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Congress United States. Congress. When an hour went by and the stillness became nerve wracking, a young The sweet notes of that Christmas melody floated over “no man's land. CHRISTIAN SPIRIT REPLACES GUNFIRE Both Americans and Germans held up their hands. “We are not interested in killing you.
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Sethe has been saved from the gallows by white Abolitionists and is later freed from jail with their help. She has resumed her life in Cincinnati with her surviving daughter, Denver, with whom she was pregnant when she fled Kentucky. One day, a strange, nearly silent young woman a little older than Denver materializes at their door. Known only as Beloved, she moves into the house and insinuates herself into every facet of their existence. She had to be safe and I put her where she would be.


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For midth-century readers, one of the most striking things about Ms. It was in just such a setting that Ms. Morrison herself was reared. George Wofford was a shipyard welder who took such pride in his work that, according to many accounts of Ms. Young Chloe grew up in a house suffused with narrative and superstition.

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At 12, Chloe joined the Roman Catholic Church. She took the baptismal name Anthony, becoming known as Chloe Anthony Wofford. That name would be the seed from which her nickname would spring a few years later, when she was an undergraduate at Howard University in Washington. She began calling herself Toni then, she said, because her classmates found the name Chloe bewildering.

She taught English for two years at Texas Southern University, a historically black institution in Houston, before returning to Howard as a faculty member. There, she joined a fiction workshop and began writing in earnest. Required to bring a sample to a workshop meeting, she began work on a story about a black girl who craves blue eyes — the kernel of her first novel.

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In , she married Harold Morrison, an architect from Jamaica; they were divorced in In interviews, Ms. Morrison rarely spoke of the marriage, though she intimated that her husband had wanted a traditional s wife — and that, she could never be. Really wrong. She was so black. She scared me. Yeah, I wanted to focus in this book about the confusion there is about race. So I wandered her journey to be about becoming a three-dimensional human being.

I even thought of giving her away to an orphanage someplace.

Hemingway on War and Its Aftermath

And I was scared to be one of those mothers who put their babies on church steps. Let the reader enter with his or her own imagination, and that makes us co-conspirators as it were, together, the reader and me. Book narration: Simply dumbstruck by her beauty. Booker stared open-mouthed at a young blue-black woman, standing at the curb laughing, her hair like a million black butterflies asleep on her head.

He put the trumpet to his lips. What emerged was music he had never played before: low muted notes.

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Held long, too long, as the strains floated through drops of rain. Unlike Nick Adams and Howard Krebs, who return stateside after the war, Barnes remains in Europe, joining his compatriots in revels through Paris and Spain. Many regard the novel as Hemingway's portrait of a generation that has lost its way, restlessly seeking meaning in a postwar world. The Hemingway Collection contains almost a dozen drafts of the novel, including four different openings—examples of a burgeoning, hardworking, and exceptionally talented young novelist.

His second novel, A Farewell to Arms , is written as a retrospective of the war experience of Frederic Henry, a wounded American soldier, and his doomed love affair with an English nurse, Catherine Barkley. Hemingway rewrote the conclusion to A Farewell to Arms many times. Among the gems of the Hemingway Collection are the 44 pages of manuscript containing a score of different endings—which are often used today by visiting English teachers to provide their students with a glimpse of Hemingway the writer at work. At a recent Kennedy Library forum, author Justin Kaplan noted the number of delicate changes Hemingway made to the novel's last paragraphs.

When asked once why he did so, Kaplan recounted, Hemingway responded "I was trying to find the right words. After reading an early draft, F.

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Scott Fitzgerald suggested Hemingway end the book with one of its most memorable passages: "The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure that it will kill you too but there will be no special hurry. Though World War I is more backdrop than cause to this tragedy—Catherine's death in the end is brought about through childbirth not warfare—the novel contains, as seen in the following passage, a stark critique of war and those who laud it:.

