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Lady Mary Cademus lost both the men she loved in the First Crusade. But now 8 years later one of them, her son Oliver, has returned alive. And he isn't alone.
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Not only has it rung true to my experience growing up as a black girl in Jamaica—a place still infused by post-colonial hierarchies of class and shade—but in my stories. One of the main characters, Thandi, bleaches her skin, thinking it will increase her worth in Jamaican society—a society that has long given prestige to the lighter citizens of the ruling class.

Most feel invisible, pushed to the margins of society and silenced. While rape, incest, and violence against women remain prevalent in Jamaica, like any other country, the focus tend to be on other issues that exclude them. Issues such as homosexuality, for example, takes precedence over the victimization of young girls in our country by older men.

In the book, Verdene is the most reviled among the River Bank community as a gay woman while a known rapist and pedophile walks around town freely. Very little has been done in society as a whole to make black women feel like we are women; like we are deserving of rights and empathy. We have been there for black men, but rarely does this loyalty gets reciprocated. It was a group of black women who came up with black lives matter after a series of publicized police brutality, which led to the killings of black men.


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But while the black lives matter movement picked up velocity, black women who have been victimized by rape or domestic violence continued to be overlooked. Who advocates for them? It was no surprise that Dr. As simple as this question seems, it transcends history, generations. For years we have struggled and have somehow managed, in our own way, to exist. Surely, our mental health has come into question given that it is impossible to exude strength at all times.

The strong black woman archetype is definitely a myth. Like any other human being, we need help. We need to be cared for, listened to, affirmed. And since society has not yet embraced us as women much less as human beings, we embrace ourselves and call it magic.

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Talk di tings, mi seh! Dear my love, you know, You had a father: let your son say so. Not from the stars do I my judgement pluck; And yet methinks I have Astronomy, But not to tell of good or evil luck, Of plagues, of dearths, or seasons' quality; Nor can I fortune to brief minutes tell, Pointing to each his thunder, rain and wind, Or say with princes if it shall go well By oft predict that I in heaven find: But from thine eyes my knowledge I derive, And, constant stars, in them I read such art As truth and beauty shall together thrive, If from thyself, to store thou wouldst convert; Or else of thee this I prognosticate: Thy end is truth's and beauty's doom and date.

When I consider every thing that grows Holds in perfection but a little moment, That this huge stage presenteth nought but shows Whereon the stars in secret influence comment; When I perceive that men as plants increase, Cheered and checked even by the self-same sky, Vaunt in their youthful sap, at height decrease, And wear their brave state out of memory; Then the conceit of this inconstant stay Sets you most rich in youth before my sight, Where wasteful Time debateth with decay To change your day of youth to sullied night, And all in war with Time for love of you, As he takes from you, I engraft you new.

But wherefore do not you a mightier way Make war upon this bloody tyrant, Time? And fortify your self in your decay With means more blessed than my barren rhyme? Now stand you on the top of happy hours, And many maiden gardens, yet unset, With virtuous wish would bear you living flowers, Much liker than your painted counterfeit: So should the lines of life that life repair, Which this, Time's pencil, or my pupil pen, Neither in inward worth nor outward fair, Can make you live your self in eyes of men.

To give away yourself, keeps yourself still, And you must live, drawn by your own sweet skill. Who will believe my verse in time to come, If it were filled with your most high deserts? Though yet heaven knows it is but as a tomb Which hides your life, and shows not half your parts.

Ada Lovelace

If I could write the beauty of your eyes, And in fresh numbers number all your graces, The age to come would say 'This poet lies; Such heavenly touches ne'er touched earthly faces. Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines, By chance, or nature's changing course untrimmed: But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st, Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st, So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.

So is it not with me as with that Muse, Stirred by a painted beauty to his verse, Who heaven itself for ornament doth use And every fair with his fair doth rehearse, Making a couplement of proud compare With sun and moon, with earth and sea's rich gems, With April's first-born flowers, and all things rare, That heaven's air in this huge rondure hems. Mine eye hath played the painter and hath steeled, Thy beauty's form in table of my heart; My body is the frame wherein 'tis held, And perspective that is best painter's art.

For through the painter must you see his skill, To find where your true image pictured lies, Which in my bosom's shop is hanging still, That hath his windows glazed with thine eyes. Now see what good turns eyes for eyes have done: Mine eyes have drawn thy shape, and thine for me Are windows to my breast, where-through the sun Delights to peep, to gaze therein on thee; Yet eyes this cunning want to grace their art, They draw but what they see, know not the heart.

Lord of my love, to whom in vassalage Thy merit hath my duty strongly knit, To thee I send this written embassage, To witness duty, not to show my wit: Duty so great, which wit so poor as mine May make seem bare, in wanting words to show it, But that I hope some good conceit of thine In thy soul's thought, all naked, will bestow it: Till whatsoever star that guides my moving, Points on me graciously with fair aspect, And puts apparel on my tottered loving, To show me worthy of thy sweet respect: Then may I dare to boast how I do love thee; Till then, not show my head where thou mayst prove me.

Weary with toil, I haste me to my bed, The dear repose for limbs with travel tired; But then begins a journey in my head To work my mind, when body's work's expired: For then my thoughts--from far where I abide-- Intend a zealous pilgrimage to thee, And keep my drooping eyelids open wide, Looking on darkness which the blind do see: Save that my soul's imaginary sight Presents thy shadow to my sightless view, Which, like a jewel hung in ghastly night, Makes black night beauteous, and her old face new. How can I then return in happy plight, That am debarred the benefit of rest?

