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Capa blows the airlock, separates the bomb from the ship, which explodes, and enters the payload, where he finds Cassie.

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Pinbacker ambushes them, telling them God ordered him to send all humanity to Heaven. As they hurtle into the sun, Capa escapes Pinbacker, reaching the bomb controls. Unsure if it will work under these extreme conditions, he watches as the bomb begins to successfully ignite at the edge of the sun itself. Back on the frozen Sydney Harbour , Capa's sister witnesses the sun returning to its full power. In March , following the completion of Millions , [24] director Danny Boyle was briefly attached to direct Degrees , a Warner Bros.

Opposition from surviving victims and firefighters prevented the project from entering production. Producer Andrew Macdonald , working with Boyle and Garland, pitched the script to 20th Century Fox , who were reluctant to finance the film based on its similarities to the remake Solaris , which performed dismally for the studio. The project was instead financed by Fox's specialised film unit Fox Searchlight Pictures.

Boyle and Garland worked on the script for a year, spent a second year preparing for production, filmed for three months, and spent a third full year editing and completing visual effects for Sunshine. Director Danny Boyle chose to have an ensemble cast for Sunshine to encourage a more democratic process, similar to the ensemble cast in Alien. Boyle also chose to have the cast be international in order to reflect the mission's purpose "on behalf of all mankind". To prepare the international actors for the film, Boyle had the cast undergo method acting.

He also enrolled the cast members in space training and scuba diving, as well as watching films together, [32] such as The Right Stuff and the documentary For All Mankind He also had the cast experience weightlessness in the zero G environment of an acrobatic plane. Cast members operated a Boeing flight simulator and were introduced to futurologist Richard Seymour.

The director sought to manifest the effect by showing the Sun's awesome, radiant power influencing the psyches of the ship's crew. Screenwriter Alex Garland was inspired to write Sunshine based on scientific ideas about the heat death of the universe , [37] specifically "an article projecting the future of mankind from a physics-based, atheist perspective", according to Garland. Boyle also considered the story of Sunshine as a counterintuitive approach for the contemporary issue of global warming , with the death of the Sun being a threat.

Boyle described the Sun as a godlike personality in the film, creating a psychological dimension for the astronauts due to its scale and power. The story was also written in part to reflect the brilliance and "necessary arrogance" of real life science when the world's scientists are presented with the crisis that threatens Earth. Scientific advisers, futurists , and people who developed products for the future were consulted to shape an idea of the future.

To shape the science of the film, Boyle and Garland hired scientific advisers, including NASA employees and astrophysicists. In the film's backstory, a Q-ball enters and is caught in the Earth's Sun, and begins to eat it away. According to Cox, the Sun would not be dense enough in real life to stop a Q-ball, but filmmakers took creative licence in writing the backstory.

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He also dismissed criticisms of the film by scientists: " Sunshine is not a documentary. It's trying to just, in an hour and forty minutes, get across a feeling of what it's like — not only to be a scientist, because obviously there's much more in it than that. So, I found it interesting to watch the kind of people that get upset because the gravity is wrong.

Boyle originally included romantic subplots, [44] including a sex scene planned between the characters Capa Murphy and Cassie Byrne in the ship's oxygen garden. So there's not much room for comedy or sex — everything is waiting to destroy you", explained Boyle. Slow motion during weightlessness was inaccurately portrayed; the director had discovered this when riding the Vomit Comet , but he kept the slow motion to meet audiences' expectations.

Another purposeful inaccuracy was the "whooshing" of the ship, despite there actually being no sound in the vacuum of space; Cox later mentioned in the BBC's Stargazing Live programme in January that this was simply because without accompanying sound, the CGI shots seemed "cheap".

The film's scientific content has been criticised by specialists. Similarly, solar physicist Anjana Ahuja , a columnist for The Times , commented on the lack of source of artificial gravity on board the spacecraft, saying "Danny Boyle could have achieved the same level of scientific fidelity in Sunshine by giving a calculator to a schoolboy".

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Ahuja was, however, more positive about the psychological aspect of the film, joking that "the psychology of extended space travel is covered well, although we could have done with a space bonk ". Filming for Sunshine took place at 3 Mills Studios in east London. An elaborate set was constructed, containing eight stages, 17 sets, and detailed models. The filmmakers employed three film units.

To increase the feeling of claustrophobia in Sunshine , Boyle refused to cut back to scenes on Earth, a traditional technique in most films about the planet in jeopardy. The director also maintained an atmosphere of confinement in Sunshine by avoiding filming the primary ship, Icarus II , from the outside. There are only a few outside shots of the ship. A scene in a snow-covered park with three stone monoliths was a homage to a similar scene in A Space Odyssey.

The scene was filmed at a May Day memorial in Stockholm , Sweden. The Opera House, according to the director, possessed a "heat-thing" quality that decided it as his choice for a final establishing shot on Earth. The snowy territory of the final scene was shot in Stockholm, Sweden, and a composite shot was created combining Stockholm's background and the Sydney Opera House. The alternative ending became available on the DVD of Sunshine. The presspack says that the claustrophobic environment in the film was inspired by Wolfgang Petersen 's Das Boot Filmmakers consulted NASA in designing the scientific aspects of the film.