Much of the literature decrying World War I came from British poets, many of whom perished in battle. In A Farewell to Arms, Hemingway added his voice to the chorus, expanding the message to an American audience whose citizenry had not suffered nearly the level of war losses as its European allies. To appreciate the stance that Hemingway took, according to Gail Caldwell, one has to understand how revolutionary it was in light of the Victorian understanding of patriotism and courage. Commenting on the days and months he spent writing the novel, Hemingway wrote his editor, Max Perkins , that during this time much had occurred in his own life, including the birth of his second son, Patrick, by Caesarian section and the suicide of his father.

Making the country and the people and the things that happened I was happier than I had ever been. The fact that the book was a tragic one did not make me unhappy since I believed that life is tragedy and knew it could only have one end. But finding you were able to make something up; to create truly enough so that it made you happy to read it; and to do this every day you worked was something that gave a greater pleasure than any I had ever known. Beside it nothing else mattered.

Hemingway had an enduring love affair with Spain and the Spanish people. He had seen his first bullfight in the early s, and his experience of the festivals in Pamplona informed his writing of The Sun Also Rises. The Hemingway Collection contains the author's personal collection of bullfighting material, including ticket stubs, programs, and his research material for his treatise on bullfighting, Death in the Afternoon.

So it is not surprising that as fascism spread throughout Europe, Hemingway took special interest when civil war broke out in Spain. Hemingway first encountered fascism in the s when he interviewed Benito Mussolini , a man he described as "the biggest bluff in Europe. In fact, Hemingway dated his own antifascism to and the murder of Giacoma Matteotti, an Italian Socialist who was killed by Mussolini's Fasciti after speaking out against him.

In Spain, Francisco Franco , with support from Germany and Italy, used his Nationalist forces to spearhead a revolt against the government and those loyal to the Republic. When civil war broke out, Hemingway returned to Spain as a correspondent for the North American Newspaper Alliance, serving, at times, with fellow journalist Martha Gellhorn , who would become his third wife. While in Spain, Hemingway collaborated with famed war photographer Robert Capa.


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  • Capa's photographs of Hemingway during this period are now part of the Hemingway Collection's extensive audiovisual archives of more than 10, photographs. Hemingway's coverage of the war has been criticized for being slanted against Franco and the Nationalists. In a letter to Carlos Baker, Hemingway explained it this way.

    I tried to understand and evaluate all five very difficult and belonged to none. I had no party but a deep interest in and love for the Republic. In Spain I had, and have, many friends on the other side. I tried to write truly about them, too. Politically, I was always on the side of the Republic from the day it was declared and for a long time before. Despite his sympathies for the Loyalist cause, he is credited for documenting in this novel the horrors that occurred on both sides of that struggle.

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    The novel's protagonist, Robert Jordan, an American teacher turned demolitions expert, joins an anti-fascist Spanish guerrilla brigade with orders from a resident Russian general to blow up a bridge. For author Gordimer, what is remarkable about the novel which she describes as a cult book for her generation is that Jordan takes up arms in another country's civil war for personal, not ideological, reasons. In the novel, Hemingway suggests that Jordan has no politics. Instead, his dedication to the Republic is fueled, in Gordimer's words, by a "kind of conservative individualism that collides in self-satisfaction with the claims of the wider concern for humanity.

    The bridge gets destroyed, his compatriots flee, and Jordan is left behind, injured, to face certain death at the hands of the approaching fascist troops. It is perhaps because of his commitment to action that Jordan became such a cult figure for his times.

    In his own words from the novel: "Today is only one day in all the days that will ever be. But what will happen in all the other days that ever come can depend on what you do today. It's been that way all this year. It's been that way so many times. All of war is that way. In Hemingway agreed to edit Men at War, an anthology of the best war stories of all time. With the United States now at war, Hemingway remarked in the introduction: "The Germans are not successful because they are supermen. They are simply practical professionals in war who have abandoned all the old theories.