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North American Review (NAR) was the first literary magazine in the United States. It was founded in Boston in by journalist Nathan Hale and leondumoulin.nlher‎: ‎University of Northern Iowa (United.
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The editors looked forward to a benevolent war and a prosperous peace that harmonized the interests of the government with that of industries and all citizens.

Mark Twain's Own Autobiography: The Chapters from the North American Review

Behind these bellicose arguments lay the editors' perception that some Americans remained unconvinced that war was necessary or desirable. For Freedom and Democracy, April The point. Seemingly this cannot now be achieved. Consequently we look — and hope and pray — for War to follow soon the great Message of Patriotism [seeking a declaration of war] which we have no question the President will deliver to Congress, to America and to all the world. We shall await with grimmest zest [Wilson's] recital of treaties broken, of wrongs done, of lies told, of treacheries bared, of insults borne, of murders committed, of all the most shameful shocking, mean and low practices against civilization, humanity and common decency recorded even in the history of barbarism, in the face of [U.

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We know now, if we have not known before, what this war is. It is the last of the great battles for Freedom and Democracy.

War Is "a Blessing, Not a Curse": The Case for Why We Must Fight

Personal government has disappeared forever from every part of the Western hemisphere. Can anyone doubt that the beginning of the end of absolutism is at hand;.

So mighty a change cannot be wrought in a month or likely in a year — and not at all unless and until the rulers of Central Europe shall yield to a world of freemen. Wholly aside, then, from the injuries and insults which America has endured at the hands of the [German] War Lord. Are we to permit others to finish the glorious work which we began. Shall we renounce our own professed ideals so completely that, at the end of the war, we may not deny.

Sign up to view the full answer View Full Answer. Why Join Course Hero? This is just a preview. In , the magazine moved from Boston to New York. The NAR went into hiatus until its revival in , when Cornell College bought the NAR and began publishing it with the approval of the corporation that then owned the magazine.

After its revival in , through today, the NAR has been a literary magazine as we think of it these days, focusing mainly on poetry, fiction, reviews of books and films, and nonfiction articles pertaining to the current scene, political and otherwise. Q: What is your current circulation, and who would you consider your target audience? A: The NAR circulation is in that industry niche—under 5, Our target audience are readers of literature. Our mission statement is: "At the North American Review, we work to make literature and art matter.

The North American Journal of Economics and Finance

Q: What were the most significant changes in NAR's style and guiding vision over the many years of its existence, and what, if anything, has stayed the same? Only the Saturday Evening Post is older. Perhaps the most significant change is that before , the NAR was probably more like today's Atlantic Monthly , a forum for political and social expression where poetry and fiction also appear.

The NAR's focus leans more heavily now toward literature and art, though we still pride ourselves on providing a forum for free expression about social, national, and international issues.

North American Review Part I

Q: How would you describe NAR's current aesthetic preferences and editorial mission? A: We simply strive to find the best in fiction, poetry, nonfiction, and art.

An International Journal of Contemporary Writing

We don't actively lean toward any aesthetic preferences other than that the work works. In poetry, the NAR is open toward experimental and avant-garde writing as well as more traditional verse, free verse as well as rhyme and meter. We like having different guest poets judge the James Hearst Poetry Prize each year because we want to expand our vision of poetry—we want to publish as many voices and types of poetry as we can. How many entries do you usually get, and what proportion are forwarded to the final judge? A: The initial screening is done by NAR staff members and also students of creative writing and literature at the University of Northern Iowa.

We make sure that every poem is considered by at least two readers as well as myself. We get about 1, poems each year and we send finalists to the final judge. Q: Contests currently dominate the poetry publishing scene, and have become the main way for most poets to get books published or achieve recognition. Leaving aside the economic reasons for publishers to run contests, do you think this trend has been good or bad for writers? How does the emphasis on contests affect the type of work that gets written and published?

A: I think the trend is good for writers because it increases the number of places where one can publish. At that time most of the poems we were getting matched what poets saw as the "NAR style. Q: The fine poetry in your most recent prizewinners' issue reminded me of Mary Oliver and Billy Collins , poets whose popularity has engendered criticism that their so-called "accessible" style talks down to readers. What do you think of this debate? A: That's a silly debate.