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Read 48 reviews from the world's largest community for readers. As a child she only finds contentment in playing the piano and wandering Autism in Fiction After two books Clare Morrall was on my "must buy in hardback" list and she's In this novel, we meet Jessica, a woman so much like me it was creepy at times.
Table of contents
She used to say that to me. Give yourself every opportunity for it to be good rather than an excuse or to sabotage it.
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Nicci- I just had a thought about those pre-show rituals that we talked of earlier. I have a little mantra I tell myself around how well I know the show before I go on. I do it before every show. Hamish- Well thanks so much for this wide-ranging conversation, I could talk all day with you two! Clare- No, you lose more money in Edinburgh, but hey, you gotta do something in August she laughs.
Huge big ups to Clare and Nicci for this interview. I wish the Piggies all the best and hope the show carries on and has a long and fruitful Life. Nicci is a freelance artist continually creating and performing works of various art forms.
She began her career with the Flying Fruit Fly Circus. She has performed in 12 different languages at numerous international theatres and festivals. She is a performer and co-devisor of the highly acclaimed show The Long Pigs nominated for 3 Green Room awards. We acknowledge the people of the Bundjalung Nation, traditional custodians of the land on which the Magazine originates and pay our respects to their elders past, present and future. The way we do things around here is that regardless of Age, Gender, Sexuality, Ethnicity our philosophy and our logo stands for inclusion, safety, connection and family.
Barefoot Bravery, Bolton and the Bush by Georgia The Manifesto 33 — Kareena Hodgson. On the Way of The Showman: Dinosaurs and The Manifesto 32 — Kareena Hodgson. Pick of the Net: Moscow Circus School The Manifesto 31 — Kareena Hodgson. Pick of the Net: Kateryna Nikiforova — Bounce Georgia Deguara Yuck Circus reports in from Edinburgh. The Manifesto 30 — Kareena Hodgson. Hand2Hand Incentive.
The Manifesto 29 — Kareena Hodgson. On the Way of The Showman: Secret knowledge Amidst the Chaos — Behind the Scenes video The Manifesto 28 — Kareena Hodgson. On the Way of The Showman: Explorations in The Manifesto 27 — Kareena Hodgson. The Manifesto 26 — Kareena Hodgson. Pick of the Net: Vintage Circus 2. Casus — DNA. Photo Gallery by Kate Pardey. The Manifesto 25 — Kareena Hodgson. World Acrobatics Magazine — Ralph Samuels.
The Manifesto 24 — Kareena Hodgson. Warehouse Circus: Social Perspectives Video. The Manifesto 23 — Kareena Hodgson. Pick of the Net: Jiemba Sands rocking Instagram. The Manifesto 22 — Kareena Hodgson. On the Way of The Showman: Esoteric vs Interview with Lynne Kent. The Manifesto 21 — Kareena Hodgson. Strawberry Siren Feature Interview. The Manifesto 20 — Kareena Hodgson.
Running a Circus Festival? How Hard Could it The Manifesto 19 — Kareena Hodgson. Jess Love Interview. The Manifesto 18 — Kareena Hodgson.
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The Manifesto 17 — Kareena Hodgson. The Manifesto 16 — Kareena Hodgson.
The Manifesto 15 — Kareena Hodgson. The Manifesto 14 — Kareena Hodgson. The Manifesto 13 — Kareena Hodgson.
Fifty @ Fifty
NICA : Class of The Manifesto 12 — Kareena Hodgson. The Manifesto 11 — Kareena Hodgson. Mullum Music Festival — Photo Gallery. From The Carnival Cinema Archives.
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The Manifesto 10 — Kareena Hodgson. Art in The Hills. The Manifesto 9 — Kareena Hodgson. Carnival Cinema Gathering Brisbane The Manifesto 8 — Kareena Hodgson. Dragformation by Aaron Walker — Photography Feature. Pick of the net: Rudi Mineur Snr — The Manifesto 7 — Kareena Hodgson. I wanna do that, What you do, How On the way of the Showman: Time Travel. Pick of The Net: Storrorblog Parkour. The Manifesto 6 — Kareena Hodgson. Pic of the Week: Hot Brown Honey. Where do Women exist? I liked the description of the story and so thought I will get the book.
I have wanted to read it for a while now, and so now I thought I will read it as part of the British Women Writers series. Here is what I think. Jessica has a grown up son who is in his middle-twenties, has his own business and lives with her. Jessica is single. One day Jessica gets an email from her ex-husband Andrew, who says that he wants to meet her. Most of the time, when an author writes a book which has a classical music backdrop, I find that the description of music is very general and very soon the story explores love, death or other themes and the music part of the story is ignored.
It is a difficult art and Morrall is an expert at it. It must have helped that she is a music teacher too. This was one of the first musical passages which made me fall in love with the book. The violin player started to play sections of concertos — Tchaikovsky, Sibelius, Beethoven — carelessly, tossing them off into the air like quick flurries of rain. Each one swirled around in the wind for a few seconds, sharp but brilliant, uncertain whether to settle for a serious downpour or move away and give up. For a book which I fell in love with, it also made me angry, quite angry.
There were many scenes in the story where the heroine Jessica gets bullied by different people and it continues till the end, till she learns to resist them and fight back. I hate bullies and I hate nice people being bullied and the scenes where Jessica suffers at the hands of bullies were quite realistic and they made me quite angry.
I am normally quite calm and never get angry when I read a book, but this was an exception. I liked the old-fashioned way of storytelling that Clare Morrall had adopted. It almost read like a Victorian novel written in modern language. All the characters were well fleshed out. Traditional storytelling, interesting characters, beautiful prose, musical backdrop, powerful scenes which make one angry and happy and sad, an ending which had a surprise but which was also very satisfying — what else does one need?
I want to read all of them. I will leave you with some of my favourite passages from the book. I was fascinated by the way people changed when they dressed up, became someone different. They shimmered and glittered and it was like placing them in front of a mirror, turning them through degrees, and finding them altered when they came back.
The same people, the same features, but subtly different. The nose that had seemed too big became elegant, the lips that protruded too much became full and individual. Skinny people became slim, fat people warm and shapely. I began to see what attracted people to each other. A glistening aura that was not normally on show. Her left hand started to stroke the repeated A flats with a gentle insistence, establishing a constant presence, but taking a passive role, hardly there at all. The right hand sang out, cantabile, easing its way through the simplicity of the melody.
Rubato, indulgent, taking its time. Each phrase rose and fell, shaped and polished with love.