La Figura Del Donaire O El Gracioso En Las Comedias De Lope De Vega/ The Charmer Or The Funny One In Lope De Vega's Comedies (Spanish Edition).
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In , his religious sonnets appeared in a book entitled Rimas sacras , which was another bestseller. Lope was the playwright who established in Spanish drama the three act comedia as the definitive form, ignoring the precepts of the prevailing school of his contemporaries. In Arte nuevo de hacer comedias en este tiempo , which was his artistic manifesto and the justification of his style which broke the neoclassical three unities of place, time and action, he showed that he knew the established rules of poetry but refused to follow them on the grounds that the "vulgar" Spaniard cared nothing about them: Lope boasted that he was a Spaniard pur sang pure-blooded , maintaining that a writer's business is to write so as to make himself understood, and took the position of a defender of the language of ordinary life.
Lope's literary influence was chiefly Latin-Italian and, while he defended the tradition of the nation and the simplicity of the old Castilian , [4] he emphasized his university education and the difference between those educated in the classics and the layman. The majority of his works were written in haste and to order.
Lope confessed that "more than a hundred of my comedies have taken only twenty-four hours to pass from the Muses to the boards of the theatre. In spite of some discrepancies in the figures, Lope's own records indicate that by he had composed three-act plays comedias. The figure had risen to by , to by , to by , and to by Of these, plays are known by their titles, but only about are extant. Many of these pieces were printed during Lope's lifetime, mostly by the playwright himself in the shape of twelve-play volumes, but also by booksellers who surreptitiously bought manuscripts from the actors who performed them.
La Figura Del Donaire O El Gracioso En Las Comedias De Lope De Vega/ The Charmer | eBay
The classification of this large mass of dramatic literature is a task of great difficulty. The terms traditionally employed — comedy, tragedy, and the like — are difficult to apply to Lope's oeuvre and another approach to categorization has been suggested. Lope's work essentially belongs to the drama of intrigue, the plot determining everything else. Lope used history, especially Spanish history, as his main source of subject matter.
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There were few national and patriotic subjects, from the reign of King Pelayo to the history of his own age, he did not put upon the stage. Nevertheless, Lope's most celebrated plays belong to the class called capa y espada " cloak and dagger " , where the plots are chiefly love intrigues along with affairs of honor, most commonly involving the petty nobility of medieval Spain.
In some of these, Lope strives to set forth some moral maxim and to illustrate its abuse with a living example. On the theme that poverty is no crime, in the play Las Flores de Don Juan , he uses the history of two brothers to illustrate the triumph of virtuous poverty over opulent vice, while indirectly attacking the institution of primogeniture , which often places in the hands of an unworthy person the honor and substance of a family when younger members would be better qualified for the trust.
However, such morality pieces are rare in Lope's repertory; generally, his aim is to amuse and stir with his focus being on the plot, not concerning himself with instruction. Lope encountered a poorly organized dramatic tradition; plays were sometimes composed in four acts, sometimes in three, and though they were written in verse, the structure of the versification was left to the individual writer.
Because the Spanish public liked it, he adopted the style of drama then in vogue. He enlarged its narrow framework to a great degree, introducing a wide range of material for dramatic situations - the Bible , ancient mythology , the lives of the saints , ancient history, Spanish history , the legends of the Middle Ages, the writings of the Italian novelists, current events, and everyday Spanish life in the 17th century. Prior to Lope, playwrights sketched the conditions of persons and their characters superficially.
With fuller observation and more careful description, Lope de Vega depicted real character types with language and accoutrements appropriate to their position in society.
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The old comedy was awkward and poor in its versification. Lope introduced order into all the forms of national poetry, from the old romance couplets to the lyrical combinations borrowed from Italy.
He wrote that those who should come after him had only to go on along the path which he had opened. In Harry Turtledove 's alternate history novel Ruled Britannia , Vega is depicted as a Spanish soldier-playwright who interacts with William Shakespeare , a resident of defeated England, where Vega is on occupation duty.
The novel's viewpoint narration alternates between the two playwrights. Manage research, learning and skills at NCR Works. Create an account using LinkedIn to manage and organize your omni-channel knowledge. NCR Works is like a shopping cart for information -- helping you to save, discuss and share. Lope de Vega Portrait of Lope de Vega. Eckermann, Conversations with Goethe: Lope y Cervantes", Artifara 2 'Monographica', nota 7.
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Fanjul, Sergio 22 August A Companion to Lope de Vega Paperback ed. This article uses material from the Wiki pedia page available here.
Ir y quedarse - Lope de Vega. Que tengo yo, que mi amistad procuras - Lope de Vega. Lope de Vega, Tirso de Molina y. Books Theatre de Lope de Vega: Carros quemados en la Lope de Vega.
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