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Fantasiestücke, Op (Schumann, Robert) .. Album Musica, No Paris: Pierre Lafitte, .. Des Abends (D♭ major); Aufschwung (F minor); Warum?
Table of contents
Schumann was greatly influenced by literature, as his father was a bookkeeper, publisher, and novelist, and the title of this work reflects that. It is not just that title, however, that was influenced by literature. Schumann had invented two fictitious characters, or alter egos, to represent the duality of his own personality.
Phantasiestücke, Op. 12
Eusebius represented the dreamy, introspective side and Florestan, the passionate. Eusebius begins the work with "Des Abends" "In the Evening" which is to represent a "gentle picture of dusk. The two characters alternate in each piece, until both are represented in the fifth piece "In der Nacht" "In the Night" and in the sixth "Fabel" "Fable". Finally, the work concludes with "Ende vom Lied" "End of the Song" and it is Eusebius that has the last word.
Schumann described the final piece in a letter to his wife Clara thus: "At the time, I thought: well in the end it all resolves itself into a jolly wedding. From Wikipedia, the free encyclopedia.
Fantasiestücke, Op. 12 - Wikipedia
Hadden, "Laidlaw , Anna Robena Keddy — ", rev. Peter Burkholder, Claude V.
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Solo piano music by Robert Schumann. Variations on the name "Abegg" in F, Op. Papillons , Op.
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Fantasie in C, Op. Categories : Adaptations of works by E. Hoffmann Piano music by Robert Schumann Compositions for solo piano compositions Fantasias music.
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