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Daphne am Bach, D First line: Ich hab' ein Bächlein funden. composer. Franz Schubert (). April ; first published in author of text.
Table of contents
- SCHUBERT: Lied Edition 20 - Poets of Sensibility, Vol. 4 - NaxosDirect
- More by Franz Schubert
- Innovative tools & features
- NOT TO BE MISSED!
Plus the unfinished opera Sakontala - Schubert left just sketches for Acts 1 and 2, but Danish composer Karl Aage Rasmussen has reconstructed the work as we'll hear in this performance by the Deutsche Kammerphilharmonie Bremen. Thekla [eine Geisterstimme] D. Bauer bass , Marcus Schmidl bass , Ulrich Eisenlohr piano. O, Dank euch! Mignon I Heiss mich nicht reden D. Romanze In der Vater Hallen ruhte D. Stimme der Liebe Meine Selinde D.
Lied in der Abwesenheit Ach, mir ist das Herz so schwer D. See all episodes from Through the Night. Prior to Schubert, songs were often folksy and Mr. Huh sang them with sincerity and admirable simplicity, not neglecting dynamics, pacing or fine German diction.
SCHUBERT: Lied Edition 20 - Poets of Sensibility, Vol. 4 - NaxosDirect
Accompanied by Siyi Fang's delicate touch on the keys, bass-baritone Davone Tines performed four Schumann songs; he is a fine storyteller, excelling in " Belsatzar " and "Der Hans und die Grete tanzen herum ", mining all the inherent drama. We especially enjoyed "Green". Her piano partner was Luis Ortiz. Tenor Martin Bakari sang four songs by Liszt, charming us with one of our favorite melodies " O lieb, so lang du lieben kannst" which he invested with a great deal of passion. We would like to see him lose his fear of the final "ch" sound and give it its due.
The program ended on a high note, so to speak, with soprano Lara Secord-Haid showing a wonderful feel for the four selections from Richard Strauss' Brentano Lieder, Op. Her voice is rich at the bottom and swells to a resonant pingy top. Secord-Haid negotiated the many skips with aplomb.
Her stage presence was a pleasure to behold.
More by Franz Schubert
It would appear that much credit goes to Margo Garrett who coached these young singers. Let it be said that the diction was quite excellent in nearly all cases. We would regret missing any of these superb Liederabends.
The Pierrot Project focused on the music of the early 20th century in celebration of the th anniversary of Arnold Schoenberg's ground-breaking chamber work Pierrot Lunaire. On the brink of World War I, the world would never be the same; surrealism was blossoming in the arts and strange risks were being taken in the world of music. In mezzo-soprano Hai-Ting Chinn we had, not only a supremely gifted performer but a charming educator who laid the groundwork for our better understanding of this strange and beautiful work as it relates to the Pierrot character of commedia del'arte.
To ease into the work, we heard the highly accessible " Syrinx " by Claude Debussy, in which the luminous playing of flutist Jennifer Grim led us to realize how like the human voice the flute is. Words such as "on the breath", " legato " and " messa di voce " kept coming into our head.
The pieces are brief and feel unconsummated. The works are atonal but predate Schoenberg's experimentation with the tone system. Grim is also a member. After a brief pause, Ms.
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Chinn reappeared in a costume that Rudy Gernreich might have designed in the 60's--a loose tent of white net sprinkled with large polka dots and a large floppy white bow in her hair. She looked absolutely adorable as a female representation of Pierrot and gave a most memorable performance of the 21 poems comprising the work. The work has an interesting history which was explained by Ms. The music was commissioned by the actress Albertine Zehme who performed it in sprechgesang, maintaining rhythm and pitch, giving the work the feel of cabaret.
The original piano score was expanded for an ensemble of 5 instrumentalists.
NOT TO BE MISSED!
Aside from the aforementioned pianist and Ms. Grim who doubled on piccolo, Yuko Naito played the violin and viola, Brian Snow played the cello, and Alexey Gorokholinsky played clarinet, doubling on bass clarinet to fine effect. But the success of the work rested largely on the slim shoulders of the petite Ms. Chinn who used her large eyes and expressive face along with her flexible voice to paint pictures that danced before our very eyes. We could not imagine a finer performance. The audience was spellbound.
We can barely wait to see what 5BMF comes up with next.
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- List of songs by Franz Schubert.
- Daphne am Bach, D. , a song by Franz Schubert, Birgid Steinberger, Ulrich Eisenlohr on Spotify.
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Licia Albanese What better way to celebrate the th birthday of incomparable soprano Licia Albanese than a concert of winners of the International Vocal Competition presented by the 38 year old Licia Albanese-Puccini Foundation. Signora Albanese herself came onstage to the delight of her adoring public; she was acknowledged not only for her brilliant career but also for the many gifts she conferred on students via master classes, coaching and financial help from the Foundation. How many times in one's life does one get to honor a great lady on her centennial birthday!
Wielding the baton for the Musica Sacra Orchestra was Kent Tritle; Arlene Schrut presided over the piano with her customary excellence.
Interspersed between the arias performed by the competition winners were arias by three recipients of the Distinguished Achievement Awards who graciously performed; tenor Michael Fabiano sang "Federico's Lament" from Cilea's L'Arlesiano , mezzo Isabel Leonard performed a song from Lerner and Loewe's Camelot and soprano Latonia Moore sang " Un bel di " from Puccini's Madama Butterfly. It is difficult to imagine three finer performances. As far as the competition winners, we applaud the judges for their fine choices.
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