When day's oppression is not eas'd by night, But day by night and night by day oppressed, And each, though enemies to either's reign, Do in consent shake hands to torture me, The one by toil, the other to complain How far I toil, still farther off from thee. I tell the day, to please him thou art bright, And dost him grace when clouds do blot the heaven: So flatter I the swart-complexion'd night, When sparkling stars twire not thou gild'st the even.

But day doth daily draw my sorrows longer, And night doth nightly make grief's length seem stronger. When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unused to flow, For precious friends hid in death's dateless night, And weep afresh love's long since cancelled woe, And moan the expense of many a vanished sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before.

But if the while I think on thee, dear friend, All losses are restor'd and sorrows end. Full many a glorious morning have I seen Flatter the mountain tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace: Even so my sun one early morn did shine, With all triumphant splendour on my brow; But out, alack, he was but one hour mine, The region cloud hath mask'd him from me now.

Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth. Why didst thou promise such a beauteous day, And make me travel forth without my cloak, To let base clouds o'ertake me in my way, Hiding thy bravery in their rotten smoke? No more be grieved atthat which thou hast done: Roses have thorns, and silver fountains mud: Clouds and eclipses stain both moon and sun, And loathsome canker lives in sweetest bud.

All men make faults, and even I in this, Authorizing thy trespass with compare, Myself corrupting, salving thy amiss, Excusing thy sins more than thy sins are; For to thy sensual fault I bring in sense, Thy adverse party is thy advocate, And 'gainst myself a lawful plea commence: Such civil war is in my love and hate, That I an accessary needs must be, To that sweet thief which sourly robs from me. Let me confess that we two must be twain, Although our undivided loves are one: So shall those blots that do with me remain, Without thy help, by me be borne alone.

In our two loves there is but one respect, Though in our lives a separable spite, Which though it alter not love's sole effect, Yet doth it steal sweet hours from love's delight. I may not evermore acknowledge thee, Lest my bewailed guilt should do thee shame, Nor thou with public kindness honour me, Unless thou take that honour from thy name: But do not so, I love thee in such sort, As thou being mine, mine is thy good report.

As a decrepit father takes delight To see his active child do deeds of youth, So I, made lame by Fortune's dearest spite, Take all my comfort of thy worth and truth; For whether beauty, birth, or wealth, or wit, Or any of these all, or all, or more, Entitled in thy parts, do crowned sit, I make my love engrafted to this store: So then I am not lame, poor, nor despised, Whilst that this shadow doth such substance give That I in thy abundance am sufficed, And by a part of all thy glory live.

Look what is best, that best I wish in thee: This wish I have; then ten times happy me! What can mine own praise to mine own self bring? And what is't but mine own when I praise thee?


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  8. Even for this, let us divided live, And our dear love lose name of single one, That by this separation I may give That due to thee which thou deserv'st alone. O absence! Take all my loves, my love, yea take them all; What hast thou then more than thou hadst before?

    The Enlish Patient

    No love, my love, that thou mayst true love call; All mine was thine, before thou hadst this more. Then, if for my love, thou my love receivest, I cannot blame thee, for my love thou usest; But yet be blam'd, if thou thy self deceivest By wilful taste of what thyself refusest. I do forgive thy robbery, gentle thief, Although thou steal thee all my poverty: And yet, love knows it is a greater grief To bear love's wrong, than hate's known injury.

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    Lascivious grace, in whom all ill well shows, Kill me with spites yet we must not be foes. Those pretty wrongs that liberty commits, When I am sometime absent from thy heart, Thy beauty, and thy years full well befits, For still temptation follows where thou art. Gentle thou art, and therefore to be won, Beauteous thou art, therefore to be assailed; And when a woman woos, what woman's son Will sourly leave her till he have prevailed? Ay me! That thou hast her it is not all my grief, And yet it may be said I loved her dearly; That she hath thee is of my wailing chief, A loss in love that touches me more nearly.

    Loving offenders thus I will excuse ye: Thou dost love her, because thou know'st I love her; And for my sake even so doth she abuse me, Suffering my friend for my sake to approve her. If I lose thee, my loss is my love's gain, And losing her, my friend hath found that loss; Both find each other, and I lose both twain, And both for my sake lay on me this cross: But here's the joy; my friend and I are one; Sweet flattery!

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    How careful was I when I took my way, Each trifle under truest bars to thrust, That to my use it might unused stay From hands of falsehood, in sure wards of trust! But thou, to whom my jewels trifles are, Most worthy comfort, now my greatest grief, Thou best of dearest, and mine only care, Art left the prey of every vulgar thief.

    So am I as the rich, whose blessed key, Can bring him to his sweet up-locked treasure, The which he will not every hour survey, For blunting the fine point of seldom pleasure. Therefore are feasts so solemn and so rare, Since, seldom coming in the long year set, Like stones of worth they thinly placed are, Or captain jewels in the carcanet. So is the time that keeps you as my chest, Or as the wardrobe which the robe doth hide, To make some special instant special-blest, By new unfolding his imprisoned pride. Blessed are you whose worthiness gives scope, Being had, to triumph, being lacked, to hope.

    What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one hath, every one, one shade, And you but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you; On Helen's cheek all art of beauty set, And you in Grecian tires are painted new: Speak of the spring, and foison of the year, The one doth shadow of your beauty show, The other as your bounty doth appear; And you in every blessed shape we know.

    In all external grace you have some part, But you like none, none you, for constant heart. The rose looks fair, but fairer we it deem For that sweet odour, which doth in it live.