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Knight and Day is a American action comedy film directed by James Mangold and starring Tom Cruise and Cameron Diaz. The film was the second.
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June adjusts her clothed breasts while looking in the mirror. She wears a few formfitting and cleavage-revealing outfits—as do other female characters.
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In a semi-sensual sequence, June swings around to straddle Roy while on a speeding motorbike so she can shoot at men in cars behind them. Even the bravest parents feel timid about discussing sex with their 8- to year-olds! This resource offers reassuring, humorous, real-life anecdotes along with reliable information to help you with this challenging task.
The cars smash and burn, prompting Roy to crow, "You've got skills! And he uses them liberally to kill with abandon, giving the impression that that's just what super-secret government agents do. For instance, as the movie opens with June in the plane's restroom , Roy battles a dozen other passengers who all turn out to be agents. They go for the jugular, but Roy gives better than he gets, slamming heads and faces into windows and overhead bins, pummeling people with seats and seat belts, even strangling a guy with oxygen mask tubes.
He shoots a pilot with a silenced pistol. Roy cautions June early on that now that she's met him, the government boys will soon come a-callin'. And that when they start repeating the mantra of keeping her "safe and secure," what they really mean is they intend to kill her. There's not a lot of blood on display, but explosives, well, explode , guns blaze, knives impale and fists pound throughout.
When agents pick up June, Roy becomes a one-man demolition squad in his attempts to save her. He shoots some of her captors in the head, leaps on the hood of a moving SUV and proceeds to take out other pursuing vehicles by sharpshooting their occupants or pumping bullets into their gas tanks until the vehicles detonate, tumble and crash. Then Roy shoots June's ex-boyfriend in the leg.
And then he takes out a series of masked assassins with automatic weapons. And then … and then … and then …. The gunfire and death-dealing is so constant that a shaken June turns to her "rescuer" and pleads, "Please, stop shooting people! Much like modern moviegoers, though, she eventually gets used to the carnage.
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She even starts applying a few of the pointers she's picked up from all the killing, breaking out of an assailant's grasp and "accidentally" impaling him with a butcher knife. We see the bad guy gruesomely pull the long blade out of his chest before he's pushed through a window and hit by a train.
An assassin brutally stabs a man in the back. Roy removes his shirt after one battle to reveal a long gash at his waist. He also appears to be shot several times; we see one bloody chest wound up close. A plane riddles a small island with bullets and explosives as June and Roy run for their lives.
Charging bulls ram into a small car, sending it and its passengers tumbling. One f-word and a half-dozen s-words. Everybody who's anybody gets drugged at one point or another. Roy slips June some kind of knock-out drug on two occasions. June returns the favor by drugging an injured Roy so she can get him out of a hospital to safety. Another agent has a hypodermic needle full of some deadly mixture plunged into his neck during a struggle.
June drinks small bottles of alcohol on the plane. Roy whips up a few mixed drinks for them to share, too. Later, people drink wine and hard liquor on a train and at a wedding reception.
'Knight and Day': Too Much Nonsense for One Movie - The Atlantic
June chills a bottle of wine in her hotel room and joins Roy for a glassful. On the face of things, there's something very appealing about a movie like Knight and Day. Part of it is the film's jet-setting save-the-world intrigue combined with whiz-bang adventure.
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Another likable side is the comedic tug and pull of a love story between an enigmatic spy and a pretty-but-frazzled gal-next-door. As for the spy himself, he's completely poised and affable with almost superhuman spy-guy chops. A fellow who can be bound and swinging upside down in a dungeon torture chamber and still assure you with, "I got this. I'll be down in a couple minutes. The whole cinematic affair bops along from tropical isle to the Austrian Alps with a kind of "wait till you see what we've got up our sleeves" charm that fits the current Hollywood action-comedy formula to a T.
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But while it's tempting to want to chomp on your popcorn and just take a carefree ride on the espionage back-flips and playful charm, I quickly came to the conclusion that I shouldn't. There was something else wrong here beside that popcorn husk stuck in my gum. He's presented as a guy who'd take a bullet for you. Or at least he'd take a bullet for somebody as pretty as Cameron Diaz. But what about the dozens of people he puts bullets in? What about the nice-guy fireman he plugs?
Or all the government men who aren't really bad guys, just working agents like Roy, serving God and country? All too often there's a smudging of the crisp lines of right and wrong when it comes to a high-flying actioner like this. And we rationalize away a hero who'll blot out a life without a moment's hesitation because, well, a spy's gotta do what a spy's gotta do. Roy'll do the right thing in the end … right? I can't help wondering if there aren't already more than enough things in life that are nudging us toward moral ambiguity. Do our heroes really need to be smudgers as well? James Mangold.
Bob Hoose.
Knight & Day
Plugged In helps college student stand-up for his belief "Thanks for the great job you do in posting movie and television reviews online. Watch This Review. We hope this review was both interesting and useful. Please share it with family and friends who would benefit from it as well. Movie Review Looking at herself in the mirror of an airliner bathroom, June isn't sure how to deal with her current situation. June has always been a sucker for a handsome guy with a sense of humor. Positive Elements Roy is a government agent with a license to kill, and he doesn't hesitate to use it.
Spiritual Content. Sexual Content There's a very apparent chemistry between June and Roy. Recommended Resource. Buy Now. Violent Content The cars smash and burn, prompting Roy to crow, "You've got skills! And then … and then … and then … The gunfire and death-dealing is so constant that a shaken June turns to her "rescuer" and pleads, "Please, stop shooting people!
Crude or Profane Language One f-word and a half-dozen s-words. Drug and Alcohol Content Everybody who's anybody gets drugged at one point or another. Other Negative Elements. Having crashlanded the plane in a cornfield with a certain type of sang-froid equidistantly poised between Cary Grant and Leslie Nielsen, Roy takes June on a wacky thrill-ride of evasive action.