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Browse Index Authors Keywords. Follow us RSS feed. Newsletters OpenEdition Newsletter. In collaboration with. Poe repeats the name of his lost lover, Annabel Lee, many times in the poem at least once in each stanza. He also uses many words with similar sounds to create unity and rhythm throughout the poem. Example 3 I trust the sanity of my vessel; and if it sinks, it may well be in answer to the reasoning of the eternal voices, the waves which have kept me from reaching you.


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The consonance between the three images helps to connect them aurally. Foil In fiction, a foil is a character that possesses qualities which are in sharp contrast to those of another character. This highlights the traits of the other character. Foil is a term that is generally employed to develop a contrast, and draw a comparison to show a difference between two things.

In literature, we observe that a foil is a secondary character that contrasts with a major character and enhances the significance of the major character.


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    4. Significance of Foil in Literature In literature, a foil is of integral value for the portrayal of certain traits in characters. Difference Between an Antagonist and a Foil A foil is a human character in a literary work. An antagonist is an opposing force, negative character, or destructive situation which necessarily works against the plans and schemes of the protagonist.

    A foil lacks something in terms of important qualities which are possessed by the protagonist and in this way that the readers notice the significance of those qualities in the protagonist even more. It is important to note that an antagonist can also be a foil. To better understand the difference between an antagonist and a foil, take a look at the following examples of the two: I.

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    The sharks in the novel are antagonistic forces, as they undo all the hard work by Santiago, the protagonist of the novel. He fights against them to protect the fish that he has killed and hooked and to claim his victory fully, but to no avail. Bingley in Pride and Prejudice is a foil for Mr. The former is a rather naive character, and lacks certain positive qualities which the protagonist possesses.

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    Bingley is not necessarily an opponent of Darcy; rather the two are very good friends of each other. So, he is a foil for Darcy, but not an antagonist. Hetty wants to be admired and have a rich husband. She is a spoiled girl, unrealistic and proud of her beautiful looks. Contrary to this character, the closest girl to her, Dinah Morris, is a well-rounded character as she is realistic, sensible, and a responsible lady. The novelist presents a sharp contrast between the two with the help of these opposing traits.

    Due to the missing qualities in Hetty Sorrel, the reader is made to realize the significance of good qualities in and sublimity of Dinah Morris, who otherwise could have been completely overshadowed because of the awesome beauty of Hetty Sorrel.


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    Example 2 Shakespeare employs a foil in Othello by showing a sharp contrast between Desdemona and Emilia. Contrary to this leading character, Emilia is cunning and a worldly character, and helps her husband Iago in his evil plot against Othello. Only towards the end of the play does Emilia feel regret at having wronged Desdemona and Othello, but by that point, the reader is in a position to see the sharp contrast between the two female characters.

    Definition of Mood As a literary device, mood is the emotional feeling or atmosphere that a work of literature produces in a reader.

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    All works of literature produce some sort of emotional and psychological effect in the audience; though every reader may respond differently to the same work of literature there is often a similar type of mood produced. For example, in a thriller most readers will feel some sort of suspense, while dramatic novels may produce a sense of sentimentality. Authors use many different factors to create mood, including setting, theme, voice, and tone.

    Difference Between Mood and Tone Though mood and tone are related and often confused, they are very different literary devices. Thus, the difference can be understood in this way: tone is how the author feels, while mood is how the reader feels. Politicians use their speeches to create a certain feeling in the audience, including everything from hope to anger.

    Politicians try to provoke these feelings to advance their own agendas, win votes, sway opinions, and so forth. Advertisers also try to produce certain emotions such as nostalgia or fear to influence customers to buy their products. Here are examples of mood in these two cases: Political speeches In his presidency, Barack Obama has given speeches to arouse many different types of moods. In this first example, he is trying to make his listeners feel hopeful and united: The pundits, the pundits like to slice-and-dice our country into red states and blue states; red states for Republicans, blue states for Democrats.

    There are patriots who opposed the war in Iraq and there are patriots who supported the war in Iraq. We are one people, all of us pledging allegiance to the stars and stripes, all of us defending the United States of America. We do not have time for this kind of silliness. Advertisements Many advertisements, such as the following one from Listerine in the s, try to inspire fear in the consumer so they will think they need a certain product so as not to fail: Jane has a pretty face.

    Men notice her lovely figure but never linger long. Because Jane has one big minus on her report card — halitosis: bad breath. Other advertisements try to make customers think about how much happier they will be when they have the product. Coca Cola: Open happiness. Holiday Inn: Pleasing people the world over. Readers often appreciate literature more when the emotional and psychological payoff is greater.

    However, if the book establishes good characterization and the reader feels a connection to a particular character, the reader will be much more affected emotionally if the character dies later in the book.

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    All literature creates some sort of feeling in the reader, whether it is positive, negative, or neutral. Even indifference is an example of mood. The mood that a work provokes often changes many times throughout the book. So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee. Shakespeare does this by describing his feelings of eternal passion for his beloved. The mood that this poem provokes in the reader is generally one of sadness and nostalgia. This exchange provokes a feeling of bemusement in the reader.

    Epiphany Sometimes we face life-changing incidents in our lives, when we get a sudden realization or an insight into reality in a new way that alters our whole perception and mindset about that particular thing, idea or incident. Following this revelation, we change our actions. This sudden realization, thought or an insight into something or someone in literary works is known as a moment of epiphany.

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    Epiphany as an intuitive perception awakens our consciousness about something good. For example, for Hamlet this moment comes at the end when it dawns up him that his doubt about Claudius is true. In a narrative, this is the defining moment in the life of a character. Another important function of epiphany is to give a character a new vistas of perceptions about others, about the situation he is living in, or about the culture, he is going to live in.

    It could also be an indication of how the story is going to conclude and provides a rationale how a plot will twist. Besides, it can reveal the strengths and weaknesses of the characters.

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    Street lights winked down the street all the way to town. I had never seen our neighborhood from this angle. I could even see Mrs. One time he said you never really know a man until you stand in his shoes and walk around in them. This is an example of epiphany, where entire plot reveals awakening of her consciousness.

    Scout felt herself grown up, and experienced at this point in her life. How like a mirror, too, her face.

    Impossible; for how many people did you know who reflected your own light to you? People were more often—he searched for a simile, found one in his work—torches, blazing away until they whiffed out. Montag, the protagonist, comes to know how dull and meaningless his life is through the conversation of a young girl, Clarisse. This makes him realize that he needs to reform his life. He seeks solace and answers through banned books.