Manual The Butterfly-Girls: leonella editorial

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They exchange emails through the internet and Spier later falls in love with him. The film concludes with his friends enjoying the irony within, as everyone knows Bram and Simon Spier are now dating. She also agreed that people who are still closeted can watch the movie with their parents and use it as a way to come out of the closet after viewing the movie.

Gay people have people being myself and at peace have feelings too. I reuniversal, regardless of member at the end of the sexual orientation. One of these students, junior Katie Medina, has had her Maltese dog named Bella for about a year. Since Galicia is the main person taking care of him, she stated that she has learned to be more responsible because of him. Galicia also mentioned that.

No one ing amount of can take that profit for the away from fashion world. Did they Oxever believe nard High School If she had they would be senior Miranda De to choose her fainspiration for La Cruz believes vorite fashion era, people today? It is used as a she said. Some unique, but I think way to keep these other trends that that is why I love trends alive. Pets are a big part of the lives of OHS students her hamster has comforted her in many ways throughout her time with him.

Padilla has had a close relationship with his dog. High school has been a great learning experience. My friends have made a huge impact and all the memories we share. People always say that the time spent in high school are the best years of your life, but I think with me my story is going to unfold while at college and that those will be the best years of my life.


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This is the second consecutive year that OHS debate has went on to compete at State. The winners of the competition were based on how they dressed, performed, argued for their side and many other factors, according to Oregel. The OHS team ended up placing second at the State competition. I think we would have been able to get first.

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A majority of the debate team members agreed that their main goal for next year is to win first place. Designing things to function solely by my hands fascinates me.


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  • Celia Garza has Throughout times and many been teaching Naher teaching career, happy students that tive Speaker Spanish students have been she has taught. One 2 and 3 as well as able to get extra help of the most importAdvanced Placement and guidance in the ant memories for her Spanish 4 at Oxnard Spanish program. The time has that her motivation when they came back come for her to retire to become a teacher to her class to tell her and say goodbye was to help Mexican that they passed the to the AP exam.

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    She She has had many graduatexperiences ed from over the years OHS and has seen after faces come and attending go. You can talk summer classes and their Spanish skills. She will be retirlearned to commumiss her. One main goal that students work hard for is being accepted into their dream school. Baylor and he will be Students coming together during lunch on Deision Day.

    They have to make decithings about choosing a college is sions in their high school careers that it is like choosing a new home; that would greatly impact their Madelyn Alvara Reporter. For some, this decision came naturally. College will bring new experiences along with new people to meet. Although starting a new school in a brand new city can come with frightening thoughts it pays off in the end when one receives their acceptance letter.

    All their hard work and dedication is rewarded when acceptance letters come in. Ivanhoe appears focused on events transpiring on English soil, but it is in fact equally concerned with worlds beyond English borders and with the potential threat to pure English identities posed by outsiders from these worlds. The Normans in Ivanhoe are represented as outsiders not only because they are French, but because they are steeped in a culture that has been greatly shaped by their experience on Crusade.

    When Brian de Bois-Guilbert, the Templar knight who comes to embody all that is negative about the Normans, first appears, he is linked unmistakably with crusading. Bois-Guilbert is represented as tainted by his exposure to the East. The Norman knight seems to have been ruined by his time on Crusade, which has led him to an affiliation with the corrupt Templar order. The Templars are also strongly associated with their Eastern connections. The fair-haired Saxon Ivanhoe has also been exposed to the East, but ultimately is not tainted by it.

    Ivanhoe can also speak Arabic and uses this knowledge to aid Rebecca and her father, Isaac of York, but unlike Bois-Guilbert, Ivanhoe is able to control his attraction to the beautiful Rebecca as soon as he realises that she is not a Christian. While he can adapt to Norman ways and prove a loyal retainer to Richard, a Norman king, Ivanhoe manages to maintain his ideals and his Saxon identity, ultimately marrying the Saxon princess, Rowena, and thereby continuing his Saxon line as well as avoiding any possible miscegenation.