Technical specifications for the ship were provided in order to make it more realistic. An oxygen garden was also recommended to provide oxygen for the ship and to enable the crew to grow their own food rather than rely completely on pre-packaged sustenance. The gold-leaf shielding in Sunshine was influenced by NASA satellite designs for deflecting heat and other forms of radiant energy.

Boyle designed the gold-coloured space suits along these lines despite persistent encouragement to model them after the NASA template. The helmets were designed to have cameras mounted in them. This further enhanced a sense of claustrophobia useful to the actors in delivering more heartfelt performances. Boyle included " Icarus " in the name of the ship to continue a theme of bleakness, opining that no American would give their craft such an ill-fated name. They'd call it something optimistic Cinematographer Alwin H.

Scenes were intended to be shot inside the ship at long intervals, and when the shot changed to the outside, yellow-starved audiences would be "penetrated" by sunlight.

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In a scene where Cillian Murphy's character dreams of falling into the Sun, the actor was placed in a gantry around which 20 assistants rotated an assembly of bright lights. In another scene in which a character dies from solar exposure among the ashes from cremated bodies, massive wind turbines propelled biodegradable dust at the actor in the director's attempt to have the computer-generated effects follow the actor instead of vice versa.


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The assignment of a single company was contrary to the industry trend of hiring multiple vendors to work on a film's effects. Boyle chose one company for ease of quality control, though the decision resulted in a prolonged post-production process. When the film was mostly complete, director Danny Boyle provided the footage to the band Underworld , who improvised a score.

Lux Aeterna by Ligeti particularly influenced Hyde. The final result was a hybrid product of Underworld and Murphy's efforts. Despite high praise for the score from fans of the film, a soundtrack release was significantly delayed. This was partly due to "disputes" between the lawyers of Underworld and Fox Searchlight. Sunshine was originally slated for a theatrical release in October , but the release was later changed to March The film was finally set to debut in April The film was originally slated to be released in the United States in September , but the release date was moved earlier to July Following its cinematic release in theatres, the Region 2 Code widescreen edition of the film was released on DVD in the United Kingdom on 27 August Extras include deleted scenes with audio commentary by Danny Boyle; alternative ending; web production diaries; two short films — Dad's Dead and Mole Hills with an intro by Danny Boyle; audio commentary by director Danny Boyle; and an audio commentary by Dr.

Brian Cox , University of Manchester. A Blu-ray version was released in the UK in October of the same year.


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Special features include deleted scenes with optional commentary by director Boyle; web production diaries; 2 short films with introduction by Boyle; commentary by director Boyle; commentary by Dr. Brian Cox, University of Manchester; enhanced viewing mode with the filmmakers of Sunshine ; Journey Into Sound — surround sound enhancement; and the theatrical trailer in high definition. The film was moderately well received in the UK by critics. Among mainstream critics in the US, the film received generally positive reviews.

Sunshine fulfills the dual requisite necessary to become classic sci-fi: dazzling visuals with intelligent action. Sean Axmaker, writing in the Seattle Post-Intelligencer , said the film presented a "visionary odyssey with a grace and awe and visual scope that calls to mind Stanley Kubrick's A Space Odyssey for a new millennium, with echoes of the industrial grunge and crew friction of Alien , the greenhouse ecology of Silent Running , even the unraveling sanity of Dark Star.

This film reflects education excellence. Mark Tildesley's sensible, not-too-futuristic sets, lensed with cool reserve by Alwin Kuchler. Conversely, writing for the San Francisco Chronicle , Mick Lasalle bluntly noted that the motion picture starts out "bad" and later "gets worse". He summed up his displeasure by stating, " "Sunshine" has nothing to offer, and this nothing is going to be offered relentlessly and earnestly, like a holy missive.

Unenthusiastic, she affirmed, "There are the predictable malfunctions that compromise the space craft, the banal speechifying about the fate of mankind, the issue of who will live and who will die. Who cares? The characters are so sketchily drawn that it's hard to keep them straight, let alone get worked up about their survival. It cheapens the sentiment, and the film doesn't recover. Nathan Lee of The Village Voice said the film "works despite feeling both over-familiar and over-ambitious.

It crescendos with a legitimate sense of wonder if not profundity thanks in large part to the luminous and uncanny score by electro legends Underworld. While we don't get the ticklish conceit of Scottish profanities in the celestial outer realm, we do get something surprisingly consoling: a deep sense of the humanity that we always carry with us, no matter how far we venture from home. The film was released everywhere else in the two countries the following weekend of 27 July The film won the award for Best Technical Achievement from the British Independent Film Awards and was nominated for several other awards in — From Wikipedia, the free encyclopedia.

Theatrical release poster. John Murphy Underworld.

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Main article: Sunshine: Music from the Motion Picture. Underworld and John Murphy. British Board of Film Classification. Retrieved 19 December The Hollywood Reporter. Archived from the original on 30 September Retrieved 21 September Box Office Mojo. Retrieved 29 July Sunshine [Motion picture] Production Notes.

United States: Fox Searchlight Pictures. The Scotsman. Retrieved 20 July Innovations Report. Archived from the original on 25 May Daily Record.