
- Tiptoeing Through Tulips.
- The Rustle of Death: An African Story About A Certain Tribe of Natives Called The Koros.
- Primary Menu!
- The Art of Prolonging Life: Exercise for Elderly People.
The two Peter Pan titles are a different size and Peter and Wendy has two sizes but also fit the bill. There are probably others.