    Ivanhoe represents an idealised hybrid, someone who can adapt without losing his cultural identity, figured by Scott as a racial one. Miscegenation, the sexualised mixing of the races, is a forbidden form of hybridity in the novel and Rebecca, for all of her positive qualities, embodies its threat.

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    In Rebecca and Isaac, Scott recreates the figures of the rich Jew and his desirable daughter. But here, instead of the disobedient Jessica who abandons her father for a Christian lover and takes with her money and valuables, we have a Jewess who is loving and obedient to her father.

    Rebecca is profoundly wise and highly educated, and she is also willing to die out of loyalty to the race of her ancestors, a race whose misery and lost glory she continually mourns. She is, finally, the most racially loyal character in the novel, choosing her people over her own desire for Ivanhoe.

    This beautiful Jewess, like her Shakespearean model, represents an alluring and dangerous prize to Christian men, but unlike Shakespeare, Scott does not allow for the possibility of mixing Christian and Jewish blood.

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    She is an idealised figure but one whose sexual attractiveness poses a danger to the racial purity of both Normans and Saxons. Rebecca is not the only Jewish element that is excised from England in Ivanhoe. Ivanhoe is, of course, a historical novel, and it plays fast and loose with historical facts, as has already been noted in its portrayal of an idealised Richard the Lionheart. Those who left the tower hoping to avoid death through conversion were slaughtered as they exited.

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    Members of the mob then went to York Cathedral and burned documents pertaining to the Jews, notably records of debt owed to the Jews by Christians. The horrific facts of the castle, however, only haunt the edges of Ivanhoe, which does not reference the massacre. The massacre, which occurred four years prior to the historical return of Richard that is a central part of the novel, is never mentioned. Just as Guillaume represses the hybrid history of Norman Sicily, so too, in Ivanhoe, Scott sublimates significant elements of the history of the contact zone for English Jews.

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    One can discern the most striking echoes of the details of the massacre in the second major episode in the novel, the imprisonment of Cedric, Rowena and other Saxons, as well as Isaac and Rebecca, in the Castle of Torquilstone by treacherous Norman captors who wish to ravish the women and extort treasure. In a famous scene, the Templar knight Brian de Bois-Guilbert wishes to make Rebecca his concubine, but she stands on the edge of the castle turret and makes clear that she would rather hurl herself to her death than accept him.

    Her fearlessness and willingness to commit suicide rather than submit to dishonour, which cause Bois-Guilbert to become even more obsessed with her, recall the infamous decision by the York Jews to die rather than be captured. In Ivanhoe the conflict between Christians and Jews is portrayed as religious and as financial, since Isaac is portrayed as unbelievably wealthy and stereotypically avaricious, but this tension is ultimately crystallised into the sexual desire of Bois-Guilbert for Rebecca.

    Instead of the willing beautiful Jewess of Shakespeare, however, Scott gives us a woman who will not yield to oppression or to her own desires. She will ultimately embrace a life of celibacy, but we see her potential fate echoed in the fate of another woman whom she encounters in the castle, Ulrica, a bitter and half-crazed old woman.

    Ulrica was once a noble Saxon beauty who succumbed to the fate Rebecca defies, becoming the concubine of the Norman conqueror, Front de Boeuf, despite the fact that he had murdered her relatives and taken over their lands. She then later seduced his son. Ulrica, originally called Urfried, represents the darker side of hybridity.

    This willing victim ultimately betrays the Normans and sets fire to the castle, killing herself and the younger Front de Boeuf, but allowing Rebecca and the princess Rowena to escape.

    Rowena is in love with the Saxon knight Ivanhoe, although her guardian wishes her to marry the noble Saxon Athelstane, and she is held in Torquilstone because the Norman de Bracy desires her beauty and her riches. She too escapes the fate of Ulrica and ultimately marries Ivanhoe, keeping true both to her own desires and to her Saxon bloodline. Their union, the only successful one portrayed in the novel, celebrates the perpetuation of a pure bloodline; no hybrid unions actually occur.

    If, as Robert J. Young argues, theories of race are also covert theories of desire, then it makes sense that the racial politics of the novel, which sees Saxons, Normans and Jews as separate races, are enacted through narratives of desire.