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Jump to The Chosen One - A Slayer, in the television series Buffy the Vampire Slayer and Angel is a the demons, and the forces of darkness. She is the Slayer. — The opening narration in seasons 1 and 2 of Buffy the Vampire Slayer.
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If one broadly defines authorship as creating meaning in a work of art, then its authors include all the people responsible for producing the narrative from which the shots are drawn: the actors, the episode directors, the various members of the crew, the writers, etc. Under the guidance of Whedon, several individuals more directly created the opening title sequence.
WB television network executives tried to get him to change the title to Slayer Havens Having the metaphor to work with makes the show better, and having the silly title makes the show cooler. Havens 33 Later, the network would market the series as Buffy. The Buffy font, so easily found as freeware on the net, was actually a custom -designed logotype. The font used to represent her monstrous enemies and her calling is machine-made, uniform, and sharp -edged. The font for her name looks like it has been scrawled in chalk.
Each letter remains separate from the others, printed rather than cursive. The font suggests the high school setting, but it also implies that even her signature has been written by another. Teachers are the ones who most frequently use chalk to write on blackboards. The font suggests that her social circumstances control her. After all, Buffy is The Chosen One, not the choosing one.
She makes sacrifices to retain her identity as a high school student. During the first season, her death is preordained. During the second, duty demands that she kill her lover. The type suggests that Buffy has her life written for her more than she writes her own life. First to coalesce into coherence is her name, then her enemy, and then her duty.
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There are several Buffys, vampires, and slayers. Stray drips mark the start and end of each brushstroke. Those letters are uniform, with sharp edges, gothic influences, and clean straight lines. These two fonts do not easily coexist easily. This signifier of personal identity penetrates that of the social role, even as the public constructs the private. I ndividuality and conformity war in this signifier of the series, as do the human and the monstrous. Both sounds have strong associations with the horror film canon.
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The moon in the night sky during the next shot is overlaid with upside down type. Superimposed on the setting sun center screen, two letters are struck out, suggesting a typewriter rather than a printer. Archaic script is matched to sounds from the horror tradition. When that audio track then smash cuts to frenetic and loud surf punk music, it evokes the clash between the canonical horror story and this new breed of television horror. This sequence promises outsider audiences a new breed of storytelling, but one still aware of its roots.
Buffy the Vampire Slayer
One brief shot in the rapid -fire transition to the credit sequence shows a hand holding a book titled Legends of Vishnu. Light shines on the cover of the book, illuminating the letters in this black and white close-up. It remains in the opening title sequence for the entire series. Repetition enhances the possibility of catching the meaning of this flashed book title. And DVD playback systems permit frame -by-frame advancement.
He is thought [of] as the preserver of the universe while two other major Hindu gods Brahma and Shiva, are regarded respectively, as the creator and destroyer of the universe… …The concept of Vishnu being the preserver of the world came relatively late in Hinduism. Presumably, it sprang from two other beliefs: that men attain salvation by faithfully following predetermined paths of duty, and that powers of good and evil gods and demons are in contention for domination over the world.
When these powers are upset, Vishnu, it is further believed, descends to earth, or his avatar, to equalize the powers. Further, it is thought that ten such incarnations or reincarnations of Vishnu will occur.
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Nine descents are said to have already occurred, the tenth is yet to come…. He has a thousand names and their repetition is an act of devotion. Every other image in that dream references events and characters to come. More general connections include the fact that the Slayer is a figure of a thousand names devoted to saving the world, not to changing it, not until the series finale, at least.
The tradition of elevating local heroes to become gods in the Hindu pantheon fits the series as well. Several other natural objections present themselves. Yet he has also said that viewers can validly find God in his narratives Stevenson Another objection would be that the connections between Vishnu and Buffy might be simply the result of similarities in the underlying structures of all heroic narratives.
It may simply be more supernatural window -dressing, despite the relevance of the other images in her first prophetic dream. If Vishnu has a thousand names, should we read the series as implicitly adding Buffy to that list? Me, me, me! Playing the title character, Sarah Michelle Gellar is always the first actress listed. During the first two seasons, shots that showcase the setting, iconography, and monsters of the series interrupt her character study.
By the third season, her character study is uninterrupted for eight shots. She starred in Cruel Intentions Columbia Pictures, , which was released during the end of season three. Just three to six shots are typically given to the other character studies, even for actors popular with the fans, such as Nicholas Brendan, James Marsters, and Head. The number of shots varies little over time in those sequences as well. By the third season, her character study lasts through four shots without disruption. By their nature, they emphasize the worth of an individual as being measured by their earning power.
Yet, the opening credits of BtVS do have egalitarian qualities. During the first five seasons, every performer but Head in the opening credits has just their name superimposed over three shots of their character. That suggests that Gellar, Brendan, and Hannigan are their characters, on some level. One important pleasure is watching the creative team successfully solve a seemingly intractable problem, just like their characters do. The creators strategically make the audience more aware of the separation between performer and role after using the credits to make viewers less aware of that same distinction.